TidBITS#963/02-Feb-09
=====================
  Issue link: <http://db.tidbits.com/issue/963>

  Google features heavily in TidBITS this week, thanks to Adam's look 
  at the release of offline access support for Gmail and Doug McLean's 
  article about the inclusion in Google Earth of ultra-high resolution 
  versions of 14 masterpieces from the Prado Museum in Madrid. That's 
  right, you can fly around a painting and zoom in far enough to see 
  cracks in the paint. But don't let Google Earth distract you for too 
  long - Doug anchors this issue with a far more practical article 
  about programs you can use to get your work done while minimizing 
  distractions. Adam also notes that Coinstar machines will turn loose 
  coins into iTunes credit, and Joe Kissell relates how he managed to 
  get one of his current email addresses mentioned in a song recorded 
  10 years ago. Notable software releases this week include 
  PersonalBrain 5.0.2, Typinator 3.4, iPhone 2.2.1 Software Update, 
  Apple's iLife Media Browser Update, iDVD 7.0.3, HoudahSpot 2.4, and 
  SpamSieve 2.7.3.

Articles
    Coinstar Machines Turn Change into iTunes Credit
    Google Earth's Virtual Prado Museum
    DealBITS Drawing: Win a Copy of MathMagic 6
    Gmail Gets Offline Access with Gears
    Log In to Me
    Minimize Desktop Distractions
    TidBITS Watchlist: Notable Software Updates for 02-Feb-09
    ExtraBITS for 02-Feb-09
    Hot Topics in TidBITS Talk for 02-Feb-09


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Coinstar Machines Turn Change into iTunes Credit
------------------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/10009>

  You know those machines that count your piles of loose change and 
  spit out a voucher you can convert into cash? At least around here, 
  most supermarkets have the machines, but I've never used one, since 
  they charge nearly 10 percent for the coin counting service.

  Until, that is, I walked by a Coinstar machine at a local grocery 
  store and noticed that it would waive the transaction fee entirely 
  if I was willing to take my money in the form of a gift card or 
  certificate to one of a number of major retailers, including iTunes. 
  That's perfect, since my $46.24 might not seem like all that much 
  were I to spend it at Amazon or one of the other included stores, 
  but when used for songs and iPhone apps, it will provide a 
  significant amount of entertainment. (This is, of course, not news, 
  since the service has been around for some time, but if you pay as 
  little attention to machines in supermarkets as I do, it may be news 
  to you.)

<http://www.coinstar.com/us/womanEcertificateLarger.jpg>
<http://www.coinstar.com/US/Webdocs/A1-0-3-1#itunes>

  Apple presumably pays Coinstar the 8.9 percent fee that Coinstar 
  would normally deduct from such transactions. That's a small price 
  to pay for spreading the iTunes meme even more broadly than before, 
  and in areas that might be noticed by people who don't normally 
  think much about Apple.

  According to Coinstar's Web site, most U.S. families have about $90 
  in change around the house, which implies there is about $9.5 
  billion sitting around in jars and under couch cushions. Apple may 
  not be in need of a federal bailout, but I'm sure the company will 
  be happy to get its hands on some of that petty cash.

  If you aren't sure where there's a Coinstar machine near you, the 
  company's Web site offers a locator service that shows you the 
  nearest machines in the United States, Canada, the UK, and Ireland. 
  Not all machines offer the gift card/certificate option, so pay 
  attention to the details when locating a nearby machine.

<http://locator.coinstar.com/>


Google Earth's Virtual Prado Museum
-----------------------------------
  by Doug McLean <doug_mclean@tidbits.com>
  article link: <http://db.tidbits.com/article/10038>

  Madrid's Prado Museum has long been a destination for art lovers. In 
  the company of the Uffizi Gallery in Florence, the Louvre Museum in 
  Paris, and the Metropolitan Museum of Art in New York, the Prado is 
  home to countless masterpieces of western art. Unfortunately, the 
  options for viewing its contents have always been either hopping a 
  plane to Madrid or thumbing through printed reproductions that pale 
  in comparison to the original works. Luckily, there's now a third 
  option with Google Earth's Prado Museum feature, which offers ultra 
  high resolution photos of 14 of the museum's masterpieces.

<http://www.museodelprado.es/en/ingles/>
<http://www.google.com/intl/en/landing/prado/>

  While the project isn't an acceptable substitute for seeing the 
  works in person, it is an exceptional upgrade to the sorts of 
  reproductions to which we've become accustomed. The images of the 14 
  works, which include Velázquez's _Las Meninas_, Goya's _The Third 
  of May 1808_, Hieronymus Bosch's _The Garden of Earthly Delights_, 
  and Fra Angelico's _Annunciation_, are 14,000 million pixels in size 
  - that's 1,400 times larger than an image that could be captured by 
  a standard 10 megapixel camera! The extreme resolution enables 
  viewers to see not only every stroke of paint, but even the weave of 
  the canvas and cracks in the varnish. 

<http://www.tidbits.com/resources/2009-02/Google-Earth-Prado2.png>

  To produce these exceptional images, technicians at the Prado took 
  over 8,200 photographs of each work over the course of three months 
  (Google apparently footed the bill, whose total remains 
  undisclosed.) The photos were then connected and layered using the 
  same technology Google uses to create the incredibly detailed 
  satellite maps for Google Earth.

  Unfortunately, Rodriguez Zapatero, the general manager of Google 
  Earth Spain, has said there are no immediate plans to add additional 
  paintings from the Prado, or expand the project to other museums. 
  Hopefully these reproductions will be enough of a hit to encourage 
  Google to help make more of the world's great artworks available in 
  ultra high resolution.

  To view the works, you must first download the Google Earth 
  application. After launching the program, select the 3D buildings 
  layer on the bottom left panel, then enter "Prado Masterpieces" in 
  the search bar. When the Prado Museum result appears, click it to 
  fly to the museum, where a white tile appears. Click that to view 
  the paintings. If nothing else, it's astonishing to zoom into a 
  picture and not have it pixelate or get fuzzy until you're so far in 
  that you can't tell what you're looking at anyway. (The screenshot 
  is an eyeball from Rogier van der Weyden's _Descent of Christ from 
  the Cross_, the full painting of which measures 7.2 by 8.6 feet (220 
  by 262 cm)!)

<http://earth.google.com/>
<http://www.tidbits.com/resources/2009-02/Prado-Eyeball2.png>


DealBITS Drawing: Win a Copy of MathMagic 6
-------------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/10042>

  Do you need to create mathematical equations for papers, reports, or 
  other publications? If so, you'll want to enter this week's DealBITS 
  drawing to win one of three copies of the $89.95 MathMagic Personal 
  Edition 6, which enables you to create complex equations and export 
  them in PDF, MathML, LaTeX, EPS, GIF, JPEG, and PICT format for use 
  with word processors, presentation programs, and graphics software. 
  MathMagic can also read MathML, TeX, MathType, and wiki equations 
  for importing work done in other programs. Entrants who aren't among 
  our lucky winners will receive a discount on MathMagic Personal 
  Edition, so be sure to enter at the DealBITS page. All information 
  gathered is covered by our comprehensive privacy policy. Remember 
  too, that if someone you refer to this drawing wins, you'll receive 
  the same prize as a reward for spreading the word.

<http://www.mathmagic.com/product/pe.html>
<http://www.tidbits.com/dealbits/mathmagic3/>
<http://www.tidbits.com/about/privacy.html>


Gmail Gets Offline Access with Gears
------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/10036>

  While I've been laid up in bed, I've taken the opportunity to set up 
  Google's Gmail to retrieve a copy of every message I receive at my 
  main email address via POP, leaving the messages in place so I can 
  also retrieve them via Eudora as I do normally. I wanted to give 
  Gmail a real-world test, and since I can also configure Eudora to 
  access my Gmail account via IMAP, I can manually sync up work done 
  in one place with work done in the other if I decide to move 
  entirely to Gmail or to refocus on Eudora. Of course, my other goal 
  was to be able to access my email on the iPhone.

  But even in the short time I've been testing Gmail, I've been 
  annoyed to see its "Still working" status banner appear when, for 
  some reason or another, my browser couldn't connect with Gmail. The 
  problem has always resolved quickly enough, but there are plenty of 
  times when I'm in an airport, on a plane, or just somewhere where 
  there isn't Internet access. (I realize this may come as news to 
  those who live in large cities, but in most of the world by area, 
  Wi-Fi connectivity is difficult or impossible to find, and even 
  cellular connectivity is often flaky or nonexistent.) In such 
  situations, Gmail has been, well, completely useless. It can't work 
  for more than a moment or two without contact with the mother ship.

  Luckily, Google has at long last announced Gears support for Gmail 
  via a Gmail Labs feature called Offline. Google Gears is a 
  technology that enables Web applications like Gmail and Google Docs 
  (and apps from other companies too) to operate offline, storing 
  changes locally and then resynchronizing them once you reconnect to 
  the Internet (see "How to Use Google Docs Offline in Safari", 
  2008-09-01); Offline ties Gmail into Gears.

<http://gmailblog.blogspot.com/2009/01/new-in-labs-offline-gmail.html>
<http://db.tidbits.com/article/9752>

  Offline should now be available in the Gmail Labs tab for everyone. 
  Needless to say, Google calls this "experimental" support, so it may 
  not work flawlessly. Then again, Google hardly ever takes anything 
  out of beta, so the fact that it's public at all means they think 
  it's sufficiently functional.

<https://mail.google.com/mail/#settings/labs>

  Gears, which requires a separate install, needs at least Safari 
  3.1.1 or Firefox 1.5 running on Mac OS X 10.4.11 or later. Although 
  that's an entirely reasonable requirement, it will likely pose at 
  least short-term problems for people who use a site-specific browser 
  like Fluid or Prism, or the Gmail-specific Mailplane client, which 
  I'm also testing. That said, while researching Mailplane's 
  compatibility with Gears, I heard via Twitter that the developer has 
  created a theoretically Gears-savvy build of Mailplane, so hopefully 
  he'll be able to add Gears support to the shipping version of 
  Mailplane without much difficulty.

<http://gears.google.com/>
<http://fluidapp.com/>
<http://labs.mozilla.com/2007/10/prism/>
<http://mailplaneapp.com/>

  Now that Offline has appeared in my Gmail Labs tab, I've had a 
  chance to give it a try. The installation process works as you'd 
  expect. Assuming you have Gears already installed in Safari or 
  Firefox, you click the Offline link in the upper right corner of the 
  Gmail page. What's next is interesting - Gmail evaluates your email 
  volume and tells you how much recent mail it will download. 

<http://www.tidbits.com/resources/2009-01/Gmail-offline.png>

  In my case, it told me that it would bring in mail received in the 
  last three weeks (which is about as long as I've been using this 
  account) but it wouldn't synchronize my Spam or Trash mailboxes, 
  reasonably enough. Nor would it synchronize mail to which I'd 
  applied the TC Orders label - lots and lots of Take Control ebook 
  order notification messages from eSellerate. There's no control over 
  what you can and can't synchronize as far as I can see, and it's 
  clear that this makes offline access worthless as any kind of a 
  serious local backup of your mail.

  Once you've given Gears permission to store and access information 
  on your computer (do this only on a computer you own, for obvious 
  reasons), it starts the synchronization process. That can take a few 
  minutes, but once it's done, you can disconnect from the network and 
  use Gmail much as you normally would, but with the addition of a 
  little icon in the upper right that tells you your connection 
  status: online, synchronizing, offline, and "flaky connection mode." 
  Synchronization takes place continually in the background, making it 
  easy go offline any time you want.

<http://www.tidbits.com/resources/2009-01/Gmail-synchronization.png>

  Flaky connection mode is interesting - you enter it manually by 
  clicking the status icon and clicking Go Into Flaky Connection Mode. 
  Once in that mode, mail will be read from your local database even 
  if you're online, which provides better performance if you have a 
  slow or flaky connection. Gmail will continue to synchronize mail in 
  the background when it can, and if it can't, it will switch into 
  offline mode entirely.

  Not all things work the same offline. Most notably, there are no ads 
  along the right side of the page, and certain Gmail Labs add-ons, 
  like Canned Responses, don't work, presumably because they load data 
  only when needed. Many settings, such as filters, are also 
  unavailable while you're offline. But for the most part, I was able 
  to read, write, and search through my email with no apparent loss in 
  capability while offline, and other Gmail Labs add-ons, like the 
  Quick Link box that stores frequently accessed searches, continued 
  to work properly.

  We'll see how Gmail's offline support continues to work in 
  real-world usage, but for now it appears as though it will provide 
  access to the messages and capabilities that most people need while 
  working offline, if not one's full email archive.


Log In to Me
------------
  by Joe Kissell <joe@tidbits.com>
  article link: <http://db.tidbits.com/article/10002>

  I'd like to tell you how I retroactively got my email address 
  mentioned in a song that was recorded 10 years ago, and 
  simultaneously saved a Canadian band from having committed an 
  egregious grammatical and/or technical error. I'm rather proud of 
  this feat, though I realize the only people who will genuinely think 
  it's cool are Canadian MobileMe members who listened to the music of 
  an obscure comedy folk trio a decade ago. To both of you: yes, I 
  rock.

<http://www.me.com/>

  The Arrogant Worms have been recording funny songs since 1992. Some 
  of their best-known hits (and I use the term loosely) are "Carrot 
  Juice Is Murder" (iTunes - lyrics), "The Last Saskatchewan Pirate" 
  (lyrics), "Jesus' Brother Bob" (iTunes - lyrics), and "The Mounted 
  Animal Nature Trail" (lyrics). Morgen turned me on to them way back 
  when, and we went to two or three of their concerts during the years 
  we were living in Vancouver.

<http://arrogant-worms.com/>
<http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?i=256331593&id=256331570&s=143441>
<http://artists.letssingit.com/arrogant-worms-lyrics-carrot-juice-is-murder-sdnfw88>
<http://artists.letssingit.com/arrogant-worms-lyrics-the-last-saskatchewan-pirate-c73bzxw>
<http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?i=256331580&id=256331570&s=143441>
<http://artists.letssingit.com/arrogant-worms-lyrics-jesus-brother-bob-7s7jpk9>
<http://artists.letssingit.com/arrogant-worms-lyrics-mounted-animal-nature-trail-t43ssm5>

  On their 1999 album _Dirt_ was a track called "Log In to You" 
  (iTunes - lyrics), a goofy love song consisting mainly of mildly 
  suggestive computer terms. A few weeks ago, I was lying in bed 
  trying to go to sleep, and for some reason I couldn't get that song 
  out of my head. You know how it is. In particular, I kept thinking 
  about the following sequence of words that's repeated several times 
  in the song:

<http://www.maplemusic.com/product.asp?dept%5Fid=1201&pf%5Fid=1200%2D06>
<http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?i=256331608&id=256331570&s=143441>
<http://artists.letssingit.com/arrogant-worms-lyrics-log-into-you-3t89pjn>

    www.love
    you@me.com

  Naturally, you can't _hear_ the line break, so even though there's a 
  beat between the two parts, it's not clear whether they were 
  intended to be thought of as a single unit or as two units.

  When the album came out, I read a number of complaints about that 
  part of the song, to the effect that it made the band sound 
  computer-illiterate. The sequence "www.love" sounds like the 
  beginning of a Web URL, but there being no .love top-level domain, 
  it's sort of left hanging. It sounds weirdly incomplete, like 
  someone saying "www.apple" with nothing following it.

  The second part, "you@me.com," could of course be a valid email 
  address. But given the proximity to the "www.love" bit, listeners 
  were forced to draw one of two conclusions. Either the two parts 
  were intended to be understood as disconnected (in which case you 
  get the incomplete-URL problem) or the two parts were intended to be 
  understood as a whole unit (in which case you have an awkward blend 
  of the start of a Web URL with the end of an email address that 
  doesn't make any sense). One way or another, it was clear that the 
  song had problems. Some fans even suggested that the "@" was 
  actually "and," which would have made the whole string 
  "www.loveyouandme.com" - a reasonable interpretation if true, but 
  careful listening proves without a doubt that it's pronounced "at" 
  and not "and."

  Well, as I was wrestling with insomnia that night, I realized a few 
  things. First, anything ending in @me.com is theoretically available 
  as a MobileMe email address. Second, the string "www.loveyou" is a 
  perfectly well-formed email user name that could go in front of the 
  @me.com part. And third, as a MobileMe user I can add up to five 
  free aliases that point to my main me.com address. What are the 
  chances, I wondered, that I could actually add the alias 
  "www.loveyou" to my me.com account? I had to find out, so I got out 
  of bed, logged in, and 30 seconds later, the deed was done.

<http://www.tidbits.com/resources/2009-01/loggedin.png>

  Shockingly, I've received not a single spam message at that address 
  yet. (Don't feel obligated to be the first, either. Really.) But I'm 
  proud to say that, as of now, if anyone were to listen to that song 
  and type those two lines into their email client as a single literal 
  email address, it would not only work, it would go to me, a bona 
  fide computer geek and Arrogant Worms fan. (And, to answer the 
  obvious question, of _course_ I tried to get "you@me.com" too, but 
  unsurprisingly, it wasn't available.)

  So, Worms: you're welcome. No charge. That's nothing for nothing!

<http://artists.letssingit.com/arrogant-worms-lyrics-no-sale-no-store-4x7j8jw>

  (Everyone else: Buy my book on MobileMe. Ten bucks, and well worth 
  it!)

<http://www.takecontrolbooks.com/mobileme.html>


Minimize Desktop Distractions
-----------------------------
  by Doug McLean <doug_mclean@tidbits.com>
  article link: <http://db.tidbits.com/article/9908>

  I've always been an easily distracted person. In college I 
  discovered the glory of the engineering library's basement: a pseudo 
  fallout shelter whose bare bulbs dangled over solitary study cells, 
  with nary a distraction in sight for an aspiring art major. Even the 
  bookshelves lining those monastic spaces were unable to tempt me 
  given their investigations of geological dullness and computational 
  obscurity (subjects, I'm sure, that would titillate a more 
  scientifically inclined mind). 

  It was only there, in the bowels of the university, that I was able 
  to get any serious writing done. So where did I find myself a few 
  months ago? On the TidBITS editorial team, with news to research, 
  articles to write, and a desktop full of wildly entertaining time 
  bandits. I was in serious need of intervention.

  I decided to search for tools I could utilize to reduce 
  distractions. I should note that, as an artist, I'm principally a 
  visual person: I learn best by looking at pictures, and I work most 
  sluggishly when there's too much in my line of sight. If I see an 
  email message enter my Inbox, an iChat window pop up, or a Twitter 
  account update, I simply must check it out. According to a 2005 
  study conducted by the research firm Basex, I'm not alone: 
  interruptions now consume 2.1 hours a day, or 28 percent of the 
  average person's workday. What I needed was a way to reduce the 
  amount of visual noise I was exposing myself to, and to transform my 
  desktop and screen into a more Zen-like state.

  I also considered taking measures to block my Internet roaming - a 
  principal offender in my time wasting - but decided I'd probably 
  ignore anything that told me how much time I was wasting or turn off 
  whatever was keeping me from where I wanted to go. The problem for 
  me isn't so much that I don't know when I'm wasting time, or that a 
  certain site is zapping productive energy, it's that I get off track 
  in the first place. Thus, I needed to figure out how to induce 
  tunnel vision to the task at hand.


**Word Processing circa 1987** -- Writing being my main occupation, I 
  began my search by trying to find a minimalist word processor. I 
  discovered two very similar programs: JDarkRoom from Code Alchemists 
  (freeware) and Hog Bay Software's WriteRoom ($24.95). Both programs 
  reduce your screen view to just a solid colored background with the 
  text and cursor on top. 

<http://www.codealchemists.com/jdarkroom/>
<http://www.hogbaysoftware.com/products/writeroom>

  Both programs also have normal window modes, to enable users to 
  switch to other applications without having to quit first. However, 
  when you leave JDarkRoom's fullscreen view, only a small dialog 
  asking you to click OK when you want to reenter remains visible, 
  while with WriteRoom the document appears in what looks exactly like 
  a TextEdit window. 

<http://www.tidbits.com/resources/2008-11/JDark-Minimized.png>

  WriteRoom's approach is more useful if you need to work between 
  programs simultaneously, though presumably if you're using WriteRoom 
  or JDarkRoom it's precisely because you want to reduce multitasking. 
  Still, being able to copy and paste from multiple documents before 
  returning to fullscreen mode to edit would be useful; in JDarkRoom 
  to do the same thing you have to copy text, enter fullscreen mode, 
  paste, then exit fullscreen mode to do it again. All that back and 
  forth is a pain in the butt.

  The programs are nearly identical when in fullscreen mode. Both 
  simply present a cursor on a solid colored field. There are no 
  formatting palettes, rulers, or other interface elements to distract 
  you. Both programs also let you alter aspects of the appearance, 
  namely the background color and text color. So you could pretend 
  you're working on an Apple ][ with green on black, or typing in 
  Doogie Howser's diary circa 1989 with white on blue. Both programs 
  are capable of a wide range of color combinations.

<http://www.tidbits.com/resources/2008-11/green-on-black.png>
<http://www.tidbits.com/resources/2008-11/white-on-blue.png>

  The main difference between JDarkRoom and WriteRoom is the user 
  interface. JDarkRoom, while only slightly less flexible than 
  WriteRoom, initially appears to be extremely basic due to the lack 
  of any menu bar or friendly graphical interface. Instead its menus 
  are key-activated: F5 brings up the Help menu, F6 brings up the 
  Preferences window, and so on. At first, I admit, I wanted my 
  familiar drop-down menus, but soon I became accustomed to the 
  key-based menu and command system, and even came to appreciate the 
  speed it offered.

  WriteRoom, on the other hand, has a typical menu bar with drop-down 
  menus and an attractive and easy-to-navigate Preferences window. I 
  found WriteRoom's controls and menus to be more intuitive. Also, 
  WriteRoom is slightly more flexible than JDarkRoom, enabling a 
  little more customization and control over appearances and layout. 
  However, while the difference between what the programs are capable 
  of is small, the difference in how to activate those capabilities is 
  significant.

  To change your font in WriteRoom, you go to the Preferences window 
  and pick your font from a list, as you would in Microsoft Word or 
  TextEdit. In contrast, JDarkRoom's font list contains only four 
  standard fonts; to add more you must make adjustments in a 
  configuration file (bleh!). 

  The only other major difference between the two programs may not be 
  in place for much longer. WriteRoom has a feature called Edit in 
  WriteRoom, which acts as a system-wide plug-in that places the Edit 
  in WriteRoom feature in the Edit menu of other applications. Thus, 
  when working in Apple Mail, BBEdit, or other programs, you are 
  supposed to be able to export that text, work and edit in WriteRoom, 
  and then import back into the original program. Such a feature would 
  be a real advantage over copying and pasting from the other 
  applications.

  This would give WriteRoom a big leg up on JDarkRoom, but it doesn't 
  work in Mac OS X 10.5 Leopard. Jesse Grosjean, head of Hog Bay 
  Software, says that Leopard users should instead use the replacement 
  program QuickCursor (freeware) to perform similar tasks.

<http://www.hogbaysoftware.com/products/quickcursor/>

  QuickCursor, like Edit in WriteRoom, is a system-wide application 
  that enables users to edit text in their favorite text editor. 
  However, what's interesting here is that the QuickCursor development 
  page says, "In future releases you will be able to change you 
  preferred editor from WriteRoom to BBEdit, TextMate, Smultron, or 
  any other text editor that supports the ODB Editor Suite." Does this 
  mean that QuickCursor could eventually support JDarkRoom? If so that 
  would eliminate one of the few major differences between the 
  freeware JDarkRoom and the $24.95 WriteRoom.

  Either way, both programs work well to reduce visual distractions 
  and keep your focus on your writing. I would recommend JDarkRoom if 
  you're on a budget and don't mind a little less overall control, 
  key-activated menus, and somewhat annoying configuration commands; 
  and WriteRoom if a more standard user interface, slightly extended 
  controls and options, current access to QuickCursor, and overall 
  ease of use are worth $25 to you.

  If you're not quite ready for the supreme minimalism of JDarkRoom or 
  WriteRoom, check out the free Writer from QI Software. The program 
  doesn't limit visual distractions as fully as the other two, but 
  instead dims all applications running in the background and utilizes 
  a simple interface. My favorite features are the two easy-to-access 
  buttons; one for muting all of your computer's sounds, and another 
  for blocking your network activity.

<http://supertart.com/qisoftware/Writer.html>


**A More Flexible Focus** -- While these word processors worked well 
  and were fun and easy to use, I still needed something that I could 
  apply when I wanted to work in another program such as Mail or 
  BBEdit. Enter Isolator and Menu Eclipse (both freeware). 

<http://willmore.eu/software/isolator/>
<http://www.xybernic.com/>

  Isolator works on the same principles as WriteRoom and JDarkRoom, 
  minimizing your Desktop's visual noise to create a kind of tunnel 
  vision. However, instead of turning your screen into a diving bell, 
  Isolator maintains the appearance of the program you're working in 
  and just blocks everything else out.

  When activated, Isolator pushes the application you're working in to 
  the foreground, either reducing everything else to minimal visual 
  noise or completely obscuring it. Isolator's strength is the degree 
  to which you can control what happens to these background programs. 

  Within the preferences of the current development version - 3.40beta 
  - Isolator lets you choose the background color and its transparency 
  level, ranging from faint to opaque. Choosing opaque with a tint of 
  black results in the foremost application being surrounded by a 
  solid black background.

  However, that kind of curtaining can be too extreme for some tasks. 
  Sometimes you may need to move between several different programs at 
  once, in which case it makes sense to use a fainter tint. Beyond 
  tinting you can also apply a filter.

  Isolator has four different filters: Blur, Bloom, Pixels, and 
  Crystals. Blur, as the name implies, blurs the background. Bloom 
  creates a kind of soft focus on the background, distinct from and 
  less extreme than the blur effect. Pixels, again like the name, 
  pixelates the background. And finally Crystals is a more 
  organic-looking version of the Pixel effect. My favorite filter is 
  definitely Blur; it gives your desktop the feeling of being 
  underneath frosted glass and just looks terrific.

<http://www.tidbits.com/resources/2008-11/Isolator-blur.png>

  What's great about these filters is that, when used in combination 
  with the tinting, they cause the background to drop away from sight 
  and mind, while still remaining visible enough to jump into another 
  program easily if necessary. 

  Isolator is incapable of blocking only one element: the menu bar. 
  So, if that remaining visual detail is throwing off your 
  concentration, there is a way to eliminate it from sight. Menu 
  Eclipse, like Isolator, has a few options and controls for how the 
  menu bar appears (or disappears). Primarily, you can set the level 
  of tint or blackout, and whether or not the menu bar will appear 
  when you mouse over it. Combining Menu Eclipse with Isolator 
  produces a fully focused Desktop - the perfect place to get some 
  work done.


**See No Evil, Hear No Evil** -- Once I figured out how to focus my 
  visual attention, I realized I was still contending with another 
  serious focus-zapper: auditory distraction. Even after disabling 
  audio notifications in both Apple Mail and iChat (hearing those 
  bleeps and bloops was more distracting than I realized), I still 
  craved more silence.

  Whether working in a coffee shop, bus terminal, or at home when the 
  television is on in the other room, I find myself derailed by the 
  sounds of a place. The belly of the beast that was the engineering 
  library always had the gentle hum of air conditioning or the 
  constant hiss of the heating system. I realized I needed some 
  portable white noise. Some searching revealed the White Noise MP3s 
  Web site.

<http://whitenoisemp3s.com/>

  Spending $10 for about an hour of whooshing and sprinkling sounds 
  might seem a little steep. But these tracks really are well produced 
  and stand above all the other commercial white-noise collections I 
  looked into. With these, you really get a richer and more peaceful 
  backdrop to work within, especially compared to free white-noise 
  tracks available online.

  The track descriptions on the site read a little bit like J. 
  Peterman meets a wise-ass ninth grader, and although the latter 
  personality is a bit off-putting, the products deliver. I downloaded 
  and have been listening to Dreamstorm; its description was merely 
  "DUDE." The site also provides fairly long sample clips of the 
  tracks so you can get a good sense of them before purchasing.


**Distraction-Free, or at Least Distraction-Reduced** -- As I type 
  this article I have Isolator tinting and blurring my background 
  applications, Menu Eclipse obscuring my menu bar, and Dreamstorm 
  playing in my ears. While of course distractions still abound - a 
  couple of squirrels are playing tag outside my window - I am 
  definitely working in a more focused state. 

  Good luck with these applications, and let me know if there's 
  anything out there I've missed or should know about.


TidBITS Watchlist: Notable Software Updates for 02-Feb-09
---------------------------------------------------------
  by Doug McLean <doug_mclean@tidbits.com>
  article link: <http://db.tidbits.com/article/10035>

  PersonalBrain 5.0.2 from TheBrain Technologies is the latest update 
  to the visual information manager that comes in Free, Core, and Pro 
  versions. This minor update offers increased speed and improved 
  memory usage. Specific bugs have also been addressed, including one 
  that causes non-responsive bookmark importing, one that causes 
  re-linked thoughts to lose their link labels, and one that prevents 
  a closed brain from opening without a different brain being opened 
  first. (Free/$149.95/$249.95 new, free update, 26 MB)

<http://www.thebrain.com/#-47>

  Typinator 3.4 from Ergonis Software is the latest update to the 
  popular auto-typing and auto-correcting utility. New features 
  include options to suspend Typinator temporarily and maintain the 
  height of the set list when the window size changes, and the 
  capability to expand text in floating windows such as Spotlight's. 
  The latest version also includes several minor enhancements and bug 
  fixes, such as resolving a bug that caused the software's memory 
  usage to increase over time. (19.99 euros, free update, 2.7 MB)

<http://www.ergonis.com/products/typinator/>

  iPhone 2.2.1 Software Update from Apple provides bug fixes and 
  specifically addresses two issues with the iPhone's operating 
  system. Overall stability of Safari has been improved, and an issue 
  where images saved from Mail do not appear correctly in the Camera 
  Roll is fixed. The update is available from within iTunes when the 
  iPhone is connected. (Free update, 245.7 MB)

<http://www.apple.com/iphone/>

  iDVD 7.0.3 and the iLife Media Browser Update, both from Apple, 
  "improve overall stability and address a number of other minor 
  issues." Unfortunately, that's all the concrete information Apple 
  has provided, although we've since learned that the iLife Media 
  Browser Update fixes some problems with Spotlight. The iLife Media 
  Browser enables users to access their photos, music, and videos from 
  Aperture, iLife, and iWork and is thus recommended for users of 
  those programs working in Mac OS X 10.5.6 Leopard or later. The iDVD 
  update is most likely related to the recent QuickTime 7.6 update, as 
  the former relies heavily on the latter. Both updates are available 
  via Software Update, or from Apple's Support Downloads page. (Free 
  updates, 27.4/2.6 MB)

<http://support.apple.com/downloads/iDVD_7_0_3>
<http://support.apple.com/downloads/iLife_Media_Browser_Update>
<http://support.apple.com/downloads/>

  HoudahSpot 2.4 from Houdah Software is an update to the file search 
  tool that provides an alternate front end to Spotlight. This version 
  adds a new feature called Text Preview, which provides a dedicated 
  preview feature for text files. Within this preview, search strings 
  are automatically highlighted for more efficient searching. It is 
  also possible to search the text preview itself. ($25 new, free 
  update, 2.6 MB)

<http://www.houdah.com/houdahSpot/>

  SpamSieve 2.7.3 from C-Command Software is a maintenance update to 
  the powerful Bayesian spam filtering software. Changes include a 
  rewritten manual intended to make setup and troubleshooting easier, 
  improved Entourage capacity for handling uncertain mail, refined 
  blocklist rules for enhanced accuracy, and a more robust Apple Mail 
  plug-in installer. The update also fixes several bugs including one 
  that makes parsing multipart messages difficult, one that sorts in 
  rules windows, and one that marks incoming Entourage messages as 
  Junk. ($30 new, free update, 5.7 MB)

<http://c-command.com/spamsieve/>


ExtraBITS for 02-Feb-09
-----------------------
  by TidBITS Staff <editors@tidbits.com>
  article link: <http://db.tidbits.com/article/10043>

**Details of iPhoto '09's Flickr Support** -- Frasier Speirs, who 
  develops the FlickrExport plug-in for iPhoto and doesn't pretend to 
  be unbiased, offers a detailed look at just what iPhoto '09's Flickr 
  support provides in this blog post. Our take: iPhoto's built-in 
  support will be sufficient for basic uses, but serious Flickr users 
  will stick with Fraser's FlickrExport or one of the competing 
  plug-ins. (Posted 2009-02-02)

<http://speirs.org/2009/01/30/on-the-flickr-support-in-iphoto-09/>


**Alternatives to MobileMe** -- Joe Kissell wrote the book on 
  MobileMe, but also knows it's not the best solution for everyone. In 
  this Macworld article, Joe explores other ways of getting a similar 
  range of features. (Posted 2009-01-30)

<http://www.macworld.com/article/138481/2009/01/mobilemealternatives.html>


**Choose Individual iTunes Tracks to Upgrade to Plus** -- Apple has 
  changed its iTunes Plus upgrade policy, allowing you to pick 
  individual tracks and albums to upgrade and remove digital rights 
  management protection for songs you bought with DRM enabled. 
  Upgrades are still $0.30 per song and $3.00 per album in the U.S. 
  market. (Posted 2009-01-29)

<http://www.macworld.com/article/138508/2009/01/itunesplusalacarte.html>


**iPhone Apps for Designers** -- The App Store really does contain 
  more than just games and novelty programs. Jeff Carlson spotlights 
  eight applications that designers will find helpful in this article 
  at CreativePro.com. (Posted 2009-01-28)

<http://www.creativepro.com/article/iphone-apps-designers>


Hot Topics in TidBITS Talk for 02-Feb-09
----------------------------------------
  by Jeff Carlson <jeffc@tidbits.com>
  article link: <http://db.tidbits.com/article/10044>

**DVI/HDMI adapter confusion** -- Trouble with an HDMI to DVI cable 
  points to an issue with HDCP content-protection mechanisms. (8 
  messages)

<http://emperor.tidbits.com/TidBITS/Talk/2419>


**Reading SMART status on external hard disks** -- Is there a Mac OS X 
  application for reading SMART diagnostic information from external 
  hard drives? (6 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2421>


**Diagnosing weird hard disk problems** -- Apple's Hardware Test 
  (accessible from a Mac OS X installation disc) could provide a clue 
  about whether a hard disk is salvageable. (2 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2422>


**Opening OneFile files** -- The Opera Web browser may be able to open 
  this file type, but a better approach is probably to ask the sender 
  to create a PDF file instead. (2 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2424>


**The Mac Turns 25: Best Mac Ever?** Readers debate Adam's contention 
  that the Mac SE/30 was Apple's best Mac. (12 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2425>


**The Mac Turns 25: Our First Macs** -- We shared the stories of our 
  first Macs. What was the first Macintosh (or other computer) you 
  owned? (2 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2426>


**iLife 09 caused Spotlight issues** -- Readers discuss an issue with 
  Spotlight and iLife '09, as well as general impressions of the 
  suite. (7 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2428>


**Yet Another Reason Not to Pirate Software** -- News of Trojans 
  embedded in pirated copies of Mac software leads to discussions of 
  online security and the difficulty of managing passwords. (28 
  messages)

<http://emperor.tidbits.com/TidBITS/Talk/2429>


**Geolocation in searching** -- Is there a way to specify that search 
  results (and other Web destinations) be limited to a single country? 
  (4 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2430>


**Unpacking the old tarball** -- Installing Python 3 requires Xcode, 
  as one reader discovered when trying to decipher a cryptic set of 
  installation instructions. (6 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2431>


**Worst Apple Products** -- Adam's Macworld article on Apple's worst 
  products in the Mac's 25 year history spurs suggestions of other 
  unworthy products. (22 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2432>


**Google v Apple, cloud v local** -- As more data is floated in "the 
  cloud," are we expecting better service, security, and reliability? 
  Or does a traditional local (on your computer) model work better? 
  (27 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2433>


**Apple Drive Modules for Xserve RAID?** Now that Apple no longer 
  offers the Xserve RAID, it seems nearly impossible to buy 
  replacement drives. Any workarounds that you know of? (8 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2435>


**Partitioning large drives** -- Does it make sense to partition a 
  large (1.5 TB) hard disk, or leave it as one volume? Readers also 
  discuss combining large drives in RAID arrays. (12 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2436>


**iPhoto Faces** -- Readers comment on their experiences with the 
  Faces feature of iPhoto '09. (4 messages)

<http://emperor.tidbits.com/TidBITS/Talk/2437>


$$

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