TidBITS#908/17-Dec-07
=====================
  Issue link: <http://db.tidbits.com/issue/908>

  Have you gotten chummy with a Chumby? (Are you thinking we've gone 
  out of our minds?) Kevin van Haaren looks at the plush computing 
  device and explains what you can do with it. Matt Neuburg writes 
  about how Default Folder X 4 is an essential update for your Mac, 
  and how Quay makes Leopard's stacks usable again. Joe Kissell makes 
  his Windows and Mac partitions talk to one another via NTFS for Mac, 
  and Adam raises concerns about Google's Knol, which seems to be 
  taking aim at Wikipedia. In security news, Apple released QuickTime 
  7.3.1 to fix the serious RTSP vulnerability. Lastly, we've published 
  new and updated Take Control ebooks about the iPhone, digital TV, 
  running Windows on a Mac, and Mac OS X terminology (all of which are 
  20% off via the MacSanta promotion on 18-Dec-07). Have a safe and 
  happy holiday - our next issue will be 07-Jan-08!

Articles
    TidBITS 2007 Holiday Hiatus
    QuickTime 7.3.1 Fixes RTSP Vulnerability
    Get DivX Pro for Free for a Limited Time
    Take Control News: Save with MacSanta Discounts
    Take Control News: Master Your iPhone with Ted Landau's Advice
    Take Control News: Three Ebook Updates for Holiday Reading
    Quay Sticks It to Stacks
    Default Folder X Tames Leopard's Open/Save Dialogs
    NTFS Options for Mac Expand
    Chumby: The Beanbag Computer
    Horsepower & Image Sensors
    Google Goes After Wikipedia
    Bonus Stories for 17-Dec-07
    Hot Topics in TidBITS Talk/17-Dec-07


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TidBITS 2007 Holiday Hiatus
---------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/9368>

  It seems that every year ends with a mad rush to finish as much as 
  possible before the holidays kick in, but this year was truly 
  extreme for Tonya and me. Along with redesigning the TidBITS Web 
  site in August, we published 23 new and updated ebooks since the 
  beginning of September, and I somehow managed to find the time to 
  write "iPhoto '08: Visual QuickStart Guide" in November as well. I 
  can't remember anything that happened before August.

<http://www.takecontrolbooks.com/iphoto7-vqs.html?14@@!pt=TB908>

  We could never have accomplished even a fraction of this without the 
  immensely capable assistance of Jeff, Glenn, Joe, Matt, and Mark; 
  the many Take Control authors and editors; the savvy techs at 
  digital.forest, our Internet host. We're also indebted to the 
  knowledgeable authors who contributed articles throughout the year, 
  our selfless volunteer translators, our corporate sponsors, all the 
  people who make TidBITS Talk vibrant, and everyone who makes time to 
  read what we write. Thank you, one and all, and may all your holiday 
  wishes come true.

  Although the pace of both will undoubtedly slow, we'll continue 
  posting articles to the TidBITS Web site, and we'll keep moderating 
  messages through to TidBITS Talk as well. The next email issue of 
  TidBITS will appear 07-Jan-08, and the week after that, we'll be in 
  San Francisco for the annual Macworld Expo excitement. 

<http://www.tidbits.com/>


QuickTime 7.3.1 Fixes RTSP Vulnerability
----------------------------------------
  by Jeff Carlson <jeffc@tidbits.com>
  article link: <http://db.tidbits.com/article/9363>

  Apple has released QuickTime 7.3.1, a security update that patches a 
  potentially serious exploit (see "Protect Yourself from the 
  QuickTime RTSP Vulnerability," 2007-09-07). Unlike many recent 
  security issues on the Mac, malicious code that took advantage of 
  the QuickTime RTSP (Real Time Streaming Protocol) vulnerability was 
  active in the wild: a specially crafted Web page could install 
  malicious software on your computer. According to Apple's security 
  release notes, QuickTime 7.3.1 fixes the flaw in RTSP as well as 
  holes in QuickTime's Flash media handler.

<http://db.tidbits.com/article/9333>
<http://docs.info.apple.com/article.html?artnum=307176>

  Apple recommends the update for all users: it's available via 
  Software Update and in standalone form for Leopard (52.6 MB), Tiger 
  (48.7 MB), Panther (50.9 MB), and Microsoft Windows XP and Vista 
  (20.3 MB).

<http://www.apple.com/support/downloads/quicktime731forleopard.html>
<http://www.apple.com/support/downloads/quicktime731fortiger.html>
<http://www.apple.com/support/downloads/quicktime731forpanther.html>
<http://www.apple.com/support/downloads/quicktime731forwindows.html>


Get DivX Pro for Free for a Limited Time
----------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/9357>

  For an unspecified limited time, DivX is giving away free serial 
  numbers to their DivX Pro software, which makes it possible to 
  create DivX-encoded videos on the Mac (a Windows version is also 
  available). DivX is a compressed digital media format for video, 
  much as MP3 and AAC are compressed digital media formats for audio. 
  Read all about it on Wikipedia if you're interested in the gory 
  details.

<http://www.divx.com/dff/index.php?version=mac>
<http://en.wikipedia.org/wiki/Divx>

  Normally $19.99, DivX Pro for Mac is a bundle of four applications, 
  DivX Player (for playing DivX videos on the Mac), DivX Web Player 
  (for extending playback functionality to the Web), DivX Pro Codec 
  (necessary for encoding video in DivX format), and DivX Converter 
  (the application that works with the codec to create DivX videos). 

<http://www.divx.com/divx/mac/>
<http://www.divx.com/divx/mac/player/>
<http://www.divx.com/divx/mac/webplayer/>
<http://www.divx.com/divx/mac/codec/>
<http://www.divx.com/divx/mac/converter/>

  If you don't create video at all, there's nothing wrong with 
  downloading the free version of DivX Pro, but you can get just the 
  parts you need to play DivX-encoded videos for free any time. The 
  DivX for Mac bundle includes the DivX Player, DivX Web Player, and 
  the DivX Community Codec, which I gather can only decode DivX video, 
  with encoding being restricted to the DivX Pro Codec.

<http://www.divx.com/divx/mac/>


Take Control News: Save with MacSanta Discounts
-----------------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/9367>

  On Tuesday, 18-Dec-07, you can save 20 percent on all Take Control 
  ebooks as part of the month-long MacSanta promotion. Just enter the 
  coupon code MACSANTA07 in our cart when ordering on that day to 
  receive your discount. If you miss ordering on the 20-percent-off 
  day, you can still save 10 percent with coupon code MACSANTA07TEN 
  for all orders through 31-Dec-07. (While you're there, be sure to 
  check out all the other products available at discount!) 

<http://www.takecontrolbooks.com/catalog.html?14@@!pt=TB908>
<http://www.macsantadeals.com/>

  Note that we usually embed coupon codes in our URLs to make things 
  easier for you, but that wasn't possible in this case, so you'll 
  need to copy a coupon code above, paste it into the Coupon Code 
  field in the upper-right corner of our eSellerate-based shopping 
  cart, and click the Enter Coupon button to apply it to your 
  subtotal.

  And remember, you can give one of our ebooks as a last-minute gift 
  easily. Just place your order, download the PDF, and then send it to 
  the recipient as a normal email attachment. Make sure to explain how 
  to click the Check for Updates link to look for information about 
  updates.


Take Control News: Master Your iPhone with Ted Landau's Advice
--------------------------------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/9359>

  The iPhone was recently named Time Magazine's Invention of the Year, 
  and there's certainly a lot to like about all the snazzy features it 
  shoehorns into a shiny package. However, if you want to feel more in 
  control of core features like syncing to your computer, setting up 
  Mail accounts, and connecting to wireless networks, the new "Take 
  Control of Your iPhone," by computer troubleshooting guru Ted 
  Landau, explains what's happening under the hood so you can use your 
  iPhone more effectively and with less hassle.

<http://www.takecontrolbooks.com/iphone.html?14@@!pt=TB908>

  If you have questions about activating your iPhone, the nuances of 
  the touchscreen and virtual keyboard, or customizing the settings 
  for applications, this book has the answers. Where it truly shines, 
  though, especially in comparison with other iPhone titles, is in its 
  coverage of how to solve problems. Whether you're suffering a 
  syncing feeling, can't get your email delivered, having trouble 
  getting a charge out of your battery, or need to resuscitate a dead 
  iPhone, you'll benefit from Ted's many years of experience with 
  authoring best-selling troubleshooting books. This completely 
  up-to-date ebook walks you through dozens of step-by-step 
  problem-solving procedures, while offering tips for smart ways to 
  use the iPhone along the way. 

  For the adventurous, Ted also covers iPhone hacking and how to deal 
  with updating (or not updating) a hacked iPhone.

  Through the end of December, an introductory offer drops the 
  195-page ebook's $15 price to only $10. Get your copy today!

  (Owners of the preview version of the ebook - titled "Take Control 
  of Troubleshooting Your iPhone" - can get the full "Take Control of 
  Your iPhone" by clicking the Check for Updates link in the preview 
  PDF.)


Take Control News: Three Ebook Updates for Holiday Reading
----------------------------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/9362>

  Whether your holiday reading over the next few weeks trends more 
  toward figuring out how to buy or set up a new digital TV, learning 
  a few new technology terms, or playing the latest hot Windows game 
  on your Mac via Boot Camp, we have a freshly updated ebook for you. 
  Even better, all of these updates are free to existing owners of the 
  most recent version. Happy holidays!

* "Take Control of Running Windows on a Mac": Hot off the virtual 
  press, this ebook - now at version 2.6 - is once again updated to 
  cover the latest technology and advice for making Windows run 
  smoothly on your Intel-based Macintosh. This version looks at 
  running Boot Camp under Leopard, what to do if you were previously 
  running Boot Camp under Tiger (or still are), and the latest 
  versions of the frequently updated Parallels Desktop and VMware 
  Fusion. Kudos to author Joe Kissell for keeping this title fresh! 
  $10, 151 pages.

<http://www.takecontrolbooks.com/windows-on-mac.html?14@@!pt=TB908>

* "Take Control: The Mac OS X Lexicon": Although this title doesn't 
  include "w00t," Merriam-Webster's word of the year for 2007, it does 
  include over 500 terms that we at TidBITS Publishing think you 
  should know in order to get the most out of your Mac. Written by 
  Andy Baird and by Sharon Zardetto of Mac Bible fame, the revised 
  title (now at version 1.5) has 30 new entries for Leopard, along 
  with lots of helpful tips for Leopard as well as for older versions 
  of Mac OS X. This unusual book stands out from the pack with its 
  enjoyable and helpful prose, and it makes a great holiday gift. $15, 
  209 pages.

<http://www.takecontrolbooks.com/mac-lexicon.html?14@@!pt=TB908>

* "Take Control of Digital TV": If you're shopping for a new HD 
  television, you definitely want this ebook, now at version 2.1. It 
  walks you through the entire purchasing process, starting by 
  explaining what features are available in an HD set, explaining the 
  jargon, and helping you figure out which options make sense for your 
  budget and the way you'll use the TV. You'll get a printable 
  shopping checklist, ideas for where to shop, suggestions for how to 
  find HD content once you have your TV, and coverage of some popular 
  options for peripherals to attach to the TV. The ebook also helps 
  you with common installation questions. $10, 98 pages.

<http://www.takecontrolbooks.com/digital-tv.html?14@@!pt=TB908>

  If you own an earlier version of any of the above ebooks, open your 
  PDF and click Check for Updates on the first page to access your 
  update. Updates from the previous version of each book are free; 
  readers with the first editions of "Take Control of Digital TV" and 
  "Take Control of Running Windows on a Mac" receive update discounts.


Quay Sticks It to Stacks
------------------------
  by Matt Neuburg <matt@tidbits.com>
  article link: <http://db.tidbits.com/article/9332>

  This is certainly an exciting time for those of us who have found 
  ourselves hampered by Leopard's superficial silliness. Of the 
  Leopard features I complained about in "Six Things I Hate about 
  Leopard" (2007-10-26), three have already been skewered by good old 
  user ingenuity.

<http://db.tidbits.com/article/9265>

* The reflective Dock was killed, early on, by the discovery of a 
  secret preference setting, available through the Terminal.

* The transparent menu bar (see "Menu Bars So Clean, They Seem To 
  Disappear," 2007-10-30) was recently rendered opaque (and gorgeous!) 
  by a rather scary Terminal incantation that hasn't done my computer 
  any apparent harm (see "Transparent Menu Bar, Die Die Die!," 
  2007-11-16).

<http://db.tidbits.com/article/9276>
<http://db.tidbits.com/article/9320>

* And now, Stacks in the Dock have been replaced by well-behaved 
  folders thanks to Quay, a clever little utility from Rainer 
  Brockerhoff (well known as the author of three other classic 
  utilities on which many of us have long depended: XRay, Nudge, and 
  Zingg!).

<http://brockerhoff.net/quay/>

  Here's how you use Quay (the name, by the way, is evidently a pun on 
  "Dock"). First, drag any folders out of the Dock so that they vanish 
  in a puff of smoke. Those old folders are Stacks, and are just what 
  we're trying to avoid. Next, start up Quay. For each folder you'd 
  like to see in the Dock, instead of dragging it directly into the 
  Dock, drag it onto Quay's window; Quay then produces an icon (which 
  you can customize quite extensively), and you drag that icon from 
  Quay's window into the Dock. When you've populated the Dock with 
  folders, you can quit Quay.

  Now, with any of those Dock folders that you created with Quay, if 
  you simply and quickly click the folder's Dock icon, a hierarchical 
  menu of its contents appears. This menu is actually _better_ than 
  the old Dock hierarchical menus were: the menu for each folder can 
  be sorted by name, date, or kind, and the menu's items can have 
  small, large, or no icons - plus the menu can optionally display 
  invisibles and/or package contents. To determine these menu display 
  options, Option-click the folder icon. To open the folder, 
  double-click it. What you should not do is Control-click the folder 
  icon, or hold the mouse down on it for any length of time, because 
  that will display the Dock's own menu for the item instead of 
  Quay's.

  That brings me to how Quay works its magic. This is largely 
  guesswork, but I take it that what's going on here is that the 
  things you're putting into the Dock with Quay are actually 
  documents, not folders at all. (That's why they live in the correct 
  location, the right side of the Dock, where both folders and 
  documents go.) The originals of these documents are created behind 
  the scenes by Quay, and are stored in your Application Support 
  folder; they are concealed inside a package so you can't 
  accidentally mess with them. When you single-click on a "folder" 
  icon, since this is really a document, what happens is what _always_ 
  happens when you single-click a document in the Dock - the document 
  is opened by the application that owns it. That application is not 
  Quay itself, but an invisible background process that lives inside 
  Quay's package. The invisible application's response to one of its 
  documents being opened is to produce the hierarchical menu 
  representing the contents of the folder to which that document is 
  tied. (That's why Quay itself does not need to be running in order 
  for you to use the Dock "folders" it produces.) Double-clicking a 
  "folder" is seen as an attempt to open the same document twice in 
  quick succession; the invisible process interprets this as a request 
  to open the associated folder.

  Quay is not perfect: For example, you can't Command-click on a 
  "folder" in the Dock to reveal it in the Finder, and sometimes you 
  can't double-click a "folder" in the Dock to open it either, because 
  after the first click the hierarchical menu appears and, if it's 
  large enough, it blocks the Dock so your second click can't get 
  through. And the double-click feature is unreliable in other ways: 
  Sometimes I find that it reveals the folder without opening it, and 
  other times it opens the folder. In general, the double-click 
  feature is unreliable, and it would be better if the hierarchical 
  menu itself included options either to open or to reveal the 
  original folder. Plus, of course, you can't drag an item onto a 
  "folder" in the Dock to copy or move that item into the actual 
  folder, because the thing in the Dock is just a document and no 
  application is even aware of your drag. Finally, the Quay 
  documentation warns that "Quay may get confused if you have several 
  copies of it scattered around;" that's a little worrisome, since, 
  with Time Machine making backups of everything, there certainly 
  _will_ be multiple copies of Quay (the documentation goes on to warn 
  you to prevent this).

  Nevertheless, the Quay approach is elegant, simple, and fun and easy 
  to use, and of course this version is just 1.0; so I recommend that 
  you give it a try. Quay costs 7 euros (about $10 at the moment); you 
  can download it as a demo, but until you register, the hierarchical 
  pop-up menu will work only on one of your Dock "folders."

<http://www.brockerhoff.net/quay/Quay.dmg>

  Now if only someone would do something about the darned tiny type 
  and icons in the sidebar of Finder windows!


Default Folder X Tames Leopard's Open/Save Dialogs
--------------------------------------------------
  by Matt Neuburg <matt@tidbits.com>
  article link: <http://db.tidbits.com/article/9358>

  Jon Gotow's St. Clair Software has just released version 4 of 
  Default Folder X, and in order to explain what that means to me, 
  permit me to remind you of a couple of themes I've been harping on 
  going back many years.

<http://www.stclairsoft.com/DefaultFolderX/>

  First, why aren't Open and Save dialogs more like the Finder? The 
  Finder is for browsing and navigating your file hierarchy; so are 
  Open and Save dialogs. The Finder is good for opening files; so are 
  Open dialogs. So why are they such totally different worlds? Why are 
  they so disconnected? Why is it still all too easy to save a file, 
  have the Save dialog close, and then go, "Oh, darn, what folder did 
  I just put that into?" In fact, not to put too fine a point on it, 
  when you want to open or save a document from within an application, 
  why are you not, in some sense, _in_ the Finder?

  This was a riddle I posed way back in the day (see "Apple's Dirty 
  Little Secret," 2001-10-15), when Finder windows and Open and Save 
  dialogs looked nothing like one another. Nowadays, Apple has gone to 
  some lengths to obscure the differences between the two: Open and 
  Save dialogs have acquired the power of Spotlight (see "Spotlight 
  Strikes Back: In Leopard, It Works Great," 2007-11-01), the Finder 
  sidebar (and, in Leopard, the ability to customize it), views that 
  are sort of like the Finder's views (including, in Leopard, icon 
  view), the capability to summon the Get Info dialog (by, uh, 
  switching to the Finder), and so on. But Open and Save dialogs lack 
  many Finder features, and the fact remains that these are two 
  distinct worlds. They operate differently, and they aren't directly 
  connected, even though you can use both simultaneously. How many 
  times have you screamed at your computer, as it presented you with 
  an Open dialog, "It's right there, dummy - the thing I want to open 
  is sitting right there in a Finder window, behind you! Can't you 
  _see_ it?" No, alas, it can't. True, these days, you can drag from 
  the Finder into an Open or Save dialog to help tell it what folder 
  it should be in; but with all the windows you usually have open, 
  arranging to make that little move can be like solving a Sokoban 
  puzzle.

<http://db.tidbits.com/article/6594>
<http://db.tidbits.com/article/9283>
<http://en.wikipedia.org/wiki/Sokoban>

  Second, whatever happened to Boomerang, which was first mentioned in 
  TidBITS in "Boomerang Makes Good" (1990-10-01)? For readers born 
  since those days (and I worry that, by now, we might really have 
  some), Boomerang was a brilliant hack that helped Open and Save 
  dialogs remember where you'd opened and saved things from, so you 
  could get back there again. It was bought and mutated and re-mutated 
  (for some great ancient history on this topic, see Jerry Kindall's 
  "Get a Piece of the ACTION Files," 1998-06-15), but it was essential 
  to my Mac usage since, gosh, System 6. Slowly, over the years, Apple 
  has realized that Boomerang's functionality might be a Good Thing 
  and has incorporated some of it into the system; but it doesn't 
  really work very well (that's putting it kindly). Sure, an Open or 
  Save dialog contains a Recent Folders section in the pop-up menu, 
  but you know something? I never know where the heck it's getting 
  that list from - most of the time, it doesn't remind me of the 
  places I've recently opened or saved in _this_ application - and 
  it's usually a paltry two to five items in length. Does Apple think 
  we're a bunch of weenies who only open documents from two to five 
  places?

<http://db.tidbits.com/article/3757>
<http://db.tidbits.com/article/4931>

  All of which brings me to Default Folder X. I see we've been writing 
  about this utility since 1991 (back when it was called DFaultD - 
  wow, I'd actually forgotten that: see "DFaultD 2.22," 1991-11-18), 
  and you can follow its history right up through 2005 ("Default 
  Folder X 2.0.2 Now Available," 2005-09-05), which takes you up to 
  Tiger; now, it's Leopard time.

<http://db.tidbits.com/article/3335>
<http://db.tidbits.com/article/8231>

  Default Folder X (it's a System Preferences pane with an application 
  wrapped up inside it) can do a whole lot of things and has a whole 
  lot of options; so any description threatens to be inadequate or 
  confusing. Suffice it to say that it tries very hard to bridge the 
  gap between Open and Save dialogs and the Finder, as well as adding 
  some delightful extra navigational features. When an Open or Save 
  dialog appears, Default Folder X notices this, and places a bar with 
  five icons next to it. Each icon summons a menu:

<http://www.tidbits.com/resources/2007-12/defaultfolderx_v4.png>

* The first lets you perform Finder actions, as if you were _in_ the 
  Finder: you can open folders, rename items, make a new folder, zip 
  an item (wonderful when you've reached for the Open dialog in an 
  email program only to realize that your attachment target is a 
  bundle and must be compressed first), trash an item, and summon a 
  secondary window where you can view a large Quick Look preview, see 
  size and date information, learn and set permissions, and even view 
  and add a Finder (Spotlight) comment.

* The second is a hierarchical menu for navigating your entire 
  computer. You can also access this menu in the menu bar and the 
  Dock.

* The third accesses "favorites" (folders you've marked as frequently 
  used), including the single default folder assigned to this 
  application (the original purpose of DFaultD, way back when). 
  Favorites are global; there are no application-specific favorites, 
  which I personally think would be better, as I typically have a 
  range of base folders I return to again and again for particular 
  applications. However, you can switch among entire sets of 
  favorites.

* The fourth is your list of recent folders (each of which has a 
  hierarchical navigation menu attached to it). Lots of recent 
  folders. Lots and _lots_ of recent folders. As many as 100, if you 
  like. I like!

* The fifth lets you pick an open Finder window to be displayed in the 
  current dialog. You can also switch, in the dialog, to any Finder 
  window you can see, merely by clicking on that window, usually with 
  a modifier key (I have mine set for Control-click).

  I should also emphasize Default Folder X's "Boomerang" feature, 
  since this, for me, is worth the whole price of admission. When an 
  Open dialog opens, not only does it open to the _folder_ you were 
  last viewing, it selects the _file_ you last opened. This is hugely 
  important, not just because this is the file you are most likely to 
  want to open again, but also because if you are processing a series 
  of files, you now know instantly which file is next in the series. 
  I've been using Open dialogs this way, as I said before, since 
  System 6, and I find it hard to live without this feature.

  Some people might not like Default Folder X's new black-and-white 
  semi-transparent windows, modeled after Leopard's "heads-up display" 
  window style; but I think that they, and the new Leopard animations 
  as you summon a menu, are the bee's knees. (That's a term of strong 
  approbation.) Despite the mind-boggling array of options in the 
  preference pane, the Leopard version of Default Folder X feels clean 
  and useful, simple and powerful. Nonetheless, I'm sure I've 
  described Default Folder X and its value inadequately, so please 
  check the St. Clair Web site for yourself (it is best simply to read 
  the entire manual), and download and try this indispensable utility. 
  To find it working so beautifully on Leopard is a joy; I think 
  you'll agree. Default Folder X is $34.95, with a 30-day free trial 
  download available.

<http://www.stclairsoft.com/DefaultFolderX/manual/>
<http://www.stclairsoft.com/Main/download.html>


NTFS Options for Mac Expand
---------------------------
  by Joe Kissell <joe@tidbits.com>
  article link: <http://db.tidbits.com/article/9351>

  One of the irritating things about using Boot Camp, especially if 
  you've formatted your Windows volume using NTFS (which is mandatory 
  for Vista), is the awkwardness of transferring files between your 
  Mac partition and your Windows partition. While running Windows, you 
  can't see your Mac partition at all. While running Mac OS X, you can 
  see your Windows partition, but you can make changes to files on it 
  only if it uses the FAT32 format. If it uses NTFS, you have 
  read-only access.

  As a result, accessing files from one operating system while using 
  the other requires you to jump through some hoops. One way is to use 
  an intermediate volume that's visible to both Mac OS X and Windows, 
  such as an external hard drive, an optical disc, or a server. If you 
  have Parallels Desktop or VMware Fusion installed, you can use 
  either of them from within Mac OS X to access your Boot Camp 
  partition (or any other NTFS volume), though this is a rather 
  roundabout approach. Another option is to install MacDrive under 
  Windows, which gives you seamless access to your Mac partitions but 
  doesn't enable you to see your Windows volume when running Mac OS X.

<http://www.mediafour.com/products/macdrive/>

  Almost a year ago (see Chris Pepper's article "MacFUSE Explodes 
  Options for Mac File Systems," 2007-01-29), Google released MacFuse, 
  a system that lets developers create plug-ins supporting access to 
  other file systems under Mac OS X. One of those plug-ins, NTFS-3G, 
  provides read-write access to NTFS volumes, including those used by 
  Boot Camp. As both of the required components are free, many people 
  have been using them to get easier access to their NTFS volumes. 
  Although the MacFUSE+NTFS-3G combo works reasonably well if your 
  needs are modest, it has been criticized for problems such as 
  inadequate transfer speeds, a lack of documentation, and difficulty 
  getting support.

<http://db.tidbits.com/article/8835>
<http://code.google.com/p/macfuse/>
<http://macntfs-3g.blogspot.com/>

  But now, an interesting new option has emerged that promises to 
  solve these problems and more. Install Paragon Software's NTFS for 
  Mac OS X, and your Mac acquires the capability of writing to any 
  NTFS volume, including your Boot Camp partition, at respectable 
  speeds and with complete transparency. In fact - and I never thought 
  I'd say this - it may be too transparent for its own good.

<http://www.paragon-software.com/home/ntfs-mac/>


**Out of Sight** -- NTFS for Mac OS X 6.0 (the first release for the 
  Mac, despite the version number) is a low-level driver that does its 
  thing invisibly in the background. When it's installed, your NTFS 
  partitions switch from read-only to read-write - and that's pretty 
  much that. There's nothing to configure. It works silently, and in 
  normal circumstances you'll never notice it at all - you'll just 
  notice that you can write to your NTFS volumes.

  Well, you may notice a couple of other things too. Under Leopard, 
  Disk Utility gains the capability to repair NTFS volumes as well as 
  format new or existing volumes as NTFS (NTFS-3G can also do the 
  latter). Or, if you prefer, you can use supplied command-line 
  utilities for these tasks (under Tiger, only the command-line 
  utilities are available). In any case, this integration, too, is as 
  seamless as can be.

  One of the interesting implications of being able to write to an 
  NTFS volume is that you can, if you want, back up your Boot Camp 
  volume using the Mac backup program of your choice (rather than 
  backing up within Windows). Strictly speaking, you could always do 
  that, but now you can easily _restore_ backed-up files, too, which 
  obviously makes those backups a little more useful!


**Just One Problem** -- Ordinarily, I'd say that the more transparent 
  a piece of software is, the better. After all, Apple ought to have 
  built full NTFS support directly into Mac OS X, as they did for 
  FAT32; one could argue that with NTFS for Mac OS X installed, your 
  Mac behaves the way it should have all along. And yet, in the weeks 
  that I've been using NTFS for Mac OS X, I've found myself strangely 
  uneasy. When random problems have occurred, one of my first thoughts 
  has been, "Could this new driver possibly be the culprit?" Sure, I 
  have all sorts of other third-party software on my computer with no 
  explicit user interface, but for some reason, I've found myself 
  unusually bothered by the fact that NTFS for Mac OS X has no on/off 
  switch, no convenient way to check the version number, and no 
  auto-update mechanism to tell me if a new version is available. The 
  only way to know if it is in fact causing a problem is to uninstall 
  it and see if the problem goes away.

  As it turns out, when I did exactly that on one occasion, I learned 
  that NTFS for Mac OS X had indeed been causing one of my problems. 
  Last week I downloaded the FileMaker Pro 9.0v3 update, and when I 
  ran the updater, it scanned all my mounted volumes looking for 
  previous copies of FileMaker Pro. When it got to my Boot Camp 
  volume, the updater hung - for several hours, until I force-quit it. 
  I tried again a few more times, and each time, it hung in the same 
  place. I then uninstalled NTFS for Mac OS X and the problem went 
  away - the updater zipped right through the entire scanning process. 
  (Paragon says they're looking into this problem.) In the absence of 
  any user interface, a user might easily forget or overlook the 
  existence of NTFS for Mac OS X, and thus have a harder time tracking 
  down conflicts like this. Something along those lines of a simple 
  preference pane would make me a happier user of NTFS for Mac OS X, 
  especially if it included a way of disabling its functionality 
  without having to completely uninstall it and restart.

  Other than that single (and not-terribly-serious) issue, I haven't 
  encountered any problems with the software; everything else has, so 
  far, worked as advertised. Which is simply to say: I can add, 
  delete, and modify files on my Boot Camp volume while I'm in Mac OS 
  X, and thereby avoid some complicated workarounds for moving between 
  my Mac and Windows environments. I've found read and write speeds to 
  be entirely adequate, and the company has been responsive to my 
  support inquiries. NTFS for Mac OS X has an introductory price of 
  $29.95 (regularly $39.95). It runs for a 10-day trial period without 
  a license, and is a 2.3 MB download.


Chumby: The Beanbag Computer
----------------------------
  by Kevin van Haaren <kevin@vanhaaren.net>
  article link: <http://db.tidbits.com/article/9361>

  I seem to be on some secret marketing list of people who paid off 
  their cars recently. Chumby Industries claims they offered me the 
  opportunity to buy a Chumby because I signed up to be notified when 
  the Chumby would be available to purchase before the general 
  release, but I know better. With car money burning holes in my bank 
  account I purchased a Chumby (in stylish Steve Jobs black) for 
  $179.95.

<http://www.chumby.com/>
<http://store.chumby.com/images/products/black_front.jpg>


**Chumby 101** -- So what the heck is a Chumby, anyway? Take a beanbag 
  about the size of a grapefruit and stuff it with a 3.5" color LCD 
  touch screen, a 350 MHz CPU, 128 MB of memory, Wi-Fi, a motion 
  sensor, a squeeze sensor, two USB ports, a pair of speakers (and 
  headphone jack) and you have a Chumby. 

  Sure, sure, but what does it _do_? The Chumby is a dedicated widget 
  machine. It loops through widgets you've selected from the Chumby 
  Web site. Each widget plays for a configurable amount of time, and, 
  just like Dashboard widgets in Mac OS X, they can do many things. 
  Widgets for weather, RSS feeds, webcams, Twitter, clocks, calendars, 
  and Magic 8 balls are already available, and more are being 
  developed all the time.

<http://www.chumby.com/guide>

  Access to the Chumby's widget library and future software updates 
  are free. They're paid for via the occasional advertising widget 
  that shows up randomly on the Chumby. To date, I think I've had only 
  a handful of ads show up each day. All have been Flash-based movies, 
  but the movies do not play automatically. You have to hit the play 
  button to start them.

  But widget playing is just part of what the Chumby can do. It can 
  also act as a passable iPod dock, charging your iPod and playing 
  music from playlists through its built-in speakers or headphone 
  jack. It's even a dual-alarm clock, making it appropriate for the 
  bedroom.


**Chumby Usage** -- When your Chumby arrives, the first thing to do 
  after removing it from its burlap bag packaging (perfect for 
  carrying the Chumby around, and environmentally appealing as well) 
  is select the appropriate charm to attach to it. Why? Don't ask me. 
  It comes with several, and for my black Chumby I went with the flame 
  charm. 

<http://store.chumby.com/images/products/charms01_latte_example.jpg>

  Next you turn the Chumby on and join it to a Wi-Fi network. 
  Thankfully, it supports both WEP and WPA. At work I joined it to a 
  40-bit WEP access point (not our official company one, which 
  requires more extensive authentication than the Chumby supports.) I 
  did have a problem initially connecting to the WEP access point as 
  it wanted the password in hex instead of ASCII. Luckily, I found a 
  Web page that could convert the password. At home I joined it to my 
  WPA-protected network, which was significantly easier, since the 
  Chumby accepted ASCII input for that password. 

<http://www.andrewscompanies.com/tools/wep.asp>

  Once you have network access, you have to activate your Chumby. This 
  involves creating a free account on the Chumby Web site and linking 
  your Chumby - identified by duplicating a graphical onscreen pattern 
  - to the account. 

  After activating the Chumby you can add widgets. The Chumby uses 
  "channels" to decide which widgets to play. You can have several 
  channels, each with different widgets. I currently have three 
  channels, through which I randomly cycle throughout the day. I only 
  need to know the San Diego pandas are OK via their PandaCam so many 
  times before I change channels and check in on PolarBearCam. In 
  addition to webcams, I use the Chumby at work to keep track of 
  Twitter, the TidBITS RSS feed, stock quotes, and the latest pictures 
  from I Can Haz Cheezburger and Cute Overload.

<http://www.chumby.com/guide/widget/PandaCam>
<http://www.chumby.com/guide/widget/PolarBearCam>
<http://db.tidbits.com/feeds/tidbits.rss>
<http://icanhascheezburger.com/>
<http://www.cuteoverload.com/>

  To use a Chumby with an iPod, just connect the iPod via a USB cable. 
  Your playlists from the iPod appear on the Chumby's screen, and you 
  can play one or more playlists in random or sequential order while 
  the widgets display. Unfortunately, the Chumby's iPod integration 
  needs a few improvements. If a widget plays a Flash-based video with 
  sound, the Chumby isn't smart enough to pause the iPod, instead 
  merging the sound from the two. Also, pausing the iPod, as I need to 
  do at work when I receive a phone call, is a three-step process: hit 
  the squeeze sensor, tap the Music control, then tap Pause. The 
  Chumby should pause the iPod as soon as the squeeze sensor is 
  activated. I'd also like an option for song titles to be overlaid on 
  the current widget for a few seconds every time the song changes, 
  and it would be nice to be able to enter star ratings for songs.


**Hack the Chumby** -- But the real reason I wanted a Chumby was for 
  hacking, and enjoying the results of everyone else's hacks. 
  Everything about the Chumby is open. In a flashback to the days when 
  Steve Wozniak gave away the schematics of his early Apple hardware 
  designs, the schematics of the Chumby are available online. The 
  software is all covered by the GNU Public License (GPL). Chumby 
  Industries even encourages modifying your bean bag (you can see some 
  of the things people have done on Flickr). Of course there are 
  plenty of warnings about ripping open the bean bag violating the 
  warranty, but that does not stop them from providing instructions on 
  how to do it!

<http://www.chumby.com/developers>
<http://www.chumby.com/developers/crafts>
<http://www.flickr.com/photos/11410414@N06/>

  The biggest disappointment I have in the Chumby is the choice of 
  Flash as the development environment for widgets. Most widget 
  systems use JavaScript instead, as does Apple's Dashboard. I'd like 
  to take a stab at writing a Chumby widget since widgets can be 
  submitted to Chumby for everyone to use or played from a USB flash 
  drive for personal enjoyment. But Flash seems expensive for a 
  hobbyist developer - Adobe's Flash development package lists for 
  $699. There are some open source development systems like haXe, but 
  my brief overview didn't reveal if they could work with the sample 
  code that Chumby provides.

<http://www.adobe.com/products/flash/>
<http://www.haxe.org/>
<http://wiki.chumby.com/mediawiki/index.php/Example_Widgets>

  With all the Chumby's openness, I'm hoping the annoyances I 
  mentioned, including support for widgets written in JavaScript, will 
  eventually be fixed. Perhaps Chumby Industries will do it, but if 
  not, maybe we'll see the solution from some hacker with an itch to 
  scratch.


Horsepower & Image Sensors
--------------------------
  by Charles Maurer
  article link: <http://db.tidbits.com/article/9364>

  When people shop for a digital camera, the first thing they ask is 
  how many megapixels it has. Megapixels are to digital cameras what 
  horsepower is to cars, fundamentally important - to marketing, but 
  not to performance on the street. Moreover, manufacturers' specs for 
  resolution are flagrantly misleading. Manufacturers multiply the 
  real number of pixels by four. (For an introduction to image sensors 
  see "Sense & Sensors in Digital Photography," 2004-10-18 and 
  "Digital Photography: Correction & Follow-up," 2004-12-06.)

<http://db.tidbits.com/article/7860>
<http://db.tidbits.com/article/7906>

  In fact, megapixels make for a meaningless specification because the 
  eye does not see pixels or dots, it sees lines. As far as the eye is 
  concerned, resolution is not millions of pixels, it is hundreds of 
  line-pairs - and even line-pairs don't mean much because the eye's 
  sensitivity to the thickness of lines follows a curve where equal 
  increments are doublings. Because of this even a quadrupling of 
  pixels is not a big deal. (For examples showing better enlargements 
  with one-fourth the pixels, see "A Feast for the Fridge: Printing 
  Digital Pictures," 2005-12-19.)

<http://db.tidbits.com/article/8376#big>

  Every camera on the market today has enough pixels to make big 
  enlargements, but dynamic range is another matter. Dynamic range 
  varies greatly among cameras and is more important than resolution. 
  Dynamic range is the range of brightness from light to dark that a 
  camera can record before the image turns blank white or dead black. 
  This matters for enlargements because spots of pure white or black 
  in a snapshot enlarge to broader areas noticeably lacking in detail. 
  Also, the bottom of a camera's dynamic range is noisy, so that if 
  the camera has a poor dynamic range, enlarging dark tones will 
  enlarge noise. 

  Dynamic range is difficult to market because, like the handling of a 
  car, it cannot be measured objectively. Dynamic range is limited by 
  visual noise and the noise generated by two sensors may differ 
  qualitatively. If two noises differ qualitatively, comparing them is 
  like comparing two baskets of fruit. You can take measurements under 
  standardized conditions to a thousand decimal places, but if you are 
  comparing apples to bananas, or red noise to grey, the measurements 
  do not mean a lot. (Some kinds of noise under some circumstances can 
  even create an illusion of increased dynamic range. For an example 
  of this, search for "One final consideration" in "Reality and 
  Digital Pictures," 2005-12-12.)

<http://db.tidbits.com/article/8365>


**A New Sensor** -- Foveon makes uniquely sharp and efficient image 
  sensors with a remarkable dynamic range, but they have had a hard 
  time selling them, largely because the sensors do not sound 
  competitive in resolution. Last spring, however, Foveon announced a 
  new model that they advertise as though it has a V8 under the hood, 
  claiming 14.1 megapixels for it, 40 percent more than its 
  predecessor (and only three times what it actually has). Among 
  Foveon fanciers this generated great excitement but - well, 40 
  percent more pixels means that the camera can record lines that are 
  15 percent thinner. The previous sensor already approximated the 
  resolution of the human eye for the kind of information contained in 
  photos. The improvement amounts to being able to read the 20/20 
  (6/6) line on the doctor's eye chart clearly instead of with 
  difficulty. Under normal circumstances this will not matter because 
  20/20 lines are so fine that we virtually never notice them. I don't 
  know any ophthalmologist who would recommend replacing a pair of 
  glasses to effect so subtle an improvement.

<http://www.foveon.com/>

  Foveon announced their new sensor at the same time that Sigma 
  announced a camera employing it, the SD14. I was not impressed by 
  those announcements. After I read them, my reaction was to purchase 
  a second Sigma SD10, the model using the previous sensor. I did that 
  because to fit 40 percent more pixels in the same area, Foveon 
  needed to shrink each light-sensitive cell. If nothing else in a 
  sensor's structure is changed, then shrinking cells will add noise 
  and thus limit the detail that can be seen in shadows. Foveon's 
  propaganda trumpets the increased resolution but provides no useful 
  information about dynamic range.

<http://sigma-photo.co.jp/english/camera/>

  Well, my cynicism was wrong. When I finally got my hands on an SD14 
  to test, I discovered that Foveon's marketing obscures a substantial 
  improvement in the structure of the sensor. Despite its higher 
  resolution, the new sensor captures more shadow detail than the old.


**Testing Dynamic Range** -- To test dynamic range, I photograph a 
  scene with a tonal range exceeding the capacity of any sensor, then 
  I pull apart the tones in the highlights and shadows at the expense 
  of the middle tones, to see what hidden detail becomes visible. I 
  convert raw 12-bit files to 16-bit TIFFs without any manipulation, 
  then I run a Photoshop action on each of them, an action that first 
  spreads the image across 16 bits and then uses Photoshop's Curves 
  tool to stretch the highlights and shadows. The photos below show 
  the overall scene without any manipulations plus samples of three 
  regions with the tones pulled apart. I enlarged the SD10's images to 
  the size of the SD14's using simple bicubic interpolations without 
  sharpening. There is no image from the SD10 for ISO 50 because the 
  camera does not offer that speed.

  Overall: This is the original image from each camera. The spotlight 
  on the light painting fades rapidly off toward the side, leaving the 
  painting on the right too dark to for any sensor to capture. 

<http://www.tidbits.com/resources/2007-12/Overall.jpg>

  Bright Area: This compares the bright area of images taken at each 
  ISO speed offered by each camera. For every pair of images you can 
  see that the SD14's image shows just a bit more detail than the 
  SD10's image.

<http://www.tidbits.com/resources/2007-12/BrightArea.jpg>

  Dark Area: The images from the SD14 are noticeably better than those 
  from the SD10.

<http://www.tidbits.com/resources/2007-12/DarkArea.jpg>

  Very Dark Area: Here there's no real question of quality but the 
  SD14 can extract at least some detail at ISO 200 and below, whereas 
  the SD10 cannot.

<http://www.tidbits.com/resources/2007-12/VeryDarkArea.jpg>


**Comparing the SD10 and SD14** -- As cameras go, the SD14 and SD10 
  are very different. The SD14 has a clearer viewfinder than the SD10 
  and several more features. At first blush it looks more desirable 
  but most of those features strike me as more important for marketing 
  than photography, and they complicate the camera's controls. Also, 
  although the SD14's viewfinder is larger and clearer, the SD10's 
  viewfinder functions like a sportsfinder to facilitate framing 
  moving subjects, and - a clear disadvantage - the SD14 lacks the 
  SD10's protective cover for the LCD, which leaves the SD14 more 
  fragile. All in all, ignoring the sensor, I don't see either camera 
  as preferable to the other.

  I cannot ignore the sensor, however. It is the sensor that captures 
  images, not gadgetry on the camera, and the SD14's sensor shows less 
  noise than the SD10's and does a better job capturing tonal 
  extremes. I suspect that most people would not notice the difference 
  but I frequently push the limits of the SD10, so I could not resist 
  the improvement. Anybody care to buy a second-hand SD10?

  [If you found Charles Maurer's discussion of megapixels, dynamic 
  range, and image sensors helpful, he asks that you make a donation 
  to Doctors Without Borders.]

<http://www.doctorswithoutborders-usa.org/donate/>


Google Goes After Wikipedia
---------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/9360>

  A blog posting from Google's Udi Manber, vice president of 
  engineering, fires the first shot in a competition that will at 
  least prove interesting, if not world-changing. In the post, Manber 
  announces Google Knol - a "knol" is a Google-invented word standing 
  for "a unit of knowledge. The basic concept behind Google Knol is 
  that anyone (eventually; it's in private testing for now) will be 
  able to create a well-designed, automatically organized Web page on 
  any topic - Google's goal is that knols will be the first hits 
  people looking for information will find.

<http://googleblog.blogspot.com/2007/12/encouraging-people-to-contribute.html>

  This sounds a lot like Wikipedia, and that's intentional. Anyone can 
  already create an article in Wikipedia on any topic, and Wikipedia 
  articles already sit atop the search results for a vast number of 
  terms - try a Google search for "Hurricane Katrina," for instance, 
  and the first hit is the comprehensive Wikipedia article on the 
  topic. So why would Google be attempting to replicate Wikipedia?

<http://www.google.com/search?q=Hurricane+Katrina>

  Put yourself in Google's business shoes for a moment. Google is 
  happy to provide the search that reveals the Web pages that people 
  want to find because of the ads that appear on the search results 
  page. But wouldn't you be even happier if you owned the results of 
  that next click too? Google has long been adding services that keep 
  you within the Google orbit longer, so, for instance, if you search 
  for "New York weather," Google presents you with a mini report and 
  forecast rather than send you off to another site right away. 
  Similarly, if you search for "recipe spaghetti," Google dumps you 
  into a recipe-specific search interface (this doesn't yet happen 
  with all recipe searches, or even for all people). 

<http://www.google.com/search?q=New+York+weather>
<http://www.google.com/search?q=recipe+spaghetti>

  So if a Google knol becomes the top result for related searches, 
  Google has the opportunity to display ads on that page. Here's where 
  Google Knol departs from the Wikipedia approach. Google knols will 
  have a single author, who will be credited and will decide if ads 
  are to be displayed, sharing in the revenue if so. Manber makes a 
  big deal about how authors have faded into the background on the 
  Web, saying "...somehow the Web evolved without a strong standard to 
  keep authors' names highlighted." That's hooey - there is no 
  systematic lack of credit to authors on the Web in general, with 
  nearly every article, blog post, comment, and home page providing a 
  clear mark of authorship. Heck, the basic idea of having authors 
  create topic-specific pages isn't even new - About.com (now owned by 
  The New York Times Company), has been doing this since 1996.

<http://www.about.com/>
<http://beaguide.about.com/>

  That's a huge split from the community-based approach that Wikipedia 
  uses, where every article is the result of a collaborative writing 
  and editing effort from many different people. And, of course, where 
  ads have no place. 

  According to Manber, Google Knol will include community-based 
  features as well, with people being able to "submit comments, 
  questions, edits, additional content, and so on." But the key word 
  there is "submit" - the implication is that the primary author 
  remains in control of the content and can choose to address or 
  ignore comments and edits as desired. Google even says, "All 
  editorial responsibilities and control will rest with the authors." 

  Speaking as an author, and as a publisher who has worked with 
  hundreds of authors over the last 18 years, I think this is a huge 
  mistake. Maintaining content is hugely difficult and time-consuming, 
  and not something that most authors do well (if at all). The beauty 
  of the Wikipedia approach is that anyone who wants can contribute as 
  much or as little as they want, as frequently as they want. If one 
  person loses interest, there's always room for another to take over.

  There's also an implication in Manber's post that knols will be of 
  high quality because of this authorial ownership. That will be true 
  of some, but the reality of the situation is that most people, even 
  if they are expert in some topic, can't write their way out of the 
  proverbial paper bag. Many won't even have the necessary skills to 
  organize the source material - this stuff isn't nearly as easy as it 
  sounds.

  Google's answer to this is that they don't care, claiming that their 
  search rankings will separate the wheat from the chaff, and will in 
  essence arbitrate between good and bad knols on the same topic. 
  Since Google is providing no editorial or organizational oversight, 
  duplication is nearly guaranteed, which results in dilution of 
  interest from the community. Editors who might donate some time to 
  fixing up Wikipedia pages won't have the same interest in working on 
  multiple similar knols, especially those that stand to benefit the 
  author.

  Worms abound in the Google Knol can. What happens when there are 
  copyright infringement claims against knols that plagiarize content 
  from elsewhere? Will knol authors start by just stealing Wikipedia 
  articles, and will Google act to prevent that? Will Google's 
  policies disallowing specific content for services like Google 
  Groups apply to Google Knol? What happens when a knol author gets 
  busy, becomes bored with a knol, or dies? Will Google be able to 
  argue in international court that it has no oversight over illegal 
  content created using its own service? There's nothing new here, but 
  the bigger the company, the bigger the target.

  Don't get me wrong. Google will undoubtedly do a much better job 
  than Wikipedia in terms of user interface and hosting technology, 
  and the Google Knol pages will undoubtedly be better designed and 
  more attractive. Generalized wiki technology simply can't compete 
  with a purpose-built tool designed and run by the dominant company 
  on the Web. 

  But with this project, Google looks more like Microsoft than ever 
  before: coming late to the game with a solution that's only a 
  marginal improvement over the competition, all while talking as 
  though it's a revolutionary change. Just as the open-source Linux 
  has proven impossible for Microsoft to squash, Wikipedia's 
  community-based approach, flawed and argumentative as it can be, 
  will prove more compelling, accurate, and resilient than Google Knol 
  in the long run.


Bonus Stories for 17-Dec-07
---------------------------
  by TidBITS Staff <editors@tidbits.com>
  article link: <http://db.tidbits.com/article/9366>

**Amazon Delivers Like It's 1997** -- A new grocery delivery service 
  from Amazon being tested in Seattle reminds this author of the 
  heyday of the early dotcom era. This time, however, there's a chance 
  for a company to make money. (Glenn Fleishman, 2007-12-11)

<http://db.tidbits.com/article/9355>


**Leopard Compatibility List Updated** -- Curious about what programs 
  have been updated for Leopard? Look inside for a list of the 
  important or interesting programs that specifically claim Leopard 
  compatibility. (TidBITS Staff, 2007-12-11)

<http://db.tidbits.com/article/9281>


Hot Topics in TidBITS Talk/17-Dec-07
------------------------------------
  by Jeff Carlson <jeffc@tidbits.com>
  article link: <http://db.tidbits.com/article/9365>

**Airport Express** -- Learn how to play streaming audio, such as 
  radio stations, through an AirPort Express. (3 messages)

<http://emperor.tidbits.com/TidBITS/Talk/1714/>


**Crucial bug in Safari for Leopard** -- A reader encounters a problem 
  related to loading PDFs and sound files in Safari; anyone else 
  seeing it? (1 message)

<http://emperor.tidbits.com/TidBITS/Talk/1715/>


**Licensing NTFS - Or Why Doesn't Mac OS X Natively Support NTFS** -- 
  Joe's article about NTFS for Mac OS X wonders why Apple didn't build 
  that functionality into Leopard. One reader speculates on the 
  answer. (1 message)

<http://emperor.tidbits.com/TidBITS/Talk/1716/>


**New Apple Store in New York/Scrolling in iPod Touch and iPhone** -- 
  After a visit to Apple's new retail space in New York City, a reader 
  has questions about displaying maps and accessing private data on an 
  iPod touch or iPhone. (7 messages)

<http://emperor.tidbits.com/TidBITS/Talk/1721/>


**10.4.11 Issue with Quickverse** -- A bug in this Mac Bible software 
  has yet to be fixed, leading to questions of faith: which 
  applications can one turn to instead?  (6 messages)

<http://emperor.tidbits.com/TidBITS/Talk/1722/>


**Storing passwords on an iPod** -- What's the best way to store 
  sensitive material on an iPod, versus carrying a Palm handheld? (3 
  messages)

<http://emperor.tidbits.com/TidBITS/Talk/1723/>


**Amazon Grocery Delivery Service** -- Glenn's experiences using 
  Amazon Fresh invites comparisons to other services, many of which 
  are small and local, compared to the failed promise of Webvan. (4 
  messages)

<http://emperor.tidbits.com/TidBITS/Talk/1724/>


**Leopard 10.5.1 on a G5?** -- After installing Leopard and getting 
  the latest system update, the fans in a reader's Power Mac G5 have 
  gone into jet-plane mode. (5 messages)

<http://emperor.tidbits.com/TidBITS/Talk/1725/>


**Networking Problem** -- A reader bought a new modem to take 
  advantage of faster ADSL network speeds - but the devices aren't 
  talking. What can get these peripherals to come back to the table? 
  (7 messages)

<http://emperor.tidbits.com/TidBITS/Talk/1726/>


**Google Goes After Wikipedia** -- Readers discuss Google Knol, a 
  Wikipedia competitor that will potentially have issues with 
  copyright and author bias. (4 messages)

<http://emperor.tidbits.com/TidBITS/Talk/1728/>


**Death by mdimport** -- Preventing Spotlight searches of several 
  directories made a big difference in system slowdowns for one reader 
  using a Power Mac G5. (1 message)

<http://emperor.tidbits.com/TidBITS/Talk/1729/>


$$

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