TidBITS#1122/16-Apr-2012
========================
  Issue link: <http://tidbits.com/issue/1122>


  One thousand one hundred and twenty-two issues of TidBITS can mean
  only one thing: it’s our 22nd birthday! To help us celebrate, would
  you consider becoming a TidBITS member so we can continue to do what
  we’ve done weekly for the last one score and two years: bring you
  important, interesting Mac and Apple news? The Flashback malware
  infestation tops our coverage this week: Glenn Fleishman and Rich
  Mogull dig into Apple’s critical Java updates that remove the
  Flashback malware, and Glenn works around an annoying related problem
  in Firefox. Also prompted by the Flashback problem, Jeff Carlson tells
  how he uses Dropbox to troubleshoot family members’ Macs. In
  non-malware news, Michael Cohen examines issues with making notes and
  using quotes in ebooks, and Steve McCabe gives in to Hype, a Mac
  utility for generating code for HTML5 animations and interactivity.
  Notable software releases this week include Acrobat X Pro and Adobe
  Reader X 10.1.3, Microsoft Office for Mac 2011 14.2.0, Final Cut Pro X
  10.0.4, KeyCue 6.1, and TextWrangler 4.0.

Articles
    TidBITS Turns 22: Are You a TidBITS Member?
    Apple Releases Flashback Malware Removal Tools
    Fix Firefox to Show Updated Java Plug-In
    Use Dropbox to Troubleshoot Family Macs
    Notes, Quotes, and iBooks
    Believe Most of Tumult’s HTML5 Hype
    TidBITS Watchlist: Notable Software Updates for 16 April 2012
    ExtraBITS for 16 April 2012


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TidBITS Turns 22: Are You a TidBITS Member?
-------------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://tidbits.com/e/12937>
  3 comments

  With this issue of TidBITS, we’re officially marking our 22nd year 
  of continuous publication, maintaining our rank as the oldest solely 
  electronic technology publication on the Internet. During that 
  stretch, TidBITS has evolved with the times, covering Apple’s 
  entire integrated ecosystem of products and services and taking 
  advantage of new forms of distribution — ranging from the World 
  Wide Web in 1994 to an iOS app in 2010. But we’ve also remained 
  remarkably constant through those 22 years, certainly with the 
  distribution of our weekly email issue, but more importantly with 
  our focus on helping our readers navigate the twisty little passages 
  of technology.

  The main change in TidBITS of late, however, has been our TidBITS 
  membership program, which we launched at the end of 2011 to put 
  TidBITS on a sustainable financial footing (see “Support TidBITS 
  by Becoming a TidBITS Member,” 12 December 2011). With it, we’ve 
  taken a page from the thriving community-supported agriculture 
  model, which has enabled people to support small farmers directly, 
  sharing in the risk of bad weather and the rewards of the crop. 
  We’re calling our variant “community-supported content” and so 
  far, nearly 1,700 TidBITS readers have pitched in to support our 
  work at levels ranging from $20 to an incredibly generous $1,000.

<http://tidbits.com/article/12508>

  But that’s still only 1,700 of over 25,000 people who receive 
  TidBITS via email each week, not to mention the tens of thousands of 
  people who read TidBITS via our Web site or iOS app. If you’re not 
  yet a TidBITS member, can I ask you to join today to help us 
  continue to bring you TidBITS? While our base TidBITS content will 
  remain free to all, members also receive:

<http://tidbits.com/member_benefits.html>

* A version of the TidBITS Web site free of graphical banner ads.
* A full-text RSS feed (non-members get a summary-only feed).
* The option to receive articles in email as soon as they are posted.
* The ability to post longer article comments, with live URLs.
* Recognition of your membership (with apple icons) when commenting.
* The option to receive an article’s comments via email.
* A 30-percent discount on our Take Control ebooks.
* Discounts on over 30 popular Mac-related programs, many of which we 
  rely on every day. See the Membership Benefits page for the full 
  list, which has grown since launch.

  So what have we done with the funds from the TidBITS membership 
  program so far? Along with paying for the hosting and bandwidth 
  costs associated with running a Web site and large mailing list, and 
  helping to defray the costs of developing and maintaining the many 
  thousands of lines of code that underpin our Internet presence, the 
  main thing we’ve been focusing on is bringing more writers to 
  TidBITS.

  One key problem we’ve faced is that most TidBITS staffers are 
  industry experts who generate their primary income from publishing 
  books, speaking, and consulting. That’s great from an expertise 
  standpoint, but it also means that it can be hard to find someone 
  who has time to write or edit any given article. To that end, 
  we’ve begun to bring in other writers and editors, starting with 
  Agen Schmitz, who has ably taken over the task of identifying and 
  writing up our TidBITS Watchlist coverage of Mac software updates. 
  We’re continuing to look for other people whose skills and 
  schedules fit with how we work, and, honestly, whom we can afford, 
  since we still can’t compete with the heavily funded publications 
  on payment.

  Tonya and I spent some of last week in Washington, D.C. for 
  Tristan’s spring break, visiting museums and generally absorbing 
  what it’s like to be in the nation’s capital. Perhaps our most 
  successful outing was a day trip to the Newseum, a museum on 
  Pennsylvania Avenue devoted to the press — as Tonya exclaimed at 
  the end of the day, “Who knew there was a museum for my sort of 
  people!” and Tristan was far more engaged at the Newseum than by 
  the more-traditional exhibits at the National Air and Space Museum. 
  But seeing the Newseum’s fabulous exhibits reminded us of how our 
  editorial approach to TidBITS differs from that of many other 
  publications. We cover the news in our field, certainly, but we’re 
  always asking ourselves if what we’re writing is _useful_ to our 
  readers, rather than drumming up controversy and titillation, or 
  merely reporting facts without context.

<http://www.newseum.org/>
<http://www.nasm.si.edu/>

  Thank you for reading TidBITS, then, and thank you for joining the 
  TidBITS membership program to help us keep TidBITS going for another 
  22 years. 


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Apple Releases Flashback Malware Removal Tools
----------------------------------------------
  by Glenn Fleishman <glenn@tidbits.com>, Rich Mogull <rich@tidbits.com>
  article link: <http://tidbits.com/e/12934>
  5 comments

  A pair of Java updates from Apple — Java for OS X Lion 2012-003 
  and Java for Mac OS X 10.6 Update 8 — remove the most common 
  variants of the Flashback malware from Mac OS X 10.7 Lion and 10.6 
  Snow Leopard (see “How to Detect and Protect Against Updated 
  Flashback Malware,” 5 April 2012). The Lion update also 
  temporarily disables Java applets in Web pages. You can use Software 
  Update to install the appropriate update or download it directly.

<http://support.apple.com/kb/HT5247>
<http://support.apple.com/kb/DL1515>
<http://support.apple.com/kb/DL1516>
<http://tidbits.com/article/12918>

  Since the Java updates by definition require Java, which is optional 
  in Lion, Apple separately released a Flashback removal tool for Lion 
  users that you can run even if Java has never been installed. It 
  must be downloaded and run manually.

<http://support.apple.com/kb/HT5254>
<http://support.apple.com/kb/DL1517>

  When you install the appropriate Java update, the Flashback removal 
  tool runs automatically in the background and notifies you if a 
  Flashback malware variant is found and removed; otherwise, the 
  installation proceeds without comment.

  Apple also says that, in Lion, the update immediately disables the 
  Java browser plug-in and Java Web Start, effectively preventing the 
  unintentional use of Java applets in a Web browser. Since the 
  restriction is enforced within the Java browser plug-in itself, it 
  applies to all installed Web browsers in Lion, not just Safari.

<http://support.apple.com/kb/HT5242>

  To re-enable Java for use in Web pages, you must use the Java 
  Preferences program, found in /Applications/Utilities. But even 
  after you re-enable Web page use, Lion disables Java again after 35 
  days if it isn’t used at least once on a Web page during that 
  time. Apple’s intent is to prevent Java from being used as a 
  drive-by vector for malware infection among users who don’t need 
  Java active for Web pages. 

  Although Apple labeled these updates as pertaining to Java, their 
  sole purpose is to remove Flashback and disable the browser plug-in; 
  the rest of Java appears to be unaffected.

  If you use Firefox, you may receive an error when you check whether 
  the Java plug-in is up to date after applying Apple’s update. This 
  is a cosmetic caching problem that doesn’t affect security. To 
  learn more about Firefox’s incorrect reporting of the installed 
  Java plug-in version, see “Fix Firefox to Show Updated Java 
  Plug-In” (10 April 2012).

<http://tidbits.com/article/12929>

  Estimates from anti-malware vendors put Flashback infections at over 
  600,000 at their height on 6 April 2012. Symantec said that it 
  measured fewer than 300,000 infected machines on 11 April 2012, due 
  to the use of manual removal instructions and automated tools. Apple 
  was tardy in releasing an update in its version of Java for the bug 
  exploited by Flashback’s programmers, which Oracle had patched in 
  the main Java tree for other platforms about two months prior.

<http://www.macworld.com/article/1166330/flashback_mac_botnet_shrinks_says_symantec.html>

  Apple provided protection against earlier versions of Flashback 
  using an anti-malware feature built into Lion and Snow Leopard. 
  Called XProtect, this feature checks downloaded programs on first 
  launch (using Launch Services) for signatures matching known malware 
  based on a list Apple maintains. Since the current version of 
  Flashback exploits Java directly and circumvents Launch Services, 
  XProtect is unable to stop this particular infection.


  ----
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Fix Firefox to Show Updated Java Plug-In
----------------------------------------
  by Glenn Fleishman <glenn@tidbits.com>
  article link: <http://tidbits.com/e/12929>
  3 comments

  When I was checking my Macs for the Flashback malware last week (see 
   “How to Detect and Protect Against Updated Flashback Malware,” 
  5 April 2012), I ran into something odd with Firefox. Mozilla’s 
  plug-in status page reported an outdated version, separate from the 
  version reported by Safari. After some sleuthing, I discovered the 
  problem is a caching issue in Firefox that reports the wrong version 
  even though the correct release is installed.

<http://tidbits.com/article/12918>
<https://www.mozilla.org/plugincheck/>

  I followed several different threads in Mozilla forums to figure out 
  the problem, which has been reported as a bug, and which presumably 
  will be corrected in an update to the Mac OS X version of Firefox. 
  In the meantime, you can fix Firefox’s display of the Java plug-in 
  version by following these steps:

1. Enter about:support in the Location field in Firefox.
2. Click Show in Finder next to the Profile Directory.
3. Quit Firefox and make sure it isn’t stalled, but has actually 
   quit.
4. In the Finder, open the folder named _something_.default or 
   default._something_. (Mine is labeled p9u8hadp.default).
5. Throw the file pluginreg.dat in the Trash, and empty the Trash.
6. Close the profile folder.
7. Launch Firefox and load the plug-in status page again.

  The Mozilla plug-in status page will now show that the Java plug-in 
  is up to date.


  ----
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Use Dropbox to Troubleshoot Family Macs
---------------------------------------
  by Jeff Carlson <jeffc@tidbits.com>
  article link: <http://tidbits.com/e/12928>

  The Flashback malware that infected more than half a million Macs 
  creates the kind of situation that’s ripe for confusion by friends 
  and family members who aren’t technologically savvy. (See “How 
  to Detect and Protect Against Updated Flashback Malware,” 5 April 
  2012.) When news bubbles up to the mainstream media, those of us who 
  help manage these remote Macs often get calls or email messages 
  asking for help.

<http://tidbits.com/article/12918>

  Apple last week released an update to Java that removes the malware, 
  so anyone who runs Software Update can protect themselves against 
  the threat (see “Apple Releases Flashback Malware Remover,” 12 
  April 2012). But before that update was released, I wanted to check 
  my family members’ Macs for infection, something made much easier 
  thanks to Dropbox. Whether you want to share family photos or 
  troubleshooting utilities, the process I describe here makes it easy 
  to distribute files among many Macs, even if they’re not all 
  yours.

<http://tidbits.com/article/12934>

  I wanted to send Marc Zeedar’s Test4Flashback application, which 
  could tell immediately whether Flashback has infected a system, to 
  the iMacs owned by my mother and mother-in-law. I’d previously set 
  up Dropbox on both of their systems, and created a “Jeff” folder 
  on each shared with my Dropbox account. Getting the app to their 
  machines was a simple matter of copying it to each shared “Jeff” 
  folder on my Mac. Dropbox then synchronized the file to the 
  “Jeff” folders on their computers (and since I did this in the 
  middle of the night, I wasn’t disrupting either of them — and 
  the program is tiny).

<http://rsdeveloper.com/downloads/test4flashback.zip>

  The next day, I called my mother and asked her to run the app; her 
  iMac was not infected. For my mother-in-law’s iMac, I connected 
  remotely using a LogMeIn account I’d previously set up and ran the 
  app myself; her iMac was also Flashback free.

<http://logmein.com/>

  Dropbox is ideal for transferring files like this to family members, 
  and better than sending email attachments — which could get caught 
  in email filters — or attempting file transfers via iChat. 
  Here’s another example: Instead of directing my mom to Apple’s 
  support page to download AirPort Utility 5.6 (the version prior to 
  the current AirPort Utility 6.0, which wasn’t recognizing her 
  AirPort Extreme), I downloaded the installer myself and copied it to 
  our shared Dropbox folder.

<http://support.apple.com/kb/DL1482>

  And since Dropbox offers 2 GB of free storage space, it doesn’t 
  cost a thing. In fact, with last week’s news that Dropbox was 
  increasing the amount of storage it gives for referrals, you and 
  your friend can both benefit (see “Dropbox Referral Bonuses 
  Doubled to 500 MB, Retroactively,” 4 April 2012).

<http://tidbits.com/article/12914>

  Sometimes, especially when you are troubleshooting, it’s easiest 
  to have the tools you need appear magically on the other person’s 
  computer so you can get right to solving the problem instead of 
  getting hung up on the particulars of downloading files or 
  utilities. Dropbox excels at this magic, and frequently makes my 
  life easier. 


  ----
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Notes, Quotes, and iBooks
-------------------------
  by Michael E. Cohen <mcohen@tidbits.com>
  article link: <http://tidbits.com/e/12919>
  4 comments

  Anyone who knows me knows I have a book problem: I have books on the 
  shelves, books in boxes, books on my nightstand, books on my tables, 
  books on the floor, books in a locker, books on the backseat and in 
  the trunk of my car. My books take up an amazing amount of room, 
  and, while I wouldn’t want to part with them, they can be 
  inconvenient, especially when I need space in my home for something 
  else (like, say, stacks of magazines and journals). My plenitude of 
  books can also be inconvenient when I want to look something up in a 
  volume that needs to be disinterred from deep within one of my 
  various book stashes.

  That’s why I welcomed the onset of the era of ebooks a few years 
  ago. With ebooks, the physical volume problem evanesces: I can now 
  carry more books in my pocket than I can stack on my dining room 
  table and have each readily available with a few taps and swipes. 
  For someone like me, whose bibliophilia occasionally approaches mild 
  bibliomania, ebooks are a gift from heaven.

  Of course, ebooks are not without their inherent drawbacks: they 
  require expensive readers, they stop working when the battery goes 
  dead, they don’t look as nice (even with a Retina display) as a 
  well-designed printed book, and so on. I can accept _inherent_ 
  drawbacks.

  What I find unacceptable are arbitrary drawbacks that are created 
  _deliberately_ by those who design and develop ebook-reading 
  software. In particular, I’m appalled by the shortcomings with 
  notes and quotes that ebook software developers design into their 
  products, especially in light of the growing movement to replace 
  traditional textbooks with their ebook equivalents.

  Here are two things that students (and, in fact, many active 
  readers) do with books:

* They mark them up with notes and highlights.
* They quote from them.

  The designers of ebook reading software have hobbled, intentionally, 
  these readerly activities. Let’s take a look at how one 
  ebook-reading app, Apple’s iBooks, tosses obstacles in the 
  student’s path. Lest you think I’m picking on iBooks, keep in 
  mind that most other ebook-reading apps exhibit similar 
  shortcomings.


**Notes** -- At first glance, iBooks provides a breakthrough in 
  book-marking power for the active reader. You can highlight passages 
  in a variety of colors with just a swipe of the finger, and attach 
  notes of arbitrary size to any passage without worrying whether 
  there’s enough space in the margin to encompass your thoughts. 
  Even better, you can take a quick trip to the table of contents in 
  iBooks to see all of your notes and markups, along with their 
  context, and get to any of them with a single tap. Sweet.

  Not sweet? Getting those notes and markups out of the book so you 
  can use them elsewhere. Tap the Share button (that swooshy arrow in 
  a box) on the upper-right corner of the Notes page and you see the 
  tantalizing options to print your notes and send them via email. And 
  it’s true: you can do these things. What you can’t print or 
  email is the _context_ attached to each note. The passage that you 
  highlighted, and that appears on the Notes page in iBooks, is not 
  included in whatever is printed or sent via email. All you get is 
  your note and an almost useless chapter name (or, in the case of a 
  textbook, a page number) to accompany it. If margin notes constitute 
  a conversation between a book and its reader, the exported notes in 
  iBooks represent only one side of that conversation.

<http://tidbits.com/resources/2012-04/note-tease-ibooks.png>


**Quotes** -- Students quote from books all the time. In fact, quoting 
  is often required by specific instructional assignments. Learning 
  how to quote properly, cite accurately, and integrate quotations 
  effectively into an argument are fundamental writing skills that 
  students must learn. Yet iBooks provides scant help for this basic 
  activity.

  Certainly, if one is reading an unprotected ebook in iBooks, any 
  selected text in the book is available for copying to the clipboard, 
  from where it can be pasted into a word processing document, email 
  message, or other text container. But that works only for 
  unprotected books, and only for those ebooks in EPUB format. 
  Surprisingly, even in an unprotected textbook produced by iBooks 
  Author (which use Apple’s own proprietary Multi-Touch book format) 
  the Copy command for selected text is missing in action.

<http://tidbits.com/resources/2012-04/no-copy-ibooks.png>

  For protected EPUBs, it seems that a design decision was made to 
  disable copying, most likely in an attempt to deter piracy. No 
  matter that a pirate would have to copy each page of a book 
  separately (you can’t select across page boundaries in iBooks), 
  and no matter that a pirate could just as easily (which is to say, 
  not very) take screen captures of each page and use OCR software to 
  make a pirated version. 

  But disabling copying from even an unprotected textbook? What is the 
  point of that? A fear, perhaps, that students might plagiarize from 
  a textbook that their teachers have assigned? Possibly, but it would 
  be a very dim student indeed who would plagiarize content from a 
  book that a teacher would almost certainly be able to recognize. If 
  that’s the reason, it is a silly one.


**We’ve Solved These Problems Before** -- As far as I can tell, 
  these design limitations regarding notes and quotes are imposed 
  merely to deter “theft” (so quoted because the activities that 
  these software limitations attempt to deter are not theft but 
  instead infringement and plagiarism).

  The old Voyager Expanded Books, the floppy-disk-based ebooks 
  produced back at the dawn of ebooks in the early 1990s, addressed 
  the infringement/plagiarism problem another way: not by restricting 
  the use of a book’s contents, but by encouraging correct use. 
  Exported notes from Expanded Books included the text to which they 
  were attached, along with a complete citation. Text copied to the 
  clipboard also included a citation appended to the text. 

  The Expanded Book designers (of whom I was one) realized that 
  deliberate piracy is nearly impossible to stop. We also knew that 
  throwing obstacles in the paths of honest readers to deter piracy 
  was a poor strategy for stopping it: it would make honest readers 
  snarl, while the pirates would only laugh. 

  And what about plagiarism? For deliberate, determined plagiarists, 
  we applied the same reasoning we used for pirates. As for 
  unintentional plagiarists (and a large percentage of student 
  plagiarists fall into that category), we felt that the addition of a 
  citation to each copied passage served as a model and a lesson for 
  students: quoted text should always include an attribution. We made 
  a possible problem into an opportunity for instruction.

  It would not be difficult for iBooks, and other ebook-reading apps, 
  to incorporate similar behaviors for copied and annotated text. It 
  would be harder, I suspect, to convince publishers that books are 
  not merely containers of words that the reader passively consumes, 
  but containers of thoughts, ideas, and opinions with which the 
  reader actively interacts. But publishers need to come to that 
  realization if ebooks are to become fully capable substitutes for 
  the bound volumes that have colonized my home and are pushing me out 
  into the street. 

  Until they do, though, ebooks will remain intentionally flawed 
  crippleware, which is a real shame. 

  You can quote me on that. 


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Believe Most of Tumult’s HTML5 Hype
-----------------------------------
  by Steve McCabe <steve@stevemccabe.net>
  article link: <http://tidbits.com/e/12888>

  Since the mid-1990s, Adobe’s Flash has been the tool of choice for 
  animating Web pages. But ubiquity does not ensure popularity — 
  while Flash is widely used, it’s also widely loathed, thanks to 
  its closed, proprietary nature, along with its flaky, memory-hungry 
  browser plug-ins. 

  The technology that threatens Flash’s dominance — even its 
  eventual survival — is HTML5, the latest iteration of the language 
  and protocols that define the structure of Web pages. While not as 
  thoroughly scriptable as Flash, HTML5 allows for a much richer range 
  of animations and transitions than previous versions of HTML. With 
  Apple’s iOS-based universe a comprehensively — aggressively, 
  even — Flash-free zone, and with even Adobe abandoning Flash 
  development for mobile devices (see “Adobe Halts Development on 
  Mobile Flash,” 9 November 2011), Web designers are turning to 
  HTML5 as a means of creating dynamic content. 

<http://tidbits.com/article/12621>

  The problem with an open standard like HTML5, though, is that 
  there’s no single party pushing it and ensuring the availability 
  of authoring tools. While Flash is a closed product, Adobe — and 
  Macromedia before that — has provided decent authoring tools to 
  enable reasonably straightforward content development. Adobe has 
  offered Edge as an example of what an HTML5 editor might look like, 
  but Edge shows every sign of being a program destined to languish in 
  “preview” status until it’s quietly forgotten.

<http://labs.adobe.com/technologies/edge/>

  In the meantime, Hype offers an easy way to get started in HTML5 
  animation and interactive content. Published by Tumult, a small 
  startup founded by former Apple developers Jonathan Deutsch and Ryan 
  Nielsen, Hype is a timeline-based WYSIWYG HTML5 editor that outputs 
  HTML5 code that can be placed in existing Web pages. First released 
  in May 2011, Hype has recently been updated to version 1.5.  

<http://tumultco.com/hype/>


**Basic Usage** -- Working with Hype is reasonably effortless. As one 
  might expect from a Mac program developed by one-time Apple 
  developers, the interface is quite reminiscent of an iWork 
  application. You place layout items such as text boxes and images on 
  a canvas, and tweak their properties using a standard property 
  inspector and color palette. Beneath the canvas is the timeline, on 
  which you can specify any of a number of different style elements at 
  any given instant. 

<http://tidbits.com/resources/2012-04/HypeScreenShot.png>

  For instance, you might want to have your logo slide in from the 
  left, and fade in at the same time. Achieving this takes a few 
  steps, but all of them are easy:

1. Drag the logo to its starting position on the canvas from either a 
   Finder window or Hype’s Media palette.

2. Position the playhead at the starting point in the timeline.

3. Click the Record button.

4. Set the start properties for the logo, such as opacity or shadow, 
   in the Element pane of the Inspector palette.

5. Move the playhead up the timeline to the point where you want your 
   logo to be in its final position.

6. Drag the logo to its end position, then return to the Inspector to 
   set the logo’s ending visual properties. 

7. Click the Record button again to stop recording. 

  Hype automatically generates the necessary code to create the 
  transition between the start and end key frames over the time 
  between them in the timeline. 

  You can animate properties such as color, size, orientation, font 
  family, type size and more using the timeline. And you can drag key 
  frames along the timeline with a fair degree of precision, giving 
  you tight control over the timing of events. 

  Hype also allows for interactive control of Web content. Any layout 
  item placed on the canvas can have associated actions based on mouse 
  movement (these effects work best when viewed in a computer’s Web 
  browser: the absence of a mouse in an iOS device makes hover-based 
  actions problematic). Mousing onto or off of a button can trigger 
  actions, such as changing the “scene” (Hype’s name for what is 
  presented on the entire canvas, including its background), or 
  executing a JavaScript script.

  Working with elements on the canvas is straightforward, and has 
  improved notably in version 1.5, thanks to the developers responding 
  to concerns from users. Hype now allows grouping of objects and 
  locking them on the canvas, a feature that was much missed in the 
  original release. Contextual menus have been added, providing quick 
  access to layout and organizational features without having to mouse 
  away from the canvas, and there is now a zoom pop-up menu in the 
  toolbar.

  Previewing a Hype document can be done in two ways. Clicking the 
  Play button in the timeline previews the document’s animations; 
  however, actions based on mouse events require previewing in Safari. 
  To do that, you click the Safari icon in the toolbar; Safari 
  responds by opening a new window showing the content you’re 
  working on just as it will appear on your Web site. 

  Exporting content from Hype is also straightforward. Hype generates 
  an HTML document, as well as a folder containing the supporting 
  files required to drive the page. This typically includes any 
  graphics files the page may include, along with a JavaScript (.js) 
  document containing the scripts required for the animations on the 
  page. 

  Hype’s HTML code is self-contained, and can be published as it 
  stands. But it’s more likely that you’ll want to insert it into 
  other documents, and for that purpose, the code is clearly marked up 
  with comments showing the lines that actually call the JavaScript 
  and make it work. These lines can be copied and pasted into another 
  HTML page: upload that page along with the folder containing the 
  supporting files to your Web server, and your shiny new Web page is 
  ready to leap off the screen. You can see a quick sample of Hype’s 
  output at my Web site.

<http://stevemccabe.net/home.html>

  Modifying your Web page after the fact requires the original Hype 
  document; the HTML that Hype generates is readable, but limited, 
  with the vast majority of the action taking place in the 
  accompanying JavaScript file. That file is editable, of course, but 
  not easily; if you want to change, for example, something as simple 
  as a font, you’ll definitely want to edit the original Hype 
  document, since even that level of detail is stored in the resulting 
  JavaScript file, and not in a CSS file. 


**Quirks and Limitations** -- Though Hype has improved notably in 
  version 1.5, there remain quirks that give one a moment’s pause. 
  The Insert menu, for example, contains not a single keyboard 
  shortcut, which is a little annoying when you insert the text, 
  buttons, images, and other goodies that are the _sine qua non_ of a 
  Hype document. An Insert Elements pop-up menu in the toolbar across 
  the top of the canvas offers an alternative means of inserting, but 
  built-in keyboard shortcuts would have been appreciated (you can, of 
  course, use the Keyboard pane of System Preferences or a utility 
  like Keyboard Maestro to assign your own). 

<http://www.keyboardmaestro.com/>

  More troubling is this: although Hype provides an easy way to design 
  and develop HTML5 content, it provides access to only a subset of 
  HTML5 animation capabilities. For instance, HTML5 animation options 
  allow extensive control over an object’s movement. Hype, however, 
  offers only a single option — time taken, courtesy of the 
  draggable key frames in the timeline. Objects accelerate, move, 
  decelerate, stop. While this is an obvious and attractive way of 
  moving objects around a screen, and is likely to be the style most 
  users would choose much of the time, it remains frustrating that 
  Hype offers no control over speed or acceleration. 

  Similarly, although Keynote-like transitions between scenes in Hype 
  can be performed using the full range of HTML5 animation styles — 
  wipes, crossfades, swaps — you cannot access HTML5 timings, such 
  as the time a transition will take, directly in Hype. What you see 
  may well be what you get, but you get only what you’re given. This 
  may be an inevitable tradeoff: HTML5 offers extensive fine-tuning 
  possibilities for the motion of elements, but the price of Hype’s 
  focus on ease of content creation is the lack of access to these 
  options.

  Furthermore, Hype still lacks much in the way of image manipulation 
  tools. Resizing is easily managed, and can be automated from within 
  the timeline, but masking and editing tools are still absent. You 
  can move images around in Hype, but you’ll need to ready them in 
  an external image editor before you can place them in a Hype 
  document. 

  But I don’t want to sound too negative. While Hype may not yet 
  offer full access to all of HTML5’s animation tools, or all of the 
  features a Web designer might want in a single program, it’s best 
  seen as another useful tool that designers can employ in the process 
  of building a standards-compliant site. (Technically, Hype can 
  create self-contained Web pages, but few people will find it 
  sufficiently capable as a standalone Web authoring tool.) For what 
  Hype does in terms of creating animated and interactive content, 
  it’s both easy to use and convenient, and will be attractive to 
  designers who would otherwise be reluctant to get their hands dirty 
  with HTML5 and JavaScript code. At $49.99 from the Mac App Store, 
  Hype is a good investment for the Web designer who wants to add a 
  little dynamic content to an otherwise still page. 

<http://itunes.apple.com/app/hype/id436931759?mt=12>


  ----
  read/post comments: <http://tidbits.com/e/12888#comments>
  tweet this article: <http://tidbits.com/t/12888>


TidBITS Watchlist: Notable Software Updates for 16 April 2012
-------------------------------------------------------------
  by TidBITS Staff <editors@tidbits.com>
  article link: <http://tidbits.com/e/12940>

**Adobe Acrobat X Pro and Reader X 10.1.3** -- Adobe has updated 
  Acrobat X Pro and Adobe Reader X to version 10.1.3, which resolves 
  their associated PDF browser plug-in’s incompatibility with Safari 
  5.1 (when running in 64-bit mode). The plug-in now also supports 
  Firefox in 32-bit mode. Additionally, Adobe’s EchoSign electronic 
  signature service is further integrated into the two apps with the 
  addition of new electronic signature types and the capability to 
  send documents through EchoSign. The update also fixes a number of 
  bugs from the previous release’s known issues, including print 
  preferences defaulting to printing on both sides of the paper and 
  crashes when trying to print in Protected Mode. For a complete 
  rundown of all improvements and fixes in 10.1.3, download the PDF 
  release notes from Adobe’s support page. ($449 new purchase of 
  Acrobat X Pro with free update, free Adobe Reader X, 137.4 MB and 
  69.6 MB respectively)

<http://www.adobe.com/products/acrobatpro.html>
<http://www.adobe.com/products/reader.html>
<http://helpx.adobe.com/acrobat/release-note/release-notes-acrobat-reader.html>

  Read/post comments about Adobe Acrobat X Pro and Reader X 10.1.3.

<http://tidbits.com/article/12936#comments>


**Microsoft Office for Mac 2011 14.2.0** -- Microsoft has updated 
  Office for Mac 2011 to version 14.2.0 (also labeled as Service Pack 
  2) with improvements for connecting to Microsoft’s SharePoint 
  collaboration service as well as a variety of tweaks and fixes for 
  Outlook, PowerPoint, and Word. For the entire Office for Mac 2011 
  suite, the update enables Mac OS X 10.7 Lion users to drag and drop 
  files in the Document Connection app (for uploading files to 
  SharePoint sites) and it provides access to documents stored at the 
  root level of a SkyDrive folder. Additionally, Italian and German 
  grammar checkers have been improved. In Outlook, the release fixes 
  issues that could cause database corruption, improves IMAP email 
  syncing with Gmail, and brings a new sync model for Exchange where 
  email messages are downloaded in parts. (But make sure to back up 
  your Outlook data first; some users are reporting problems with the 
  update!) PowerPoint now supports Lion’s full-screen mode and adds 
  the capability to paste special hyperlinks into the app. For Word, 
  the update improves printing PDF faxes and fixes an issue where user 
  information wasn’t saved into a Word template. For a complete list 
  of changes, read the Microsoft support page. (Free update as a 
  download or through Microsoft AutoUpdate, 110 MB)

<http://www.microsoft.com/download/en/details.aspx?id=29419>
<http://support.microsoft.com/kb/2685940>

  Read/post comments about Microsoft Office for Mac 2011 14.2.0.

<http://tidbits.com/article/12935#comments>


**Final Cut Pro X 10.0.4** -- Apple has released Final Cut Pro X 
  10.0.4, a minor update to the professional video editor with a grab 
  bag of tweaks and fixes. The release improves both responsiveness 
  and quality of broadcast monitoring when using compatible 
  third-party PCIe and Thunderbolt I/O devices as well as multicam 
  syncing and editing. Fixes include a problem with superimposing a 
  video over a background with an alpha channel that would render 
  differently before and after in the Viewer, plus an issue with 
  re-rendering titles after application launch. The update also adds a 
  sharing option for 1080p video on compatible iOS devices, includes 
  multicam metadata in XML project export, and assigns stereo as the 
  default audio channel setting for new projects. ($299.99 new in the 
  Mac App Store, free update, 1.38 GB, release notes)

<http://www.apple.com/finalcutpro/>
<http://itunes.apple.com/us/app/final-cut-pro/id424389933?mt=12>
<http://support.apple.com/kb/HT4589>

  Read/post comments about Apple Final Cut Pro X 10.0.4.

<http://tidbits.com/article/12933#comments>


**KeyCue 6.1** -- Ergonis has released KeyCue 6.1, which improves 
  support for Keyboard Maestro by displaying items with string 
  triggers. The keyboard shortcut reminder utility also adds the 
  option for checking for new beta versions of the software, fixes a 
  memory issue when checking version numbers of active applications, 
  and correctly displays the date and time of the current time zone 
  (instead of GMT). It also includes a signed developer ID for OS X 
  10.8 Mountain Lion’s Gatekeeper security feature. (€19.99 new, 
  free update, 2.1 MB, release notes)

<http://www.ergonis.com/products/keycue/>
<http://www.keyboardmaestro.com/>
<http://www.ergonis.com/products/keycue/history.html>

  Read/post comments about KeyCue 6.1.

<http://tidbits.com/article/12932#comments>


**TextWrangler 4.0** -- Bare Bones Software has released version 4.0 
  of TextWrangler, a major update of the free general-purpose text 
  editor sibling to the company’s flagship text and HTML editor 
  BBEdit. The release brings TextWrangler up to speed with many 
  elements from BBEdit 10.1, including the adoption of its editing 
  window interface (with Currently Open Documents and Recent Documents 
  panes) plus the capability of restoring previously open documents 
  (even if unsaved) when relaunching. TextWrangler now requires Mac OS 
  X 10.6 or later, and it’s compatible with 10.7 Lion’s 
  full-screen mode. Other changes include improved handling of scripts 
  (whether they be AppleScript scripts, Automator actions, or Unix 
  scripts), the addition of live searching within the app plus 
  searching text inside Zip archives, and a “modernized” Find 
  Differences dialog box. For a complete rundown of the voluminous 
  additions and tweaks to this version, be sure to read the lengthy 
  release notes. (Free from Bare Bones Software and the Mac App Store, 
  5.2 MB)

<http://www.barebones.com/products/textwrangler/>
<http://www.barebones.com/support/textwrangler/current_notes.html>
<http://itunes.apple.com/us/app/textwrangler/id404010395?mt=12>

  Read/post comments about TextWrangler 4.0.

<http://tidbits.com/article/12931#comments>




ExtraBITS for 16 April 2012
---------------------------
  by TidBITS Staff <editors@tidbits.com>
  article link: <http://tidbits.com/e/12939>

  The Department of Justice antitrust lawsuit against Apple and six 
  major publishers weighed heavily in our reading this week, with two 
  pieces standing out: Charlie Stross’s deconstruction of Amazon’s 
  ebook strategy and Nilay Patel’s look at the actual lawsuit. Also 
  this week, Facebook acquires Instagram for $1 billion, and some 
  TomTom GPS devices lose their way.


**Monopoly, Monopsony, and the DOJ Ebook Price-Fixing Suit** -- Author 
  Charles Stross deconstructs Amazon’s ebook strategy. Along the 
  way, he provides useful background about the differences between 
  monopoly and monopsony, and offers interesting speculation about the 
  future of digital rights management in the wake of the Department of 
  Justice’s antitrust lawsuit against Apple and six major 
  publishers.

<http://www.antipope.org/charlie/blog-static/2012/04/understanding-amazons-strategy.html>

  Read/post comments

<http://tidbits.com/article/12938#comments>


**The Verge Analyzes the DOJ’s Ebook Price-Fixing Case against 
  Apple** -- The United States Department of Justice (DOJ) has filed 
  an antitrust lawsuit against Apple and book publishers Hachette, 
  Simon & Schuster, Harper Collins, Pearson, Penguin, and Macmillan. 
  The suit claims that the publishers — with significant assistance 
  from Apple — colluded to raise prices and force the industry to 
  adopt the “agency model” that allows publishers to set their own 
  prices and gives Apple a 30 percent cut of each sale. (Three 
  publishers — Hachette, Simon & Schuster, and Harper Collins — 
  have already settled, while Macmillan and Penguin have opted to 
  fight the suit. Apple commented to Macworld that the DOJ’s 
  accusation is “simply not true.”) The Verge’s Nilay Patel, who 
  has a background in law, looks at many specific aspects of the 
  government’s case, pointing out why the DOJ believes the actions 
  undertaken by the publishing companies constitute open collusion 
  (including actual back room deals and conspiracies).

<http://www.theverge.com/2012/4/11/2941053/inside-the-dojs-ebook-price-fixing-case-against-apple-an-analysis>
<http://www.macworld.com/article/1166346/apple_dojs_ebook_collusion_accusation_is_simply_not_true.html>

  Read/post comments

<http://tidbits.com/article/12930#comments>


**Facebook to Acquire Instagram for a Billion Dollars** -- In a blog 
  post, Kevin Systrom, CEO of the photo sharing service Instagram, 
  announced that his eight-person company will be acquired by 
  Facebook. Facebook CEO Mark Zuckerberg chimed in on his own 
  timeline, adding, “For years, we’ve focused on building the best 
  experience for sharing photos with your friends and family. Now, 
  we’ll be able to work even more closely with the Instagram team to 
  also offer the best experiences for sharing beautiful mobile photos 
  with people based on your interests.” Facebook says the 
  transaction will be valued at $1 billion. We hope the owners of 
  Instagram will share some of the windfall with their tiny, but 
  effective, staff.

<http://blog.instagram.com/post/20785013897/instagram-facebook>

  Read/post comments

<http://tidbits.com/article/12927#comments>


**It’s 10 O’Clock. Does Your TomTom Know Where It Is?** -- GPS 
  manufacturer TomTom revealed that a “leap year” bug in a number 
  of models prevented the units from finding their locations. Starting 
  on Sunday, 1 April 2012 (ouch!), the glitch left some users stranded 
  in unfamiliar locations without navigation assistance. TomTom’s 
  support page lists affected models (including several Go, Via, and 
  Start models) and provides instructions for using the MyTomTom 
  desktop software to install a fix for the problem.

<http://uk.support.tomtom.com/app/answers/detail/a_id/386/>

  Read/post comments

<http://tidbits.com/article/12926#comments>




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