TidBITS#1052/08-Nov-2010
========================
  Issue link: <http://db.tidbits.com/issue/1052>

  The surprise news for the week was Apple’s quiet discontinuation 
  of the Xserve; datacenter expert Chuck Goolsbee delivers its eulogy. 
  In iLife news, Adam covers the release of iPhoto ’11 9.1, which 
  restores calendar functionality, and Jeff Carlson reveals 15 secrets 
  of iMovie ’11. Lex Friedman explains how to fix a “file not 
  found” error when syncing an iPad, Adam looks at the release of 
  the Simon server monitoring tool, and we’re pleased to release 
  Sharon Zardetto’s new ebook, “Take Control of Safari 5.” We 
  also have a DealBITS discount on PDFpen and PDFpenPro from Smile, 
  and a new DealBITS drawing for Simon. Notable software releases this 
  week include TweetDeck 0.36.1, Mac Pro EFI Firmware Update 1.5, Data 
  Rescue 3.1, Adobe InDesign CS5 7.0.3, Logic Express 9.1.3, PopChar X 
  5.1, and TwitExport 2.0.1.

Articles
    iPhoto ’11 9.1 Brings Calendars Back
    An Unexpected Fix for an iPad Syncing Error
    Simon 3.0 Monitors Servers More Closely
    “Take Control of Safari 5” Documents Apple’s Web Browser
    DealBITS Discount: Save 25% on PDFpenPro 5
    DealBITS Drawing: Win a Copy of Simon 3.0
    15 Secrets of iMovie ’11
    A Eulogy for the Xserve: May It Rack in Peace
    TidBITS Watchlist: Notable Software Updates for 8 November 2010
    ExtraBITS for 8 November 2010


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iPhoto ’11 9.1 Brings Calendars Back
--------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/11722>
  2 comments

  Apple’s omission of support for creating and printing calendars in 
  iPhoto ’11 was odd, and the company would initially say only that 
  calendar support would return “very soon.” (See “iLife ’11 
  Updates Three of Its Apps,” 20 October 2010.) Given the popularity 
  of calendars as holiday gifts just before the new year, we were 
  forced to recommend that anyone planning to create a calendar for 
  the holiday season hold off from upgrading to iPhoto ’11 (and the 
  bug that caused photos to be deleted in the 9.0 release didn’t 
  help either).

<http://db.tidbits.com/article/11683>

  Luckily, two weeks after the initial release of iPhoto ’11, iPhoto 
  ’11 9.1 has now realized Apple’s “very soon.” This also 
  comes less than a week after the 9.0.1 release that resolved the 
  photo deletion bug (which may have been related to incorrect 
  permissions within the iPhoto Library package, according to one 
  site). You can download the new version directly from Apple’s Web 
  site or get it from Software Update.

<http://support.apple.com/kb/DL1322>
<http://iphoto11.wordpress.com/>

  Apple says that iPhoto 9.1 not only provides the capability to 
  create and order calendars, it also makes available additional 
  letterpress holiday greeting card themes. The only other change 
  mentioned is a fix for an issue that prevented videos downloaded 
  from MobileMe or Flickr from importing correctly into iPhoto events.

  Frankly, I’ll be upgrading my iPhoto Library on my main Mac now, 
  and look forward to digging into the changes in a more-than-cursory 
  way, since before this I didn’t dare commit to an upgrade that 
  would play havoc with my calendar gift plans. 


  ----
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An Unexpected Fix for an iPad Syncing Error
-------------------------------------------
  by Lex Friedman <lex@lexfriedman.com>
  article link: <http://db.tidbits.com/article/11717>
  8 comments

  I don’t sync my iPad all too often. It holds a charge for so long 
  and is nearly always on a Wi-Fi network, so it’s easy to just plug 
  it in at night, download app updates directly on the device, and 
  forget that it can even sync with iTunes at all.

  So when I have a lot of new music or other media to sync, the 
  process can take a while. iTunes inevitably wants to back up the 
  device—which I appreciate—and make sure everything’s in order. 
  Recently, though, I began to encounter a decidedly unpleasant issue 
  when syncing: an ambiguous error was halting the syncing process 
  prematurely. Again and again, each time I tried to sync, iTunes 
  popped up this error:
      
      “The iPad ‘Lex’s iPad’ cannot be synced. The 
      required file cannot be found.” 

  To my eyes, that error message has two defining characteristics: 

1. It’s not in the slightest bit helpful.
2. It seems highly Google-able.

  So I searched the Internet for a fix. As it turns out, the true 
  culprit for this poorly described error is, of all things, iPhoto. 
  Apple has a rather terse support note, “Issues when syncing photos 
  to iPhone or iPod touch,” that gave me the clue I needed to fix 
  the problem.

<http://support.apple.com/kb/TS1306>

  When you sync photos to your iOS devices, iTunes creates a hidden 
  folder called iPod Photo Cache. That’s where it tucks away data 
  regarding your photos to optimize them for your iPhones, iPod 
  touches, and iPads. 

  The fix? Delete the iPod Photo Cache folder. 

  To find the folder, first quit iPhoto and then navigate to your 
  iPhoto Library, which is located in your home folder at 
  ~/Pictures/iPhoto Library. When you find it, Control-click it and 
  choose Show Package Contents from the contextual menu. (The iPhoto 
  Library is a package, which is a special sort of folder. Show 
  Package Contents exposes its contents.)

  Inside that folder, you’ll find the iPod Photo Cache folder. Drag 
  it to the Trash. (If you don’t make regular backups—well, first, 
  shame on you, but second, you may prefer just to drag the iPod Photo 
  Cache to the Desktop, and not trash it right away. But the fact that 
  iTunes can easily regenerate the cache is at the core of this fix.)

  It's also worth noting that the iPod Photo Cache can contain a lot 
  of unnecessary data; Adam Engst was having the same problem syncing 
  his iPad, and his iPod Photo Cache folder weighed in at over 11 GB 
  when he deleted it; the regenerated copy took up less than 2 GB. If 
  you switch from syncing photos from iPhoto to syncing from another 
  folder, you’ll want to remove the folder manually to recover disk 
  space—see Apple’s “iTunes: Photo sync creates iPod Photo Cache 
  folder” support note.

<http://support.apple.com/kb/TS1314>

  Once you’ve axed the iPod Photo Cache folder, relaunch iTunes. 
  Attach your iPad to your Mac, click its name in the sidebar, and 
  then click the Photos button in the main iTunes pane. You need to 
  reconfigure which albums, events, and faces you wish to sync, and 
  when you’re done, click the Apply button to sync your iPad. 
  You’ll see a warning that photos on the iPad will be replaced; 
  don’t worry about it, since all the photos that are being replaced 
  came from your Mac to start with. The sync should proceed apace 
  (though iTunes has to optimize all your photos again, so it may take 
  a little while), but when it’s done, rejoice: the error message 
  will be a thing of the past.

<http://www.tidbits.com/resources/2010-11/Replace-Photos.png>

  I don’t yet understand why or when this error occurs, or how to 
  prevent it. But the workaround is painless enough, and recurrence of 
  the error rare enough, that I haven’t given it much thought. 


  ----
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Simon 3.0 Monitors Servers More Closely
---------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/11727>

  If you need to monitor any sort of Internet service, or if you want 
  a tool that will watch Web pages for changes, the main game in town 
  for the Mac is Dejal Systems’ Simon, now updated to version 3.0. 
  In active development since 2003 and with its first major upgrade in 
  five years, Simon 3.0 refines its user interface and extends its 
  capabilities with the concept of filters that enable you to analyze 
  and act on the results of a test in a wide variety of ways. I’ve 
  used Simon for a very long time now to monitor our servers, and 
  frankly, I wouldn’t be without it, since I far prefer learning 
  about server problems from Simon than from someone who happens to 
  notice at some random point in time.

<http://www.dejal.com/simon/>
<http://www.dejal.com/simon/upgrade/>

  On the interface side, Simon now includes an Activity log in the 
  Monitor window, replacing the old Notifications Log. It still 
  includes the notifications that a particular test has triggered, but 
  also tracks user-initiated actions like edits, pauses, and so on. 
  Also, the editor windows (where you specify tests, services, 
  notifications, and the like) have traded disclosure triangles for 
  tab buttons; a Summary tab summarizes the settings in all the rest 
  of the tabs.

<http://www.tidbits.com/resources/2010-11/Simon-test-editor.png>

  But the most interesting change in Simon 3.0 is the addition of 
  filters. Previously, Simon could determine whether only a particular 
  portion of a Web page had changed, enabling a test to ignore dynamic 
  or uninteresting aspects of the page (ads, the date and time, etc.). 
  Filters abstract that concept, enabling you to look at multiple 
  portions of a page, search for text using simple text matching or 
  grep, analyze found numbers, and more. Filters can even be combined 
  for additional processing power. And if that’s not enough, a 
  Script filter lets you send the results of a test to an AppleScript, 
  shell, perl, or Python script for further manipulation. Much as I 
  wouldn’t really recommend this, you could configure Simon 3.0 to 
  watch a Web page containing Apple’s stock price, and if it drops 
  below a specified level, send a Twitter direct message to your 
  broker to buy 100 shares.

<http://www.tidbits.com/resources/2010-11/Simon-filters.png>

  Among the many other improvements listed in Simon 3.0’s release 
  notes are improved handling of cookies, the capability to pause 
  until you’ve logged into a hotspot portal page, support for 
  current Twitter authentication approaches, and the capability to 
  save logs. New services enable you to test to see if a FileMaker 
  Server is running, and to check which applications on your Mac are 
  using the Internet.

<http://www.dejal.com/simon/release/>

  Despite all this power, Dejal Systems has a flexible licensing 
  approach that keeps Simon affordable for those who need only a few 
  tests (and note that anyone who purchased since 1 September 2010 is 
  eligible for a free upgrade). The Bronze level offers 15 tests and 
  costs $49 new, or $19 as an upgrade. The Silver level jumps to 40 
  tests, $99 new, and $39 upgrade. Gold level provides 100 tests for 
  $199 new or $69 upgrade. And the Platinum level allows unlimited 
  tests for $499 new, or $99 upgrade. Simon 3.0 requires Mac OS X 10.5 
  Leopard or later and is a 15.6 MB download; a trial version is 
  available.


  ----
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“Take Control of Safari 5” Documents Apple’s Web Browser
--------------------------------------------------------------
  by Michael E. Cohen <lymond@mac.com>
  article link: <http://db.tidbits.com/article/11723>

  It was just over seven years ago that Apple made Safari the default 
  Web browser for Mac OS X 10.3 Panther, and in that time it has 
  matured into a standards-compliant, multi-platform, feature-rich 
  powerhouse of a Web browsing application, available to users of 
  Macs, Windows, and Apple’s iOS devices. At various times, and in 
  various venues, Steve Jobs and others have unveiled new Safari 
  features and capabilities, but there was never a really detailed 
  account of all that Safari could do—until long-time Mac expert 
  Sharon Zardetto unveiled her take on the browser last year with her 
  book, “Take Control of Safari 4.” 

  Now she has tackled the latest version of Safari in the 
  just-released and richly enhanced “Take Control of Safari 5,” 
  which provides even more insights, advice, tips, and tricks for 
  users to take advantage of, learn from, and enjoy.

<http://www.takecontrolbooks.com/safari?pt=TB1052>

  In the 136-page “Take Control of Safari 5” (nearly 50 pages 
  longer than the previous edition) you can gain practical knowledge, 
  such as how various trackpad and Magic Mouse gestures work in 
  Safari, what to do about cookies, and how to obtain, manage, and 
  safely use the flood of Safari extensions that developers are 
  turning out at an accelerating pace. Sharon provides useful, 
  practical ways to keep track of and readily use bookmarks and 
  browsing history so you can always find the pages and information 
  you’ve been looking for. The book even dives beneath the surface 
  to offer insights into the operation of Safari’s JavaScript Nitro 
  Engine, and how the browser supports the emerging HTML5 standard.

  In its pages, “Take Control of Safari 5” provides the answers to 
  many questions, including:

* How do I load six Web pages at once?
* Now that I’ve loaded six pages, how do I best work with them?
* How do I bookmark a page I want to return to?
* How do I import Firefox bookmarks?
* I’m a pack rat. How should I organize and access my bookmark 
  collection?
* I forgot to bookmark a great page I saw yesterday. How can I find it 
  again?
* How can I read a multi-page Web article without clicking to switch 
  pages?
* How do I find the word “marshmallow” in the text of a huge Web 
  page?
* How do I erase my history to keep my housemate from snooping through 
  it?
* Where does Safari store Web site user names and passwords?
* Help! What do I do when a stored password stops working?
* How do I use Safari to read RSS articles from different sites?
* How do I install the My eBay Manager extension?
* How can I turn Safari into a “clipping service” that grabs RSS 
  articles from different sites when they mention certain topics?

  Times have changed since the days when Apple had to rely upon the 
  kindness of Microsoft to provide Mac users with a Web browser. There 
  are now a number of capable browsers for us Mac users to choose 
  from, and sometimes it’s easy to overlook the one browser that 
  comes bundled with every Mac. Sharon’s book, however, reveals just 
  how much Web-browsing goodness we might miss out on if we did. 


  ----
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DealBITS Discount: Save 25% on PDFpenPro 5
------------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/11726>

  Congratulations to Catherine Wiles at me.com, David Hori at 
  gmail.com, and Jacquelyn Stoler at sbcglobal.net, whose entries were 
  chosen randomly in the last DealBITS drawing and who each received a 
  copy of PDFpenPro 5, worth $99.95, and a copy of “Take Control of 
  PDFpen 5,” worth $10. Also receiving a copy is David Stoler at 
  sbcglobal.net, for referring Jacquelyn to this DealBITS drawing.

<http://db.tidbits.com/article/11705>
<http://www.smilesoftware.com/PDFpenPro/>
<http://smilesoftware.com/PDFpen/takecontrol.html>

  But don’t fret if you didn’t win, since Smile is offering a 
  25-percent-off discount on PDFpen and PDFpenPro 5 to all TidBITS 
  readers through 19 November 2010. To take advantage of the discount, 
  order from Smile’s store; the discount appears once you’ve added 
  PDFpenPro to your cart. Thanks to the 1,060 people who entered this 
  DealBITS drawing, and we hope you’ll continue to participate in 
  the future!

<http://www.smilesoftware.com/tidbits>


  ----
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DealBITS Drawing: Win a Copy of Simon 3.0
-----------------------------------------
  by Adam C. Engst <ace@tidbits.com>
  article link: <http://db.tidbits.com/article/11728>

  It’s annoying when our servers go down for whatever reason, but 
  when they do, I like to find out about it before readers start 
  writing to tell me. In fact, I’d like to know right away, so I can 
  dive into fixing the problem before many people are turned away. For 
  many years now, I’ve used Simon, from Dejal Systems, to watch my 
  servers and notify me in various different ways, including spoken 
  alerts on my Mac, email messages, and Twitter direct messages. But 
  Simon can also take the generalized concept of watching a server and 
  pare it down to watching a specific Web page for changes, and, even 
  more specifically, watching a particular portion of the page for 
  changes. That’s key, since a lot of pages have dynamic elements 
  that change constantly while the page’s main content remains 
  relatively static.

<http://go.dejal.com/simontb>

  Dejal has just released Simon 3.0; I won’t describe it further 
  here, since you can go read about it at “Simon 3.0 Monitors 
  Servers More Closely” (5 November 2010). Suffice it to say, then, 
  that if you can imagine any situation where you’d want to know if 
  a particular Internet service stops working, or if there’s any 
  change on a Web page (even something like a stock price changing), 
  you’ll want to check out Simon. It’s an extremely powerful and 
  flexible program, and worth exploring.

<http://db.tidbits.com/article/11727>

  So if you want to win one of two copies of the Platinum level (with 
  unlimited tests) of Simon 3.0, worth $499, enter at the DealBITS 
  page. All information gathered is covered by our comprehensive 
  privacy policy. Remember too, that if someone you refer to this 
  drawing wins, you’ll receive the same prize as a reward for 
  spreading the word.

<http://www.tidbits.com/dealbits/simon-3/>
<http://www.tidbits.com/about/privacy.html>
<http://www.tidbits.com/resources/2010-11/Simon-3.png>


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15 Secrets of iMovie ’11
--------------------------
  by Jeff Carlson <jeffc@tidbits.com>
  article link: <http://db.tidbits.com/article/11712>
  2 comments

  Apple’s introduction of iMovie ’11 focused largely on the new 
  Movie Trailers feature, audio editing improvements, and One-Step 
  Effects for automating common editing operations. Those are just the 
  highlights, however. Here are 15 features and bits of trivia you may 
  not be aware of about the latest version of iMovie.

<http://www.apple.com/ilife/imovie/>


**View Entire Portrait Photos** -- When you add a still photo that’s 
  oriented vertically, iMovie automatically crops it to fit the 
  project’s horizontal aspect ratio, which means you end up with 
  only about one third of the photo visible. Click the new Allow Black 
  button in the Viewer to include the entire photo (with black bars on 
  the edges).

<http://www.tidbits.com/resources/2010-11/imovie11_photo_allow_black.png>


**Photos Appear in Viewer** -- Speaking of photos, when you click a 
  thumbnail in the Photo browser, the image now shows up in the Viewer 
  so you can get a better look at it. Also, pictures you import sport 
  a green checkmark icon.

<http://www.tidbits.com/resources/2010-11/imovie11_photo_viewer.png>


**Rolling Shutter Fix** -- Here’s an addition that could be very 
  helpful, depending on the type of camera you own. Many still cameras 
  capture images using a CMOS sensor, which records every shot in 
  horizontal bands from top to bottom. When used to capture video, 
  that technique can produce an effect called a “rolling shutter”: 
  objects in motion appear rubbery because they’ve moved slightly by 
  the time the sensor records the entire frame.

  iMovie can now attempt to compensate for the effect. Double-click a 
  clip, or select it and press the I key, to bring up the Clip 
  inspector. Mark the Stabilization: Smooth Clip Motion checkbox to 
  analyze the clip (if it hasn’t already been analyzed separately). 
  When that’s done, click the Rolling Shutter: Reduce Motion 
  Distortion checkbox, and choose one of the four options from the 
  Amount pop-up menu (Low, Medium, High, Extra High).

<http://www.tidbits.com/resources/2010-11/imovie11_rolling_shutter.png>

  This feature isn’t a magical cure-all; Apple says it works best on 
  footage where the camera is panning left or right. But it can fix 
  wobbly video that might otherwise be unusable.

<http://www.youtube.com/watch?v=mV3Uj45ANQY>


**Side by Side Edit** -- iMovie ’09 introduced a Picture-in-Picture 
  edit that lets you play two clips at once, with one appearing in a 
  small box in a corner of the screen. iMovie ’11 takes the same 
  idea and adds a Side by Side edit that splits the screen vertically. 
  Drag a clip onto the top of another clip in your project and then 
  choose Side by Side from the action menu that appears.

  In the Clip inspector, you can choose whether the added clip appears 
  on the left or right side of the screen, and whether the image 
  slides into frame from the side.

<http://www.tidbits.com/resources/2010-11/imovie11_sidebyside.png>


**Blue Screen** -- Another new edit is Blue Screen, which makes blue 
  areas of a video transparent. iMovie ’09 introduced a Green Screen 
  feature for swapping out backgrounds or other effects—you shoot 
  footage against a green backdrop, then replace the background with 
  an image or other video in iMovie. The problem, of course, is that 
  any green items in the shot, such as clothing, would also become 
  transparent. Blue Screen gives you another option if you happen to 
  shoot things that are often green.


**iMovie Drop Box** -- Following the lead of iTunes, iMovie now has an 
  iMovie Drop Box folder, located at ~/Movies/iMovie Events. If you 
  want to add a lot of movie files in the Finder, add them to that 
  folder; the next time you launch iMovie, you’ll be asked if you 
  want to import the videos.


**Change All Title or Transition Styles** -- If you decide to change 
  the style of an existing title, you can drop a new style onto the 
  section of the clip the title occupies (the video clip turns bright 
  blue to indicate you’re affecting the title). Now, when you 
  replace a title style, iMovie asks if you’d like to replace just 
  the one title or all titles in the project. The same option applies 
  to replacing transitions, too.

<http://www.tidbits.com/resources/2010-11/imovie11_replace_titles.png>


**Quickly Jump to Titles** -- When the Advanced Tools option is 
  enabled in iMovie’s preferences, the Comment marker and Chapter 
  marker tools become visible in the upper-right corner of the Project 
  browser. Clicking the downward-facing triangle just to the right of 
  the buttons lists all the markers you’ve placed in your movie, 
  letting you jump to those sections quickly. In iMovie ’11, that 
  list now also includes all titles in the project.

<http://www.tidbits.com/resources/2010-11/imovie11_titles_list.png>


**Preview with Stabilization** -- After you analyze a clip in the 
  Event browser for stabilization, you usually don’t see the effects 
  of the stabilization until you add the clip to a project. 
  Right-click (or Control-click) the clip in the Event browser and 
  choose Play with Stabilization Preview to see how the stabilized 
  footage will appear.


**Movie Trailer Customization** -- The movie trailers that you can 
  create are fairly rigid in the number of clips that are included, 
  because the edits are timed to the background music. (You can 
  convert a movie trailer to a regular project and then edit it as you 
  wish, however—choose File > Convert to Project.) Several of the 
  trailer templates offer customization options.

  For example, in the Pets trailer, you can choose whether the trailer 
  is about a dog, cat, horse, or _monster_, with accompanying animal 
  track images based on your selection.

<http://www.tidbits.com/resources/2010-11/imovie11_trailer_monster.png>

  In the Blockbuster, Friendship, and Travel trailers, you can set 
  between two and six cast members; there are five different music 
  tracks to accommodate the changes, all timed correctly.

<http://www.tidbits.com/resources/2010-11/imovie11_trailers_add_cast.png>


**Made with Morse** -- Speaking of trailers, you can choose which 
  studio logo appears at the front. In the Signals Across the Globe 
  trailer, the music that plays in the background is actually Morse 
  code for “Made with iMovie.”


**Still More Trailer Trivia** -- That spinning globe studio looks 
  awfully familiar, doesn’t it? To avoid any legal entanglements, 
  Apple made sure that you can’t type real movie studio names in the 
  logo sequences, such as Universal or Paramount; the names are 
  replaced with three dashes.

  Also, when choosing a trailer style, if you watch the preview for 
  the Action trailer, the character of “Matt” is actually iMovie 
  developer Randy Ubillos.


**Quick Mute a Range of Audio** -- iMovie ’09 let you mute a clip 
  quickly: with an entire clip selected, press Command-Shift-M to mute 
  the track. That still works in iMovie ’11, but you may not want to 
  mute the entire clip. Instead, select a range in a clip’s audio 
  waveform and press the Delete key to drop the volume level to zero. 
  Pressing delete on a range that’s been edited returns it back to 
  its default.


**Cloudy Forecast** -- If you add the Blue Marble Globe map, bring up 
  the Clip inspector and enable the Show Clouds option to add a light 
  layer of cloud cover. Also, a Show Route Line/Cities option lets you 
  turn off the Indiana Jones-style travel line and city labels if you 
  wish.

<http://www.tidbits.com/resources/2010-11/imovie11_map_clouds.png>


**Avoid Skim Drift** -- Skimming is an integral part of working within 
  iMovie: whenever your mouse pointer appears in the Project browser, 
  the playhead appears and the current frame is shown in the Viewer. 
  Sometimes, as you’re dragging, your pointer may drift up or down 
  and out of a row (unless you’re being very deliberate about moving 
  your mouse or finger on a trackpad perfectly horizontal). If this 
  happens to you frequently, as it does to me, hold down Option and 
  Shift when skimming. The cursor is held in the middle of the row, 
  even if you drift with the mouse pointer.


**More to Discover** -- These are just some of the bigger changes in 
  iMovie ’11. There are a lot more tiny details in how the program 
  works, such as animated panel openings and closings, the capability 
  to split detached audio tracks using the contextual menu, and direct 
  import from an iPhone. Although movie trailers have gotten the bulk 
  of the attention, this version of iMovie is a pretty deep update. 
  (For more details, see the “First Look: iMovie ’11” and 
  “iMovie ’11 Review” articles I wrote for Macworld.)

<http://www.macworld.com/article/155123/2010/10/firstlookimovie11.html>
<http://www.macworld.com/reviews/product/710254/review/imovie_11.html?expand=true>


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A Eulogy for the Xserve: May It Rack in Peace
---------------------------------------------
  by Chuck Goolsbee <cg@goolsbee.org>
  article link: <http://db.tidbits.com/article/11735>

  Apple’s Xserve was born in the spring of 2002 and is scheduled to 
  die in the winter of 2011, and I now step up before its mourners to 
  speak the eulogy for Apple’s maligned and misunderstood server 
  product. 

<http://www.apple.com/xserve/>

  As a datacenter professional, I’ve been immersed in the world of 
  servers for the past twenty years, and have worked in environments 
  numbering from a handful of servers in a closet, to tens of 
  thousands of servers distributed in multiple large datacenter 
  facilities. I have hands-on experience with every server product 
  that Apple ever shipped (and one that never saw the light of day), 
  as well as servers from other manufacturers, such as Dell, HP, IBM, 
  Sun, and many lesser-known and defunct brands. But this eulogy comes 
  not solely from my experience, since I asked my industry peers via 
  the Macintosh Managers mailing list to share their thoughts on this 
  historic event, along with their collective history with the Xserve 
  and its competitors and predecessors.

<http://www.mac-mgrs.org/>

  The conclusion we come to is that the Xserve never sold as well as 
  it could have. It was hobbled from the start, by Apple’s lukewarm 
  support, by its basic design, and by software that never quite lived 
  up to its promise. Apple says “servers don’t sell,” yet 
  selling servers is exactly what Dell, HP, and others do, in high 
  volume and with good margins. So why did the Xserve have to die?

  The Xserve’s appearance in 2002 was a surprise to those of us who 
  manage computer networks. Apple had withdrawn entirely from the 
  server hardware market in 1997 when the company “Steved” the 
  entire server line and laid off the server group. Before that, the 
  Workgroup Server and Network Server product lines, launched in 1993 
  and 1996 respectively, saw some small success but were a minuscule 
  footnote to Apple’s range of consumer- and professional-focused 
  offerings. 

  Apple has always had an uncomfortable relationship to what is 
  commonly called “the enterprise”—showing just enough interest 
  to stay involved, but never committing sufficiently to make a real 
  dent in the marketplace, outside of education. Even today, when 
  MacBooks abound in classrooms and corporate offices, hardware 
  emblazoned with the bitten apple trademark is a rare sight inside a 
  datacenter. Apple just doesn’t know how to market and sell to big 
  business, and the Xserve suffered because of this. 

  Despite Apple’s failings in dealing with the enterprise market, 
  the Xserve started well though, because in its early days it had 
  some serious advantages over the competition. The PowerPC G4 
  processor in the original Xserve had excellent compute power, while 
  consuming very little electricity compared to the Intel chips of the 
  day. In 2003 Apple added the Cluster Node version of the Xserve and 
  a storage array in the form of the Xserve RAID. The Xserve RAID was, 
  at the time, the industry leader in terms of “byte for the 
  buck”—it got you the most storage for the least cost. I saw it 
  being used and deployed by companies that had never considered using 
  Apple hardware before. High-profile compute clusters were being 
  built with Apple hardware and were gaining recognition in the 
  supercomputer realm. Unfortunately for those who purchased these 
  devices, Apple’s support for the Xserve product line peaked right 
  at the start. Things started coming off the rack rails starting in 
  2004, when the PowerPC G5-based Xserve was introduced.


**Hardware Issues** -- The Xserve’s basic design was not flexible 
  enough to adapt to changing technology or market needs. Rack-mounted 
  servers are measured primarily in height. Width is fixed by the 
  industry-standard 19-inch rack. (23-inch-wide racks exist, but are 
  rarely deployed outside of telecom facilities.) Racks are divided 
  vertically by multiples of a “rack unit” (abbreviated as RU or, 
  more commonly, U) which is 1.75 inches high. A typical server rack 
  is 42 rack units tall.

<http://en.wikipedia.org/wiki/Rack_unit>

  Apple chose to design the Xserve to be 1U, meaning 1.75 inches high. 
  While this made sense for compute clusters, it meant that for 
  general purpose needs, the Xserve would always be limited in how 
  many disk drives and features it would have, or how convenient it 
  would be to use and maintain. The main issue with the 1U size was 
  that in order to make the server feature-rich enough to satisfy the 
  majority of customers’ needs, it would have to be outrageously 
  long. The Xserve started out life 28 inches long, and grew 2 more 
  inches over time, leading the industry in overall length of server 
  hardware. Along with limiting features, the long 1U form factor also 
  proved awkward in datacenters, where the Xserve stuck out further 
  than servers from most other manufacturers.

  I believe that the Xserve would have been a far more versatile 
  server platform had it been designed from the start with a 2U 
  (3.5-inch-high) chassis for everything other than Cluster Node 
  Xserves. This would have allowed much greater storage and internal 
  RAID options without making the server ridiculously long. Even 
  worse, the PowerPC G5 and Intel CPUs in the later Xserves required 
  more electricity to run and generated more heat, and therefore 
  required more cooling. The Xserve’s original 1U design had to be 
  compromised with large cooling ducts, which required losing a disk 
  drive bay. A 2U chassis design would have enabled Apple to upgrade 
  CPUs, offer far more storage, have redundant power supplies much 
  earlier, maintain cooling, adapt to 2.5-inch drive bays, and provide 
  a full complement of ports on the front of the server. 

  (Front-mounted ports are vital in today’s datacenters, where the 
  “hot aisles,” meaning the backs of the servers, are usually 
  contained inside an enclosure to partition hot air from the server 
  intakes. People work in the “cold aisles” and avoid the hot 
  ones, hence front-side user ports.) 

  Other design issues plagued the Xserve:

* Disk drive bays that were far too easy to pop out of place 
  accidentally. This was the most commonly cited annoyance of the 
  Xserve in my correspondence with Mac Managers list members, and 
  caused serious unplanned downtime issues for many of them.

* A change in disk drive interface design (PATA to SATA) midway 
  through the product line. Every Xserve customer probably bought a 
  “wrong” replacement drive module at least once.

* A complicated rack mounting mechanism that changed with almost every 
  iteration of Xserve.

* Structural weakness in early Xserves. They tended to bend downward, 
  sagging in the middle, earning the name “Grinning G4.”

* Swapped network and power port positions in 2008. This provided the 
  option for dual power supplies, but it threw a huge monkey wrench 
  into cable management in existing racks of Xserves. (Power and 
  network are traditionally managed to be on opposite sides of 
  high-density server racks to minimize potential interference. 
  Changing this causes huge problems for datacenter managers.)

* Expensive spare parts that were priced far higher than those from 
  other server manufacturers. Disk drives were noted by many of my 
  peers to be outrageously priced, and hard to find in certain 
  capacities. You can still buy replacement 250 GB drives from HP and 
  Dell, but Apple stopped selling them years ago. This makes managing 
  RAID installations (which need matched drives) very difficult.


**Software Issues** -- The Xserve shipped with and required Mac OS X 
  Server, and more than anything it was Mac OS X Server’s 
  limitations and frustrations that kept the Xserve behind its rivals 
  over time. However, in the beginning Mac OS X Server had one big 
  advantage: Apple charged no per-user licensing fees. In 2002, that 
  was a disruptive market move and provided ammunition to the switcher 
  movement then underway. When compared to Microsoft’s insanely 
  complex pricing, Apple’s straightforward approach was both 
  refreshing and compelling.

  Mac OS X Server does an excellent job of meeting the basic needs of 
  Apple’s traditional customer base in terms of managing user 
  accounts, setting up email, file sharing, and so on. But anyone who 
  tries to extend Mac OS X Server beyond those boundaries quickly 
  discovers its limitations. The problem is that Mac OS X Server’s 
  key benefit was that it provided a graphical interface for the Unix 
  server software running under the hood. Unfortunately, Mac OS X 
  Server’s graphical administration tools have never been fully 
  fleshed out, and system administrators soon learned to bypass them 
  and perform all administration tasks from the command line or with 
  Web-based administration tools. Worse, the graphical and command 
  line approaches were often at odds. Many actions taken in the Server 
  Admin application, for instance, or even upgrades, would overwrite 
  configuration files edited at the command line in ways that 
  weren’t possible from within Server Admin, causing no end of 
  frustration. 

  This led many to ask, “If I’m better off going into a pure Unix 
  command line administration environment, why should I pay a premium 
  to buy an Xserve and use a slightly strange version of Unix?” Many 
  eventually chose the path of least resistance, switching to standard 
  versions of Linux or FreeBSD on commodity server hardware. 

  Another big issue is that Mac OS X Server is challenging to 
  integrate into corporate user management systems, especially 
  Microsoft’s Active Directory. Plus, Apple has been slow to allow 
  Mac OS X Server to be virtualized, and places strict limits on how 
  it can be run in a virtualized environment (primarily, that it must 
  run on Apple hardware). These last two items were cited frequently 
  by my peers as huge friction-creating issues when integrating 
  Xserves into large IT environments where directory services and 
  virtualized servers are becoming the norm.

  So what began with such promise in May 2002 will finally be laid to 
  rest in January 2011. The Xserve was like that young athlete who 
  blew out his knee before he ever had a chance to compete for an 
  Olympic medal—we’ll never know what it could have become, 
  because it was never allowed to reach its full potential. What was 
  once ground-breaking technology was swiftly outpaced by its 
  competition due to Apple’s neglectful lack of development, along 
  with some initial design flaws in hardware and software that were 
  either slow to be addressed, or continue to nag users to this day. 

  The Xserve’s demise raises the question of whether Apple is giving 
  up on servers entirely, or just retreating to the Mac Pro (now 
  available in a server configuration) and the Mac mini (which already 
  comes in a server configuration). The latter seems more likely, 
  since while the Mac Pro and Mac mini aren’t appropriate for 
  datacenter use (one is too large and the other too small), they’ll 
  work fine as small office servers. Apple has published a PDF-based 
  Xserve Transition Guide outlining the options. In short, a 12-core 
  Mac Pro is equal to or better than an 8-core Xserve in performance 
  and exceeds it in expandability; the main downsides are the lack of 
  lights-out management and dual redundant power supplies, higher 
  power use, and a vast amount of wasted space in a rack. The Mac 
  mini, on the other hand, lags far behind the Xserve in nearly every 
  way, other than price. 

<http://images.apple.com/xserve/pdf/L422277A_Xserve_Guide.pdf>

  Regardless of what Apple does with servers in the future, for now we 
  can shed a tear for the Xserve—may it rack in peace. 


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TidBITS Watchlist: Notable Software Updates for 8 November 2010
---------------------------------------------------------------
  by TidBITS Staff <editors@tidbits.com>
  article link: <http://db.tidbits.com/article/11732>

**TweetDeck 0.36.1** -- TweetDeck 0.36 is here, and its hallmark 
  feature unleashes a live stream of Twitter posts that can shower 
  down upon you. It’s what Twitter calls “real-time streaming,” 
  and means that new tweets appear in your TweetDeck timelines as they 
  are posted, instead of only showing up when TweetDeck periodically 
  checks for them. (If you prefer periodic updates, an option in 
  TweetDeck’s preferences disables real-time streaming.) Also 
  included in the release is support for Twitter’s forthcoming 
  change to how tweets are stored behind the scenes; all Twitter 
  clients will need to update themselves by the end of November to 
  maintain compatibility with the service. The 0.36.1 release corrects 
  a few bugs from the initial 0.36 version, including the positioning 
  of retweets in the timeline and issues with Facebook posting and 
  “reply all” functionality. (Free, requires Adobe Air)

<http://www.tweetdeck.com/>
<http://blog.tweetdeck.com/top-gun-or-top-cat-tweetdeck-v036-will-take-y>
<http://engineering.twitter.com/2010/06/announcing-snowflake.html>

  Read/post comments about TweetDeck 0.36.1.

<http://db.tidbits.com/article/11729#comments>


**Mac Pro EFI Firmware Update 1.5** -- Apple has released Mac Pro EFI 
  Firmware Update 1.5, which it recommends for all Mac Pro (mid-2010) 
  models. The update fixes an issue that prevented the firmware 
  password prompt from appearing, along with a more esoteric issue 
  where the Boot Picker wouldn’t appear when you’re connected to 
  an Ethernet network without DHCP enabled. Apple’s instructions for 
  installing the firmware update are to shut down after the 
  installation completes, and then hold down the power button until 
  its light flashes or you hear a long tone. As always, Apple urges 
  you not to unplug, shutdown, restart, or disturb your Mac during the 
  firmware installation process. (Free, 1.96 MB)

<http://support.apple.com/kb/DL1321>

  Read/post comments about Mac Pro EFI Firmware Update 1.5.

<http://db.tidbits.com/article/11725#comments>


**Data Rescue 3.1** -- Yes, everyone should have backups, but not 
  everyone does, and those who find themselves needing to recover data 
  will be pleased to learn that Data Rescue from Prosoft Engineering 
  has been updated to version 3.1. The new version packs in a host of 
  new features and fixes. The software now runs natively in 64-bit on 
  supported Macs, the Workspace and Home Folder workflows are simpler, 
  new file types are now supported, and a new contextual menu offers 
  quicker access to common features. Fixes for recovering certain file 
  types, erasing, and a few crashes are also included. You’ll find 
  complete release notes on MacUpdate. ($99 new, free update, 13 MB)

<http://www.prosofteng.com/products/data_rescue.php>
<http://www.macupdate.com/info.php/id/10259/data-rescue>

  Read/post comments about Data Rescue 3.1.

<http://db.tidbits.com/article/11719#comments>


**Adobe InDesign CS5 7.0.3** -- Folks who spend their days doing 
  layout will be delighted to learn that Adobe has updated InDesign 
  CS5 to version 7.0.3. The new version includes dozens of fixes. 
  Among them: InDesign now works better at recognizing files used by 
  others in a mixed Windows/Mac environment, various crashes are 
  corrected, Search for Help now works properly again, and Photoshop 
  imports work even better. Many more fixes can be found in the 
  release notes at MacUpdate. ($699 new, free update, 24.5 MB)

<http://www.adobe.com/products/creativesuite/>
<http://www.macupdate.com/info.php/id/4524/adobe-indesign-cs5>

  Read/post comments about Adobe InDesign CS5 7.0.3.

<http://db.tidbits.com/article/11718#comments>


**Logic Express 9.1.3** -- In what’s sure to be music to the ears of 
  Logic devotees, Apple has updated Logic Express to version 9.1.3. 
  Apple says that the update delivers improved stability and 
  compatibility, specifically for Hyper-Threading. Also included in 
  the update are fixes for various issues related to the recent 9.1.2 
  update, including crashes, a bug with certain Pedalboard stompboxes, 
  and an incompatibility with TouchOSC Control Surface plug-ins. 
  Helpfully, Apple provides a detailed list of changes. ($199 new, 
  free update, 139.68 MB)

<http://support.apple.com/kb/DL1015>
<http://support.apple.com/kb/TS2567>

  Read/post comments about Logic Express 9.1.3.

<http://db.tidbits.com/article/11724#comments>


**PopChar X 5.1** -- If you find yourself hunting for unusual Unicode 
  characters, you’re in luck, because Ergonis Software has released 
  PopChar X 5.1 . This latest update of the venerable font utility 
  introduces support for Unicode 6.0. Also included in the new version 
  are better in-software upgrade options, a new contextual menu item 
  for removing recent characters, and the removal of some 
  “irritating” console messages (Ergonis’s term, not ours!). 
  Several fixes are also part of the 5.1 release: problems with 
  inserting characters into Espresso and Filemaker Pro are addressed, 
  as are errant beeps at midnight, a problem after waking your 
  computer from sleep, and a Mac OS X bug that caused issues when 
  copying and pasting certain bitmap pictures. (€29.99 new, free 
  update, 2.3 MB)

<http://www.ergonis.com/products/popcharx/>

  Read/post comments about PopChar X 5.1.

<http://db.tidbits.com/article/11716#comments>


**TwitExport 2.0.1** -- With TwitExport, Blue Crowbar Software has 
  renamed and combined the iPhoto2Twitter and Aperture2Twitter export 
  plug-ins, which let you tweet directly from within iPhoto and 
  Aperture, including a selected photo as a link to TwitPic or 
  Mobypicture. (For details, see “iPhoto2Twitter Simplifies Tweeting 
  Photos,” 9 June 2009.) The name change came about with the need to 
  meet Twitter naming requirements when switching to Twitter’s OAuth 
  authentication method a few months ago; Blue Crowbar also took the 
  opportunity to refine the user interface a bit. TwitExport can also 
  now install in either iPhoto (where it also supports sharing movies 
  to Mobypicture) or Aperture. TwitExport works with iPhoto ’08 and 
  ’09, along with the just-released iPhoto ’11; with Aperture, 
  TwitExport requires either version 2.1.4 or 3.0.3 and later. ($5.90 
  new, free upgrade, 410 KB)

<http://www.bluecrowbar.com/twitexport/>
<http://twitpic.com/>
<http://www.mobypicture.com/>
<http://db.tidbits.com/article/10338>
<http://blog.bluecrowbar.com/post/898269132/twitexport>

  Read/post comments about TwitExport 2.0.1.

<http://db.tidbits.com/article/11713#comments>


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ExtraBITS for 8 November 2010
-----------------------------
  by TidBITS Staff <editors@tidbits.com>
  article link: <http://db.tidbits.com/article/11731>

  Three additional bits for you this week: a warning of a daylight 
  saving time bug in iOS 4.1, news of the Hulu Plus service becoming 
  available without an invitation, and a MacVoices podcast in which 
  Jeff Carlson talks about iMovie ’11.


**Reset iOS Clock App Alarms after Daylight Saving Time Change** -- 
  There’s a bug in iOS 4.1 that causes repeating alarms in the Clock 
  app to trigger an hour later than they should shortly before and 
  after the daylight saving time change. Apple says the bug is fixed 
  in the forthcoming iOS 4.2, but in the meantime, you can fix your 
  alarms by deselecting all days in the repeat interval, saving, and 
  then resetting the alarms for the days you need them.

<http://support.apple.com/kb/TS3542>

  Read/post comments

<http://db.tidbits.com/article/11734#comments>


**Hulu Plus Opens Up** -- The $9.99-per-month subscription version of 
  Hulu is now open as a preview without a previously required 
  invitation. The Hulu Plus service features full seasons of current 
  and past major NBC, Fox, and ABC shows that stream to an iOS device 
  using a free app, and in HD to a computer’s browser.

<http://blog.hulu.com/2010/11/04/more-content-more-devices/>

  Read/post comments

<http://db.tidbits.com/article/11721#comments>


**Jeff Carlson Talks iMovie ’11 on MacVoices** -- Last week Jeff 
  Carlson chatted with Chuck Joiner about what’s new in iMovie ’11 
  and his TidBITS article, “15 Secrets of iMovie ’11” for the 
  MacVoices podcast. Chuck is always great to talk to, and indulged 
  Jeff when he found himself having to back up and explain things like 
  rolling shutter, CMOS camera sensors, and interlaced video footage.

<http://www.macvoices.com/wordpress/macvoices-10125-jeff-carlson-looks-at-the-known-and-unknown-features-of-imovie-11/>

  Read/post comments

<http://db.tidbits.com/article/11720#comments>


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