TidBITS#1158/28-Jan-2013
========================
  Issue link: <http://tidbits.com/issue/1158>


  A number of TidBITS staffers are assembling in San Francisco for
  Macworld/iWorld 2013 this week, and if you’ll be there too, be sure to
  stop by our first-ever ebook signing at the Smile booth. Also this
  week, we’re pleased to announce the release of Kirk McElhearn’s “Take
  Control of iTunes 11: The FAQ” to answer all those iTunes questions
  that iTunes 11 engendered for you. Agen Schmitz reports on the
  just-released iOS 6.1. Jeff Carlson and Michael Cohen cover Apple’s
  Q1-2013 earnings announcement, in which a record $54.5 billion in
  revenues, coupled with $13.1 billion in profit, disappointed analysts.
  For those looking to write on the iPad more, Josh Centers reviews the
  powerful Nebulous Notes app, and if you’ve always wondered what
  version of Mac OS X you can include with a Mac you’re selling or
  giving away, Adam Engst has all the details. Apple is persnickety
  about Mac OS X licenses, but what has Adam more worked up is the
  company’s lack of respect for professional users — read on for his
  story about how Pages 4.3 completely changed (and broke) graphics
  handling in exported EPUBs without so much as a mention in the release
  notes. Notable software releases this week include Things 2.1.1,
  Evernote 5.0.5, and Fantastical 1.3.6.

Articles
    Take Control Ebook Signing at Smile’s Macworld/iWorld Booth
    iOS 6.1 Expands Global LTE Support
    “Take Control of iTunes 11: The FAQ” Answers Your iTunes Questions
    Apple’s $13.1 Billion Profit for Q1-2013 Dismays Analysts
    Nebulous Notes for iOS Makes Markdown Easy
    Selling a Mac: What Version of Mac OS X Can You Include?
    Pages 4.3 vs. BBEdit 10.5: How Apple Doesn’t Respect Its Users
    TidBITS Watchlist: Notable Software Updates for 28 January 2013
    ExtraBITS for 28 January 2013


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Take Control Ebook Signing at Smile’s Macworld/iWorld Booth
-----------------------------------------------------------
  by Adam C. Engst: <ace@tidbits.com>, @adamengst
  article link: <http://tidbits.com/e/13518>

  One casualty of the modern ebook world is book signings. One of the 
  most ego-boosting days of my life as an author was when a company 
  bought a boatload of my “Internet Starter Kit for Macintosh” 
  books and gave them away at a book signing promotion during the 
  Macintosh Volume Buyer event before a Macworld Expo in Boston in the 
  mid-1990s. There’s nothing like signing book after book while the 
  line snakes out of sight around a corner to make you feel like a 
  best-selling author, even when you know everyone got their copy for 
  free.

  With ebooks, it’s harder to have an in-person event, and even 
  harder, if you do, to sign those digital copies. But while talking 
  with Jean MacDonald of Smile, I realized that we actually do now 
  have the technology, thanks to Smile’s PDFpen for iPad app.

<http://smilesoftware.com/>
<https://itunes.apple.com/us/app/pdfpen/id490774625?mt=8>

  So, at 3:00 PM on Friday, 1 February 2013, at the Smile booth in the 
  Appalooza section of the Macworld/iWorld show floor, Joe Kissell and 
  Michael Cohen will be signing copies of their Take Control ebooks: 
  “Take Control of PDFpen 5” and “Take Control of 
  TextExpander” for Michael, and “Take Control of Your Paperless 
  Office” and a slew of other titles for Joe. Of course, you’ll 
  need to have the ebook in PDFpen with you, but Michael and Joe will 
  each have their own stylus. Tonya and I plan to be hanging around as 
  well to see how this sort of digital book signing works out, so if 
  you want to say hello or ask any questions, this will be a good time 
  to catch a number of us in one place.

<http://www.takecontrolbooks.com/pdfpen-5?pt=TB1158>
<http://www.takecontrolbooks.com/textexpander?pt=TB1158>
<http://www.takecontrolbooks.com/paperless-office?pt=TB1158>

  And yes, I’ve added this signing to the TidBITS Events calendar. 
  See you there!

<webcal://p02-calendarws.icloud.com/ca/subscribe/1/1fykyeloNsBN_opxg3XN1vHn2aNkFQXaJ4OU7qCtkByNyW66ZiQ5u45FsnrUOp12GSWenFRvinLtm6E3HdtYK1nXJlwEy1YuiJogx7aU-C0>


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iOS 6.1 Expands Global LTE Support
----------------------------------
  by Agen G. N. Schmitz: <agen@tidbits.com>
  article link: <http://tidbits.com/e/13526>
  3 comments

  Focused largely on expanding global LTE coverage, Apple has released 
  iOS 6.1 for the iPhone, iPad, iPad mini, and iPod touch with an 
  additional 36 carriers for the iPhone 5 and 23 carriers for 
  LTE-enabled iPads. The big LTE switch is turned on for both the 
  iPhone and iPads in markets such as Denmark, Finland, Italy, and 
  Switzerland, while several Middle Eastern countries (including 
  Kuwait, Saudi Arabia, and United Arab Emirates) get LTE just for the 
  iPhone 5. You can find a full list of LTE markets and carriers for 
  specific models of iPhone and iPad at Apple’s Web site.

<http://support.apple.com/kb/DL1624>
<http://www.apple.com/iphone/LTE/>
<http://www.apple.com/ipad/LTE/>

  Beyond LTE connectivity, the update adds the capability to use Siri 
  to purchase movie tickets from Fandango (only in the United States), 
  and it once again enables iTunes Match subscribers to download 
  individual songs from iCloud (a previous iOS update had quietly 
  removed this option). A Reset Advertising Identifier button is also 
  added to the Advertising options (Settings > General > About > 
  Advertising), enabling you to flush your current Advertising 
  Identifier (much like deleting history from a Web browser) so that 
  you’re hopefully served more relevant ads going forward. Of 
  course, you can also turn on the Limit Ad Tracking option here, 
  which not only reins in targeted advertising but can also help 
  minimize cellular use (see more cellular data tips in Matt 
  Neuberg’s “Mysterious iOS 6 Cellular Data Usage: A Deeper 
  Look,” 24 October 2012).

<http://tidbits.com/article/13354>

  Josh Lowensohn at CNET also notes several smaller changes not 
  mentioned by Apple, including a reworking of the lock screen’s 
  music playback controls. Now when you double-press the home button, 
  the playback controls are pushed up to replace the current time 
  display, giving you a better view of your lock screen wallpaper 
  image. Plus, the controls are further apart, making it less likely 
  that you’ll accidentally skip to the next episode of a podcast 
  when attempting to pause playback, an annoying bit of bad interface 
  in iOS 6.0.x. We’ve also heard one report that iOS 6.1 resolves a 
  troubling bug with streaming media that resulted in streamed videos 
  being downloaded in the background even after switching away from 
  Safari. We fully expect that there are other changes — perhaps 
  lots of them — with which Apple hasn’t seen fit to burden us 
  weak-minded users. If you run across any, let us know in the 
  comments.

<http://news.cnet.com/8301-13579_3-57566214-37/apple-releases-ios-6.1-with-additional-lte-support/>
<http://tidbits.com/resources/2013-01/ios-61update-playbacklockscreen.png>

  As usual, we recommend going the over-the-air update route if you 
  have Wi-Fi connectivity (Settings > General > Software Update) as 
  this method downloads only the deltas that are much smaller and 
  faster to install. The over-the-air deltas for the iPad and iPad 
  mini weigh in at 76 MB and 83 MB respectively (compared to 1.08 GB 
  if downloading the full update through iTunes), while the iPhone 
  over-the-air update is 107 MB (compared to 989.5 MB in iTunes). The 
  update is free, and it can be applied to the iPhone 3GS and later, 
  iPad 2 and later, and fourth-generation iPod touch and later.

  Be warned that when you update, some of your settings may be reset 
  to defaults, so it’s worth walking through the Settings app and 
  making sure everything is set the way you want. In particular, 
  TidBITS staffers have noticed iCloud- and iMessage-related settings 
  being reset.

  In other iOS news, the Apple TV Software also received an update to 
  version 5.2, which adds Bluetooth keyboard support, the capability 
  to send audio to AirPlay-enabled speakers and devices, and support 
  for iTunes in the Cloud — enabling you to stream purchased music 
  directly through the Apple TV rather than stream it from a computer 
  on your network. On the downside, at least some people are reporting 
  that the iPad version of the iOS Remote app can no longer control 
  the Apple TV; the iPhone version of Remote has no such problem. The 
  update is available for second- and third-generation Apple TV 
  models.

<http://support.apple.com/kb/HT4448>
<https://discussions.apple.com/message/21061570>


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“Take Control of iTunes 11: The FAQ” Answers Your iTunes Questions
------------------------------------------------------------------
  by Adam C. Engst: <ace@tidbits.com>, @adamengst
  article link: <http://tidbits.com/e/13517>

  Few upgrades of late have engendered as much press — and 
  hand-wringing among users — as iTunes 11. It’s not surprising — 
  millions of people rely on Apple’s media management tool for a 
  wide variety of tasks, but the new version revamped the interface 
  and moved controls for many long-standing features. We’ve written 
  a good deal about iTunes 11 in TidBITS, largely from the news and 
  “what’s new” perspective (see the series “All about iTunes 11”).

<http://tidbits.com/series/1281>

  But our articles can’t address every question you might have about 
  iTunes 11, particularly since many of them are undoubtedly more 
  about iTunes in general than what’s new. That’s where Kirk 
  McElhearn’s new “Take Control of iTunes 11: The FAQ” ebook 
  steps up to the plate — its goal is to answer all the frequently 
  asked questions about managing audio and video in iTunes 11. And 
  Kirk is the go-to guy in the Mac community for iTunes help — along 
  with two editions of this book about iTunes 10, he’s also a Senior 
  Contributor to Macworld, where he frequently writes articles about 
  iTunes, most notably in his “Ask the iTunes Guy” column.

<http://tid.bl.it/tco-itunes11-tidbits>

  So whether you’re having trouble figuring out how to use iTunes 
  11’s new and changed features or you have larger questions about 
  the best ways to organize, view, and play your media, “Take 
  Control of iTunes 11: The FAQ” has the answers you need. 


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Apple’s $13.1 Billion Profit for Q1-2013 Dismays Analysts
---------------------------------------------------------
  by Jeff Carlson: <jeffc@tidbits.com>, @jeffcarlson, 
     Michael E. Cohen: <mcohen@tidbits.com>
  article link: <http://tidbits.com/e/13515>
  5 comments

  Apple has reported huge profits and sales numbers yet again, this 
  time for its first quarter 2013 financial period — disappointing 
  analysts, of course. With revenues of $54.5 billion, the company’s 
  highest quarterly revenue ever, and net profits of $13.1 billion 
  ($13.81 per diluted share), the company’s profits nonetheless are 
  down about 1 percent compared to the year-ago quarter.

<http://www.apple.com/pr/library/2013/01/23Apple-Reports-Record-Results.html>

  The results that Apple reported had their ups and downs. Up were 
  weekly revenue, iPhone sales, iPad sales, iTunes Store, and retail 
  store revenues; down were Mac sales and iPod sales. 

  First, the upside. Weekly revenue was $4.2 billion during the 
  quarter, versus $3.3 billion for the same quarter last year. Apple 
  sold 47.8 million iPhones during the quarter compared with 37 
  million in the year-ago quarter. And sales of iPads eclipsed the 
  sales from the year-ago quarter by more than 7 million units, with 
  22.9 million reaching the hands of customers against last year’s 
  15.4 million. The iTunes Store brought in a record $2.1 billion 
  (with 2 billion apps downloaded), and the retail stores brought in 
  an unprecedented $6.4 billion.

  On the down side, only (!) 4.1 million Macs were sold last quarter, 
  versus 5.2 million sold in the same quarter last year. Apple CEO Tim 
  Cook pointed out that this drop was expected, and that he’d 
  pointed this out during last quarter’s earnings call; in fact, the 
  latest model iMacs reached customers only during the final month of 
  the quarter. And, in line with the trend that we’ve seen over the 
  last several years, iPod sales declined from 15.4 million in last 
  year’s quarter to 12.7 million in the quarter this year. 
  Nonetheless, iPod still has a 70 percent market share among MP3 
  music players, a figure that has held steady for years. The iPod 
  touch now accounts for half of all iPods sold.

  On a weekly basis, Apple sold 3.7 million iPhones, 1.7 million 
  iPads, and 312,000 Macs (even with severely constrained supplies). 
  For those who like mind-boggling statistics, Apple sold about 10 iOS 
  devices every _second_ during the quarter. (Another mind-boggling 
  statistic unrelated to revenue: about 4 _trillion_ notifications 
  were sent to Apple devices via iCloud during the quarter.)

  The Greater China operating segment, comprising mainland China, 
  Taiwan, and Hong Kong, became Apple’s second largest region in 
  terms of revenue, bringing in $7.3 billion. Sales of iPhones in that 
  region have more than doubled.

  Apple closed out the quarter with $137.1 billion in cash and 
  securities, a $16 billion increase over the previous quarter’s 
  total. Some of that money will end up back in the hands of 
  shareholders on Valentine’s Day, when Apple will pay out a 
  dividend of $2.65 per share. 

  The company currently has more than 80,000 employees, and operates 
  over 400 retail stores worldwide.


**Constraints and Cannibalization** -- It’s important to remember 
  that these results are remarkable and record breaking; as Cook 
  stated at one point, “No technology company has ever reported 
  these kinds of results.” And yet, those numbers were achieved 
  while most of the company’s products faced component shortages and 
  other constraints. Apple literally cannot build its devices fast 
  enough to meet demand.

  That extends throughout its product mix. Cook noted that production 
  of the iPhone 5 was constrained for much of the quarter, ramping up 
  toward the end, but production of both iPhone 4 models was also 
  constrained for the entire quarter. The iPad mini was also 
  constrained every week, and Apple ended the quarter with a 
  significant backlog.

  Although Apple didn’t break out iPad sales by model (so we don’t 
  know just how many iPad minis were sold), Apple CFO Peter 
  Oppenheimer did point out that the iPad mini gross margin is 
  “significantly below the product average.” Apple traditionally 
  builds a nice profit pad into the pricing of its products, and with 
  the iPad mini they’re forgoing profit up front in order to keep 
  the price down and increase adoption.

  Responding to a question about iPhone screen supplies, which were 
  recently reported by questionable news outlets to have been scaled 
  back, Cook took the opportunity to refute the position. “I don’t 
  want to comment on any specific rumor because then I’d have to 
  spend my entire life doing that.”

  Much of the question-and-answer session involved the subject of 
  product cannibalization, with analysts wondering why Apple would 
  allow sales of iPads, for example, to contribute to the lower sales 
  of Macs compared to previous quarters. Product cannibalization 
  isn’t a new phenomenon for Apple, and Cook sunk his teeth into the 
  question. “Our philosophy is to never fear cannibalization,” he 
  said. “If we do, somebody else will just cannibalize [a 
  product].” He noted that the iPhone has cannibalized some iPod 
  business, saying, “It doesn’t worry us. I see cannibalization as 
  a huge opportunity.” Cook once again pointed out that the bulk of 
  iPad cannibalization with regard to computers affects Windows PCs 
  rather than Macs.


**Fallout** -- Apple is the poster child for failing to meet 
  unreasonable expectations; its stock price fell 10 percent to $460 
  per share in after-hours trading following the earnings report. 
  Analysts pull unrealistic numbers out of dark unmentionable regions, 
  or complain that the company’s profits are growing but not fast 
  enough. At this point we assume that most analysts are competing in 
  their own financial reality show that emphasizes drama over actual 
  reality.

  What’s encouraging is that Apple, while a public company, 
  doesn’t chase the stock price as its indicator of success. It also 
  doesn’t heed analysts’ unreasonable calls to sacrifice profit at 
  the expense of market share. “We want to make the best 
  products,” said Cook in an oft-repeated mantra, citing the success 
  of the iPod in the market as a happy consequence, but not a goal.

  And despite many efforts to get Cook and Oppenheimer to reveal plans 
  about the year’s product lineup (which are always rebuffed, such 
  as Cook’s terse rebuttal to Piper Jaffray analyst Gene Munster’s 
  questions about what an Apple television might be), Cook did say 
  that the development pipeline is “chock full.”


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Nebulous Notes for iOS Makes Markdown Easy
------------------------------------------
  by Josh Centers: <josh@tidbits.com>, @jcenters
  article link: <http://tidbits.com/e/13500>

  Here at TidBITS, we rely on the venerable BBEdit to write our 
  articles. Among its many powerful features, it offers syntax 
  coloring for the Markdown format that we use for articles, connects 
  to the Subversion repository our TidBITS Publishing System uses, and 
  lets us use clippings, text factories, and scripts that simplify 
  creating articles in Markdown. Unfortunately for those of us who are 
  starting to write on the iPad while out and about, BBEdit isn’t 
  available on the iPad.

<http://www.barebones.com/products/bbedit/>

  The app I’ve found that comes closest to the power and flexibility 
  of BBEdit on iOS is Nuclear Elements’ Nebulous Notes ($4.99), 
  which is compatible with both the iPad and iPhone. Nebulous Notes 
  gives you control over your typeface, text color, and background 
  color. I’m a fan of the Inconsolata typeface, 25 point, with a 
  slightly off-white background. I also like the second default theme, 
  a tribute to the Apple ][ with the Monaco typeface in green on a 
  black background.

<https://itunes.apple.com/app/nebulous-notes-for-dropbox/id375006422>
<http://tidbits.com/resources/2013-01/Nebulous-Notes-black-green-theme.png>

  As a writer, I appreciate Nebulous Notes’ word, character, and 
  line counts, which can be enabled in its settings. A surprising 
  feature is its capability to sync to Evernote, for those who rely 
  heavily on that service. Of course, like any respectable iOS text 
  editor, it syncs with Dropbox documents, and supports the 
  TextExpander iOS app.

<http://evernote.com/>
<https://www.dropbox.com/>
<http://smilesoftware.com/TextExpander/>

  Nebulous Notes also offers powerful preview functions. You can 
  preview HTML, Markdown, or rich text. While previewing a document, 
  you can output to HTML, open text in other apps, or send 
  HTML-rendered email messages. You even can customize your preview 
  with CSS.

<http://tidbits.com/resources/2013-01/Nebulous-Notes-preview.png>

  Many iOS text editors, like iA Writer and Byword, offer an extra row 
  of on-screen buttons for navigation and otherwise hard-to-reach 
  characters. Nebulous Notes does too, but with the added bonus that 
  you can customize the buttons to insert any text you wish, find and 
  edit text, or even change the cursor’s position. This is what sets 
  Nebulous Notes apart from the field.

<http://www.iawriter.com/>
<http://bywordapp.com/>

  Oddly, this utility bar in Nebulous Notes is turned off by default, 
  but it’s easy to enable in the settings. While in the settings 
  menu, you can also add, delete, and rearrange the macros in your 
  bar. By default, the utility bar is filled with sample macros, which 
  give you an idea of the things you can do. Feel free to delete those 
  you don’t like, as there are numerous example macros in the 
  settings that can be added or removed from the utility bar at any 
  time.

<http://tidbits.com/resources/2013-01/Nebulous-Notes-macro-edit.png>

  A macro can be as simple as a single key, like an asterisk, which 
  otherwise requires switching first to the numeric keyboard, and then 
  to the punctuation keyboard. That’s a time-saver, but what makes 
  macros really interesting is the special codes you can use. These 
  start with a dollar sign. For example, $select in a macro by itself 
  will select the word your cursor is in when you press its button. 
  You can then call another macro that contains the $sel variable to 
  add text around that selection.

  If you wanted to wrap your selected text inside angle brackets, you 
  would create a macro like this:
      
      <$sel>

  If you then name that macro <>, and then select a word, you can 
  press the <> button to wrap that word in angle brackets.

  You can get even more creative. Here at TidBITS, we use Markdown 
  reference-style links, except we extended them to become “lazy 
  links,” which eliminates the need to match the names of the source 
  and destination tags, and instead relies on the order of the source 
  links in a paragraph matching the order of the destination URLs 
  below that paragraph. So instead of links being numbered or named, 
  they all have asterisks. I decided to adapt some of Federico 
  Viticci’s Markdown macros to use for link creation. (If you’d 
  like to use the macros I created for this article, you can download 
  them here. Just copy the NebulousMacros.txt file to your Dropbox 
  folder and import it in Nebulous Notes’ settings.)

<http://www.macstories.net/reviews/faster-markdown-editing-with-nebulous-notes-macros/>
<http://tidbits.com/resources/2013-01/NebulousTidBITSMacros.zip>

  One of the macros I adapted turns the selected text into a link. In 
  the following example, I use $sel to stand in for the selected text. 
  The macro then places the brackets and asterisk around the selected 
  text, then the $cursor command places the cursor at the end of the 
  placed text so I can keep on typing.
      
      $sel$cursor

  I then have a second macro to paste and format the corresponding 
  URL. It looks like this:
      
      \[*]: $paste

  I named this macro [*]:. It simply adds the Markdown syntax to 
  signify the link’s destination, then pastes the clipboard’s 
  contents. With that macro, I have to manually move to the end of the 
  paragraph and paste the link, which is almost always what I want to 
  do. Fortunately, I was able to create a macro named with a 
  downward-pointing arrow (↓) in Nebulous Notes to move the cursor 
  down with a tap on the utility bar. Another thing you could do is 
  add the $bottom command to the previous macro, which would move the 
  cursor to the end of the document before adding the macro text.

  So my final workflow looks like this: 

* Select the link text and tap the [*] button.
* Switch to Safari, copy the URL, and switch back to Nebulous Notes.
* Move to the end of the paragraph by tapping the ↓ button.
* Tap the [*]: button to complete the link. 

  It’s not as fast as it is on the Mac using Keyboard Maestro macros 
  or Dr. Drang’s BBEdit AppleScripts, but it’s way faster than 
  writing links out by hand, especially when using the iPad’s 
  virtual keyboard.

<http://www.keyboardmaestro.com/>
<http://www.leancrew.com/all-this/2012/08/markdown-reference-links-in-bbedit/>
<http://tidbits.com/>

  Overall, the macro feature in Nebulous Notes comes pretty close to 
  what you can do with BBEdit clippings or Keyboard Maestro macros on 
  the Mac, but as with anything in iOS, there are limits to what you 
  can do. One big limitation of macros is that you can’t combine the 
  $select command with other commands inside a macro; it has to be 
  alone in a macro. So you can’t yet create a macro that applies 
  itself to whatever word your cursor is on; you must first select the 
  word, then apply the macro. Another limitation is that there’s no 
  automatic way to add content to the end of a paragraph. And, 
  unfortunately, you don’t have access to any in-app cheat sheet or 
  your custom keyboard row while editing macros, so you must memorize 
  the commands you’d like to use. Hopefully a future version will 
  address some of these limitations.

  Unfortunately, Nebulous Notes has a few other flaws. One big missing 
  feature is the lack of browser navigation in the Markdown preview. 
  If you click on a link to make sure it’s correct, there is no back 
  button; you have to leave and then reenter the preview. Another 
  missing feature is syntax highlighting, which would make writing 
  correct Markdown much easier. There is a bug that can prevent you 
  from scrolling past a certain point in a document, but it’s easily 
  fixed by rotating the screen. I also wish I could turn off resizing 
  the text by pinching, because I often accidentally shrink my text 
  while trying to switch between apps on my iPad, something I do 
  whenever I’m copying URLs from Safari.

  Another thing that bothers me is that there’s no way to sync 
  settings between devices. You can export your macros to Dropbox, but 
  on the import side, it’s all or nothing, so you have to replace 
  all of your existing macros each time. The lack of syncing becomes 
  truly annoying if you use Nebulous Notes on both the iPhone and 
  iPad, because you have to set up themes on each, and manually import 
  and export your macros. 

  These nits and annoyances aside, if you’re serious about writing 
  on iOS, Nebulous Notes is worth a look. If you want to kick the 
  tires before spending $4.99, the free, ad-supported Nebulous Notes 
  Lite has all the features of the full version and could be 
  sufficient if you need it only occasionally. I had no trouble 
  writing the first draft of this review in Nebulous Notes, and I look 
  forward to drafting many more TidBITS articles in it while I’m out 
  and about. 

<https://itunes.apple.com/us/app/nebulous-notes-lite/id392778235?mt=8>


  ----
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Selling a Mac: What Version of Mac OS X Can You Include?
--------------------------------------------------------
  by Adam C. Engst: <ace@tidbits.com>, @adamengst
  article link: <http://tidbits.com/e/13498>
  9 comments

  TidBITS reader Scott Maxwell asked for my advice surrounding selling 
  or giving away an old Mac, with regard to the version of Mac OS X 
  installed. In Scott’s case, he wanted to give an old MacBook to a 
  relative. Scott didn’t remember what the MacBook came with 
  originally, but it’s currently running Mac OS X 10.6 Snow Leopard 
  and is compatible with 10.7 Lion, but not 10.8 Mountain Lion. Since 
  Scott’s relative wanted to be able to use iCloud, an upgrade from 
  Snow Leopard to Lion was necessary, but Lion is no longer available 
  in the Mac App Store.

  I’ll go through the legalities in a bit, but the simple answer in 
  this case is that you _can_ still buy Lion from Apple, although the 
  process is a bit more involved. 


**How to Get OS X 10.7 Lion Installed** -- First, you must call Apple 
  at 800-MY-APPLE (800-692-7753) and work your way through the 
  automated system until you can talk to a representative. (After 
  getting frustrated with the first few directions, I pushed 0 and # a 
  few times until the phonebot threw up its hands and transferred me 
  to a real person.) You can then place an order for OS X 10.7 Lion 
  for $19.99, and within 3 business days, Apple will send you the 
  necessary Mac App Store redemption codes via email. To download and 
  install Lion, you must be running 10.6.8, so if your Mac is running 
  10.5 Leopard or 10.4 Tiger, you may need to drop another $19.99 on 
  Snow Leopard, which Apple still sells on DVD.

<http://store.apple.com/us/product/MC573Z/A/mac-os-x-106-snow-leopard>

  To save the time and expense of upgrading to Snow Leopard just to 
  get to Lion, you can try an unsupported method of upgrading from 
  Tiger or Leopard to Lion explained in Joe Kissell’s “Take 
  Control of Upgrading to Lion.” Follow these steps:

<http://www.takecontrolbooks.com/lion-upgrading?pt=TB1158>

1. Start your Mac normally from your old (Tiger or Leopard) system.

2. Make sure you’re logged in as an administrator. (If you’re not 
   sure, open the Accounts pane of System Preferences. If the account 
   under which you’re currently logged in has the word “Admin” 
   under it, you’re good to go.)

3. Open Terminal (in /Applications/Utilities) and enter this, followed 
   by pressing the Return key:

      sudo nano /System/Library/CoreServices/SystemVersion.plist

4. When prompted, enter your administrator password.

5. Use the arrow keys to move the cursor down to the last <string> 
   entry (the third-from-last line). Replace the current version (for 
   example, 10.4.11 or 10.5.8) with 10.6.8.

6. Press Control-X to quit the text editor, and press Y when asked if 
   you want to save the modified buffer. Then you can quit Terminal.

  Now you can boot from a volume containing Snow Leopard or Lion and 
  follow the normal steps for an in-place upgrade; when the Lion 
  installer prompts for a destination, select the specially modified 
  volume.

  (As an aside, if you have purchased Lion from the Mac App Store and 
  subsequently upgraded to Mountain Lion, you can still download a 
  copy of Lion from your Purchases list. It shows up normally for me, 
  but if it’s hidden for you, choose Store > View My Account, then 
  click View Hidden Purchases and the Unhide button. Once you have it, 
  you can use Recovery Disk Assistant to create an external Recovery 
  volume that you can boot from to reinstall Lion.)

<http://support.apple.com/kb/HT4928>
<http://support.apple.com/kb/HT4848>


**The Fine Print** -- So why is all this necessary? Is there really 
  anything wrong with just wiping a Mac you’re going to give away 
  and installing a fresh copy of the latest version of OS X it can 
  run? I won’t tell anyone if you do, but Apple’s legal beagles 
  have anticipated that you might want to do this and have explicitly 
  forbidden it in the Software License Agreement. 

  To summarize, you can sell or give away a Mac with the version of 
  Mac OS X that came pre-installed on it. If you bought 10.6 Snow 
  Leopard on its own, you can sell that on its own. But if you 
  purchased your license to Lion or Mountain Lion through the Mac App 
  Store, it is not transferable and must be removed before you sell or 
  give the Mac away. And don’t think that getting Lion on a USB 
  drive is a workaround; Apple considers it equally as 
  non-transferable as a Mac App Store version. 

  Here’s the text for each of the last three versions of Mac OS X:

10.6 Snow Leopard
<http://images.apple.com/legal/sla/docs/macosx106.pdf>
      
      3) Transfer. You may not rent, lease, lend, sell, 
      redistribute or sublicense the Apple Software.  Subject to the 
      restrictions set forth below, you may, however, make a 
      one-time permanent transfer of all of your license rights to 
      the Apple Software (in its original form as provided by Apple) 
      to another party, provided that: (a) the transfer must include 
      all of the Apple Software, including all its component parts 
      (excluding Apple Boot ROM code and firmware), original media, 
      printed materials and this License; (b) you do not retain any 
      copies of the Apple Software, full or partial, including 
      copies stored on a computer or other storage device; and (c) 
      the party receiving the Apple Software reads and agrees to 
      accept the terms and conditions of this License.  You may not 
      rent, lease, lend, redistribute, sublicense or transfer any 
      Apple Software that has been modified or replaced under 
      Section 2H above. All components of the Apple Software are 
      provided as part of a bundle and may not be separated from the 
      bundle and distributed as standalone applications. Apple 
      Software provided with a particular Apple-branded hardware 
      product may not run on other models of Apple-branded hardware.

10.7 Lion
<http://images.apple.com/legal/sla/docs/macosx1073.pdf>
      
      3) Transfer.
      
      A. If you obtained the Apple Software preinstalled on 
      Apple-branded hardware, you may make a one-time permanent 
      transfer of all of your license rights to the Apple Software 
      (in its original form as provided by Apple) to another party, 
      provided that: (i) the Apple Software is transferred together 
      with your Apple-branded hardware; (ii) the transfer must 
      include all of the Apple Software, including all its component 
      parts, printed materials and this License; (iii) you do not 
      retain any copies of the Apple Software, full or partial, 
      including copies stored on a computer or other storage device; 
      and (iv) the party receiving the Apple Software reads and 
      agrees to accept the terms and conditions of this License. For 
      purposes of this License, if Apple provides an update (e.g., 
      version 10.7 to 10.7.1) to the Apple Software, the update is 
      considered part of the Apple Software and may not be 
      transferred separately from the pre- update version of the 
      Apple Software.
      
      B. If you obtained your license to the Apple Software from 
      the Mac App Store or on Apple-branded physical media, it is 
      not transferable. If you sell your Apple-branded hardware to a 
      third party, you must remove the Apple Software from the 
      Apple-branded hardware before doing so, and you may restore 
      your system to the version of the Apple operating system 
      software that originally came with your Apple hardware (the 
      “Original Apple OS”) and permanently transfer the Original 
      Apple OS together with your Apple hardware, provided that: (i) 
      the transfer must include all of the Original Apple OS, 
      including all its component parts, printed materials and its 
      license; (ii) you do not retain any copies of the Original 
      Apple OS, full or partial, including copies stored on a 
      computer or other storage device; and (iii) the party 
      receiving the Original Apple OS reads and agrees to accept the 
      terms and conditions of the Original Apple OS license.

10.8 Mountain Lion
<http://images.apple.com/legal/sla/docs/OSX108.pdf>
      
      3) Transfer.
      
      A. If you obtained the Apple Software preinstalled on 
      Apple-branded hardware, you may make a one-time permanent 
      transfer of all of your license rights to the Apple Software 
      (in its original form as provided by Apple) to another party, 
      provided that: (i) the Apple Software is transferred together 
      with your Apple-branded hardware; (ii) the transfer must 
      include all of the Apple Software, including all its component 
      parts, printed materials and this License; (iii) you do not 
      retain any copies of the Apple Software, full or partial, 
      including copies stored on a computer or other storage device; 
      and (iv) the party receiving the Apple Software accepts the 
      terms and conditions of this License. For purposes of this 
      License, if Apple provides an update (e.g., version 10.8 to 
      10.8.1) to the Apple Software, the update is considered part 
      of the Apple Software and may not be transferred separately 
      from the pre-update version of the Apple Software.
      
      B. If you obtained your license to the Apple Software from 
      the Mac App Store, it is not transferable. If you sell your 
      Apple-branded hardware to a third party, you must remove the 
      Apple Software from the Apple-branded hardware before doing 
      so, and you may restore your system to the version of the 
      Apple operating system software that originally came with your 
      Apple hardware (the “Original Apple OS”) and permanently 
      transfer the Original Apple OS together with your Apple 
      hardware, provided that: (i) the transfer must include all of 
      the Original Apple OS, including all its component parts, 
      printed materials and its license; (ii) you do not retain any 
      copies of the Original Apple OS, full or partial, including 
      copies stored on a computer or other storage device; and (iii) 
      the party receiving the Original Apple OS reads and agrees to 
      accept the terms and conditions of the Original Apple OS 
      license.


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Pages 4.3 vs. BBEdit 10.5: How Apple Doesn’t Respect Its Users
--------------------------------------------------------------
  by Adam C. Engst: <ace@tidbits.com>, @adamengst
  article link: <http://tidbits.com/e/13519>
  17 comments

  Like any craftsman, I care deeply about my tools, because without 
  them, I can’t do my job. But unlike a carpenter or plumber, my 
  tools change constantly, putting me in the unenviable position of 
  having to evaluate each new version. Unfortunately, that’s 
  impossible — I have to get my work done, not run test suites on 
  every new version of my key applications. And while refusing to 
  upgrade is always an option in the short term, it’s not something 
  that can be put off forever, particularly if the new features and 
  fixed bugs are important.

  So this is a story of two problematic updates: how Pages 4.3 changed 
  its EPUB export and how BBEdit 10.5 broke a key Automator action. 
  More to the point, it’s a story of how two very different 
  companies — Apple and Bare Bones Software — treat their 
  customers. 


**Pages 4.3 Consumes Hours of Our Time** -- It all started when the 
  time came to publish Kirk McElhearn’s “Take Control of iTunes 
  11: The FAQ.” We currently rely on Pages for writing, editing, and 
  producing our Take Control ebooks. It does many things well, and 
  we’ve been able to work around its infelicities and longstanding 
  bugs (see “How Take Control Makes EPUBs in Pages,” 30 September 
  2011, and “Strategies for Switching from Word to Pages,” 18 
  January 2012).

<http://www.takecontrolbooks.com/itunes-11?pt=TB1158>
<http://tidbits.com/article/12472>
<http://tidbits.com/article/12718>

  When Michael Cohen started to export the EPUB file for Kirk’s 
  ebook, he ran into unexpected problems — all our inline graphics 
  for various buttons were way too large and not always in the right 
  position — iBooks was particularly bad. This was unexpected, to 
  say the least — we’ve been exporting EPUB from Pages for quite 
  some time now and we’ve never seen anything like this.

<http://tidbits.com/resources/2013-01/Bad-buttons.png>

  Michael and Tonya spent several hours trying to determine initially 
  if the problem was corruption in the file, but as they worked 
  through various tests, they realized that even new files were 
  showing the problem. After another few hours of work, Michael 
  tracked down part of the issue — Pages 4.3, which came out in 
  mid-December 2012, changes the way graphics are handled in the EPUB 
  code. Previously, Pages used a SPAN element, but in 4.3, Apple 
  switched to a DIV with directly applied CSS styles for 
  display:inline-block;, vertical-align:baseline;, and width.

  The next day, Tonya and I sat down with the EPUB code and BBEdit and 
  figured out how we could use grep in a text factory to convert those 
  DIVs back to SPANs. (Although BBEdit can edit EPUBs without 
  expanding them, it can’t search across all the files in an EPUB 
  without expanding it first.) That wasn’t too hard, but the results 
  weren’t reliable. That was when I realized that Pages 4.3 wasn’t 
  just writing different EPUB code, it was actually exporting 
  different graphics than previous versions had done.

  Here’s the thing. Because Pages is a WYSIWYG app with decent 
  graphics tools, we sometimes resize graphics after importing them 
  for optimal visual layout. It turns out that previous versions of 
  Pages exported graphics for EPUB at the size to which they had been 
  resized (as you would expect!), whereas Pages 4.3 instead exports 
  graphics at the size they were at import and attempts to resize them 
  using the width attribute in the DIV’s style. It’s not entirely 
  clear to me that this is possible, but regardless, Pages 4.3 does it 
  wrong, which is why our inline graphics were way too large (and yes, 
  I filed a bug with Apple). If it could be made to work, this 
  approach isn’t inherently a bad idea, since the graphics can 
  theoretically then change size based on other variables in the EPUB 
  reading environment. On the downside, the resulting EPUB was also 
  vastly larger in size — roughly 18 MB instead of 3 MB — due to 
  the larger graphics.

  Regardless, we were in trouble, since even though we could munge the 
  EPUB code, we couldn’t easily identify or modify the troublesome 
  graphics. We knew by this time that Pages 4.2 didn’t exhibit the 
  problem, but of all the Macs at our disposal, that version still 
  existed on only one — Tonya’s MacBook Air. We also had a couple 
  of older Macs (Tristan’s MacBook and Michael’s previous iMac) 
  still running Pages 4.1, but we had upgraded all our production 
  machines to Pages 4.3 back in December 2012 when it came out.

  “How could you have been so careless with a key part of your 
  production process?” you might ask. Remember how I said that it 
  isn’t feasible to run test suites on every possible upgrade? Well, 
  we foolishly believed Apple’s release notes for Pages 4.3 (as part 
  of the iWork 9.3 update), which read, in their entirety:
      
      iWork Update 9.3 adds support for iWork for iOS 1.7 apps.

  You can’t even read between the lines to assume there were other 
  changes, since there is only one line! And there’s no way anyone 
  could guess that there should have been at least one more line 
  reading:
      
      Changes how graphics are handled in EPUB export.

  So we all upgraded. Now we wanted to downgrade to Pages 4.2 (and 
  support for iWork for iOS 1.7 isn’t important to us), but a 
  restore from Time Machine didn’t work — the version of Pages 4.2 
  that came back from early December couldn’t save files and crashed 
  whenever we tried.

  Equally unsuccessful was reinstalling Pages from the iWork ’09 DVD 
  and then attempting to upgrade it to version 4.2. That might have 
  been more possible, except that Apple, for unknown and thoroughly 
  unhelpful reasons, has removed the iWork 9.2 update that would 
  upgrade Pages to 4.2. (Why? Why try to prevent what users might want 
  to do in the future?) I was able to use this technique to get to 
  Pages 4.1 with the iWork 9.1 update, but as with the Time 
  Machine-restored version of 4.2, Pages 4.1 restored in this fashion 
  also had saving problems.

  Stymied, I posted to a private mailing list of highly technical 
  friends, and was overjoyed when someone suggested the eventual 
  solution: restore not just the Pages.app package from Time Machine, 
  but also the /Library/Application Support/iWork ’09 folder, which 
  contains a number of frameworks shared by all the iWork apps. I also 
  restored the earlier versions of Keynote and Numbers, since it 
  seemed likely that a mismatch with the support files would cause 
  problems.

  Though we weren’t keeping exact track, I’d estimate that 
  Apple’s silent change to Pages 4.3 cost us 10–15 person-hours of 
  work. Were we all being paid for our time, that would have been $500 
  to $1,000 of wasted expense, just to get back to status quo ante. 
  And all because Apple didn’t see fit to mention such a significant 
  change in the release notes.

  That shows a profound lack of respect for customers on Apple’s 
  part, and is particularly offensive when it comes to tools used by 
  professionals. It’s bad enough when Apple causes normal users 
  significant headaches, such as with the massive changes in iTunes 
  11, which cannot be downgraded to iTunes 10.7 (see “iTunes 11: The 
  Features Apple Removed, and Alternatives,” 4 December 2012). But 
  when Apple’s decision to conceal changes threatens one’s 
  livelihood, it’s time to start looking at tools from companies who 
  care about their customers.

<http://tidbits.com/article/13432>


**BBEdit 10.5 Breaks and Fixes Automator Workflows** -- Those 
  companies do exist. As a counterpoint to my experience with Pages, 
  let me tell you a story about how the recent BBEdit 10.5 upgrade 
  also caused me problems last week, and how Bare Bones Software’s 
  transparency and solicitude toward their customers resolved the 
  problem quickly.

  BBEdit comes with a set of Automator actions, the most interesting 
  of which for my purposes is the Search and Replace action, since it 
  supports grep and thus lets me manipulate text in filenames far more 
  effectively than is otherwise possible in Automator. I have a 
  complex set of Automator workflows that I created to distribute 
  finished Take Control ebooks, but when I attempted that with “Take 
  Control of iTunes 11: The FAQ,” my workflow failed due to a file 
  not being renamed properly. As I stepped through the workflow, I saw 
  that the problem was in BBEdit’s Search and Replace action, so I 
  did a quick Google search on “BBEdit 10.5 search and replace 
  automator action.”

  The second result was release notes to a pre-release build of BBEdit 
  10.5.2, which resolved this bug:
      
      [257587] Fixed bug in which the “Search and Replace” 
      Automator action would commit a malfunction when “Use 
      Grep” was turned on in the action’s options.

  Perfect! After downloading and installing the latest pre-release 
  build of BBEdit 10.5.2, which Bare Bones makes available on their 
  BBEdit Talk mailing list, I was back in business 20 minutes later. I 
  would certainly have preferred not to spend even 20 minutes hunting 
  down the fix, but bugs happen, and what’s most important is how a 
  developer acknowledges problems and addresses them. Simply put, by 
  being transparent about changes and open with pre-release builds, 
  Bare Bones made me feel that they actually cared about helping me 
  get my work done with BBEdit.

<https://groups.google.com/forum/?fromgroups#!forum/bbedit>

  It’s trite to say that the difference here is that Bare Bones is a 
  small company with tens or perhaps hundreds of thousands of users, 
  whereas Apple is a multinational behemoth with millions of users. I 
  have no sympathy for that stance — companies like Apple with $137 
  billion in cash don’t get to beg off on creating systems and 
  acting in ways that empower their customers. This entire situation 
  could have been avoided if Apple had published complete release 
  notes about Pages 4.3, and recovering from it would have been a lot 
  easier if Apple had acknowledged there could be a legitimate reason 
  to want to downgrade and made instructions and older versions 
  available.

  This sort of behavior isn’t new for Apple. But the company’s 
  pretense that even professional users don’t need access to 
  technical details falls flat when things don’t work properly, and 
  more and more, Apple software — from iOS 6 to Pages 4.3 — has 
  been falling down. Great hardware, increasingly sloppy software. 
  Apple never wants to admit problems with its products, which is 
  totally fine at the marketing level, but utterly unacceptable at the 
  support level. That’s why it was so notable that Tim Cook 
  apologized for the iOS 6 Maps problems — that was marketing. But 
  release notes posted on Apple’s support pages? The only people who 
  read release notes are the people who care about changes in the 
  software — these are support documents, not marketing pieces, and 
  failing to admit bugs or acknowledge foundational changes reveals 
  Apple’s lack of respect both for those of us who rely on Apple 
  products and for the work we do.

  I’m not about to make any grand statements about switching away 
  from the Mac or even dropping Pages in the near term — the goal is 
  to get my work done, and that’s best accomplished with the tools I 
  have and know. However, I’m starting to feel like Charlie Brown 
  and the football, with Apple playing the part of Lucy, so when it 
  comes time to look for new software tools, I’ll be looking for 
  companies that won’t keep pulling the ball away from me.

<http://peanuts.wikia.com/wiki/Football_gag>


  ----
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  tweet this article: <http://tidbits.com/t/13519>


TidBITS Watchlist: Notable Software Updates for 28 January 2013
---------------------------------------------------------------
  by TidBITS Staff: <editors@tidbits.com>
  article link: <http://tidbits.com/e/13525>

**Things 2.1.1** -- Cultured Code has released Things 2.1.1, bringing 
  some elements from the iOS Reminders app to the Mac task management 
  app. In particular, the update now displays a compass arrow to 
  indicate location-based to-dos as well as an Import All button. 
  Things 2.1.1 also adds fuzzy search results for characters with 
  diacritics (such as ü, ç, ñ, etc.), fixes a problem with 
  repeating projects not getting grouped under the Scheduled heading; 
  fixes an issue with Reminders and Siri that caused excessive memory 
  usage; squashed a bug that crashed the app when expanding or 
  collapsing the active projects list in the sidebar; ensures the 
  inbox badge is updated after marking an inbox to-do complete; and 
  improves the German, French, Japanese and Russian localizations. 
  Normally priced at $49.99, Cultured Code is offering Things at half 
  price ($24.99) from both its Web site and the Mac App Store until 31 
  January 2013. ($49.99 new, free update, 15 MB, release notes)

<http://culturedcode.com/things/>
<http://itunes.apple.com/app/things/id407951449?mt=12>
<http://support.culturedcode.com/customer/portal/articles/180371-release-notes-for-things-mac>

  Read/post comments about Things 2.1.1.

<http://tidbits.com/article/13524#comments>


**Evernote 5.0.5** -- Updated to version 5.0.5, Evernote for Mac now 
  enables you to sync shortcuts across multiple Macs (other platforms 
  will get the shortcuts feature in future updates). Other new 
  features in the information management service’s software include 
  the capability to focus searches so they exclude shared notes, the 
  use of AppleScript to create checkboxes in the ENML markup language, 
  and the capability to select multiple tags in the sidebar by 
  Command-clicking. The update also improves sync performance for 
  large accounts, prints PDFs more reliably, improves Korean image 
  indexing, fixes sidebar visual glitches in Mac OS X 10.6 Snow 
  Leopard, and improves handling of tags in AppleScript. Free from the 
  Mac App Store, 29.1 MB)

<http://evernote.com/evernote/>
<http://itunes.apple.com/us/app/evernote/id406056744?mt=12>

  Read/post comments about Evernote 5.0.5.

<http://tidbits.com/article/13523#comments>


**Fantastical 1.3.6** -- Flexibits has released Fantastical 1.3.6 with 
  the capability to use natural language to specify a calendar as you 
  type the text of an event (previously, you could specify a calendar 
  by using a forward slash at the beginning or end of your text). Now 
  you can type “calendar [calendar name]” in an event string (such 
  as “record Watchlist podcast calendar TidBITS”). The update also 
  speeds up event updates for Microsoft Outlook users, ensures the 
  details window doesn’t disappear during an active search, and 
  autocompletes two-digit years (where 13 becomes 2013). ($19.99 new, 
  free update from Flexibits and the Mac App Store, 11.2 MB, release 
  notes)

<http://flexibits.com/fantastical>
<http://itunes.apple.com/us/app/fantastical/id435003921?mt=12>
<http://flexibits.com/fantastical_releasenotes>

  Read/post comments about Fantastical 1.3.6.

<http://tidbits.com/article/13522#comments>


ExtraBITS for 28 January 2013
-----------------------------
  by TidBITS Staff: <editors@tidbits.com>
  article link: <http://tidbits.com/e/13520>

  Two quick bits for you to ponder this week: scientists encoding data 
  in DNA (but it’s not cheap!) and an independent designer’s 
  mockup of what a future Mac Pro could (but probably won’t) look 
  like.


**Unthrifty Loveliness: Shakespeare Sonnets Encoded in DNA at $12,400 
  per Megabyte** -- Ewan Birney and Nick Goldman, two scientists from 
  the European Bioinformatics Institute, have worked out a system to 
  encode text, audio, and other data in DNA. Teaming up with Aligent 
  Technologies, the two encoded all of Shakespeare’s sonnets, an 
  audio clip of Martin Luther King Jr. speaking, and a photograph into 
  a synthesized DNA sample. Though Aligent did the DNA synthesizing 
  work for free, the cost of the DNA synthesis is estimated to have 
  been roughly $12,400 per megabyte. Luckily, prices for DNA synthesis 
  are dropping, and it is estimated that 50 billion megabytes of text, 
  roughly equivalent to everything ever written by humans, could be 
  encoded into a sample that would weigh less than “a granola 
  bar.” This takes the idea of cloning your data to an entirely new 
  level.

<http://www.npr.org/2013/01/24/170082404/shall-i-encode-thee-in-dna-sonnets-stored-on-double-helix>

  Read/post comments

<http://tidbits.com/article/13516#comments>


**Independent Designer Imagines a Future Mac Pro** -- 3D designer and 
  illustrator Peter Zigich has posted a number of beautifully rendered 
  mockups of what a future Mac Pro could look like, were it to use 
  significantly more efficient CPUs. It is, of course, highly likely 
  that Peter’s designs will bear no resemblance to what Apple is 
  reportedly planning for this year’s Mac Pro refresh, but it’s 
  still fun to ponder whether or not his designs could work.

<http://www.ipack3d.com/page8/index.php>

  Read/post comments

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