At WWDC, Apple threw back the curtains on macOS 10.15 Catalina, bringing the Mac ever closer to iOS without losing sight of what makes the Mac unique. We’re particularly impressed with the work the company did on accessibility features.
Apple has pushed Dark Mode hard in Mojave, and it will appear in iOS 13 as well. If Apple thinks Dark Mode is such a good idea, should you switch to it? Only if you’re more interested in being trendy than productive, since the science behind human visual perception is resoundingly against Dark Mode.
In keeping with our tradition, we’re going to take off the last few weeks of the year to spend with family and friends, so look for the next email issue of TidBITS on 7 January 2019. Thanks for your attention in 2018, and we hope you’ve enjoyed both our content and our site redesign this year!
The iPad is a great tool for reading electronic books, but its default settings and apps are unlikely to be ideal for your eyes. Charles Maurer draws from research into vision and perception to suggest how to tweak your iPad’s display to be more legible.
Are you a serious photographer who’s frustrated by the limitations of the iPhone’s camera? A new app opens up more of its potential, but it can’t work magic.
The XQ1 is a pocket-sized point-and-shoot from Fujifilm that can pinch-hit for pros when teamed up with the application Photo Ninja. Charles Maurer looks at both products and shows how they work together.
Former commercial photographer Charles Maurer shares the details about a new small camera that competes with the heavyweights and wins.
Despite selling over one million units, FileMaker Inc. has announced that it is discontinuing its personal database product Bento. Adam Engst delves into the details, and suggests that the moral of the story is that we users must constantly be vigilant when relying on an app or service to make sure we have an exit strategy.
A previous chapter talked a lot about adding metadata during the import process because that’s the easiest way to apply it. Assigning keywords and other information during that initial stage takes some prep time, but when you click the Import button, the metadata is applied with a broad brush across all your incoming photos. After import, though, you still have some touch-up work to do. To make your photos easily searchable later — the ultimate goal in our organization project — you also need to apply more-specific metadata to individual photos. This might include identifying people and landmarks, or describing shots. In this chapter, I look at how to choose good keywords and how to apply them smartly. I also discuss how to fix incorrect dates and times, how to apply geolocation information, and why it may not be worth investing the time in your program’s facial-recognition tools.
A modern mirrorless camera reminds Glenn Fleishman of the joys of analog, manual photography in the best ways.
The iPhone 4S isn’t a revolutionary phone, but it combines several bits of advanced technology into what looks like a compelling upgrade.
Charles Maurer describes a fundamental problem with today's digital cameras, provides some insight into a professional's approach to photography, and reviews two small cameras that he recently bought.
Many publications review digital cameras but they don't tell you as much as they seem to. Charles Maurer explains the problems with these reviews and suggests a different approach to buying cameras.
If you have a bazillion windows open on your Mac's screen, a simple utility, Witch from Many Tricks, may be the window-switcher you've been missing.
We've been living with digital cameras for years now, but when editing digital photos, we're still largely imitating the effects and manipulations that were developed in the days of film. That's no longer necessary. In this article, Charles Maurer explains an intrinsically digital approach to photography that doesn't mimic film processes or require pixel-by-pixel manipulations.